Red Alert, the novel on which this movie was based, is a standard technothriller of its time: Cracked soldier launches H-bomb attack on Russia, with everyone pulling back from the brink in the nick of time. In Kubrick’s version, one last bomber plows through to Armageddon, a food fight takes place in the U.S. War Room and a crippled scientist is moved by the thrill of it all to lurch to his feet, raise his arm in the Nazi salute and cry out, “Mein Fuhrer, I can walk.” Kubrick’s remains perhaps the blackest comedy ever put on screen, and with Peter Sellers brilliantly playing multiple roles, the blackest, funniest movie of the post-war era.
The most important and entertaining star of east Asian cinema, Jackie Chan survived a boyhood in a punishing Peking Opera school, and his early screen days as “the next Bruce Lee” to create his own genre of martial-arts comedies. In each, he blended his engaging personality with beautifully choreographed, literally death-defying stunts —which, famously, Jackie performed himself. In his 1978 breakthrough, Yuen Wo-ping’s Drunken Master, Chan played the real-life kung-fu hero Wong Fei-hung as an impish young man in need of a sifu (teacher) who could purify his technique and his spirit. In the sequel, 16 years later, Jackie is still a young Fei-hung (Anita Mui, eight years his junior, played his mother!), now up against malicious generals, spies and a hundred bad guys with superhuman fighting skills. The greatest of these is Ken Lo (Chan’s offscreen bodyguard), whose battle over hot coals is an exhibition of flying arms and feet that leaves the two actors exhausted and the viewer’s jaw on the floor. Jackie starred in, and directed, many wonderful action films in his pre-Hollywood days. This one can stand at the peak.
The Foo Fighters captured five Grammys and Adele won four, including the song of the year trophy for “Rolling in the Deep,” at a Grammy ceremony that had the difficult task of celebrating music’s best while mourning the loss of one of their greatest, Whitney Houston.
From Nicki Minaj’s Red Riding Hood getup to Katy Perry’s head-to-toe blue ensemble, TIME rounds up some of the best (and worst!) sartorial choices at the annual music awards show.