Minor social embarrassment—people start showing up for a dinner party its hosts are unaware they are throwing—turns into a genial exercise in surrealism. Buñuel, who had previously explored similar situations more dramatically, is in a good-natured, autumnal mood here (he was 72 when he made this movie). His six middle-class friends keep trying to have a nice meal together, but something—love-making, military exercises, criminal activities, even a sequence where they find themselves on stage in a play, playing themselves—keeps preventing them from breaking bread. Buñuel, abetted by his long time screenwriting partner, Jean-Claude Carrière, is a deft and casual movie magician, here grown rather fond of a class he has previously savaged on a regular basis, so he never strains for effect or big-time meaning. He just lets the fun (and the surprises) roll on. The result is sheer delight.
Many of the “U.S.” films on this list—at least those made up to 1960—were directed by foreigners. The Germans, French and English came to Hollywood—because that’s where the action was, the reach and the money—and quite often brought an outsider’s vision, as fascinated as it was skeptical, to American social issues. That surely was the case with the German-born Wyler and his film of the Sinclair Lewis novel about the fraying ties of a plutocrat (Walter Huston), comfortable in his life of prosperity and propriety, and his restless wife (Ruth Chatterton), who needs a sexual fling to prove she is not ready to trudge placidly into old age. Here is a fearlessly mature drama, wise about affairs of the heart and the ego, with acute performances by the stars, including Mary Astor as a dream woman worth traveling the world for.
The Foo Fighters captured five Grammys and Adele won four, including the song of the year trophy for “Rolling in the Deep,” at a Grammy ceremony that had the difficult task of celebrating music’s best while mourning the loss of one of their greatest, Whitney Houston.
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