One of Italian Neorealism’s last and deepest sighs, with Carlo Battisti as a retired civil servant, impoverished and isolated trying to survive in a society that has dispensed with him. His only relationship is with his beloved dog, and when it runs away the effect on him—on us watching—is devastating. Cesare Zavattini, the writer who defined Neorealism as much as its directors did, never wrote more simply and directly and De Sica realizes his work with perfect clarity.
All-TIME 100 Movies
TIME's Richard Corliss updates our All-TIME 100 list of the greatest films made since 1923 — the beginning of TIME — with 20 new entries
Umberto D
Full List
Behind the List
A - C
- Aguirre: The Wrath of God
- The Apu Trilogy
- The Awful Truth
- Baby Face
- Bande à part
- Barry Lyndon
- Berlin Alexanderplatz
- Blade Runner
- Bonnie and Clyde
- Brazil
- Bride of Frankenstein
- Camille
- Casablanca
- Charade
- Children of Paradise
- Chinatown
- Chungking Express
- Citizen Kane
- City Lights
- City of God
- Closely Watched Trains
- The Crime of Monsieur Lange
- The Crowd
D - F
G - J
K - M
N - P
Q - S
T - Z
Great Performances
Guilty Pleasures
- Gone With the Wind, 1939, Victor Fleming, U.S.
- Tenth Avenue Angel, 1949, Roy Rowland, U.S.
- Sailor Beware, 1951, Hal Walker, U.S.
- Diabolique (Les Diaboliques), 1955, Henri-Georges Clouzot, France
- School Girl, 1971, David Reberg, U.S
- There’s Something About Mary,1998, Bobby and Peter Farrelly, U.S.
- Anatomy of a Murder, 1959, Otto Preminger, U.S.
- Gun Crazy, 1949, Joseph H. Lewis, U.S.
- The Incredible Shrinking Man, 1957, Jack Arnold, U.S.
- Joe Versus the Volcano, 1990, John Patrick Shanley, U.S.
10 Best Soundtracks
Talkback