The Rio de Janeiro slum known as Cidade de Deus might be a Martian landscape, so remote in spirit is it from the smooth beaches where the rich work on their tans and lines of seduction. In the inner city the activity is life-and-death, mostly death, and the ruthless men who run the place are boys, some not yet adolescents. Boys their age elsewhere play with plastic guns; these kids shoot real bullets, kill people, for the love or the hell of it. Bang, you’re dead. Ha ha. Luis Bunuel’s Los Olvidados portrayed similar young toughs in Mexico City a half-century earlier, using a mixture of realism and surrealism. Meirelles and Lund used a pinwheeling, hypertrophic style; no static camera could keep up with the hurtling pace at which these kids rushed to their doom. As sociology, it’s tragic; as cinema, a stupendous, joyous jolt.
All-TIME 100 Movies
TIME's Richard Corliss updates our All-TIME 100 list of the greatest films made since 1923 — the beginning of TIME — with 20 new entries
City of God
Full List
Behind the List
A - C
- Aguirre: The Wrath of God
- The Apu Trilogy
- The Awful Truth
- Baby Face
- Bande à part
- Barry Lyndon
- Berlin Alexanderplatz
- Blade Runner
- Bonnie and Clyde
- Brazil
- Bride of Frankenstein
- Camille
- Casablanca
- Charade
- Children of Paradise
- Chinatown
- Chungking Express
- Citizen Kane
- City Lights
- City of God
- Closely Watched Trains
- The Crime of Monsieur Lange
- The Crowd
D - F
G - J
K - M
N - P
Q - S
T - Z
Great Performances
Guilty Pleasures
- Gone With the Wind, 1939, Victor Fleming, U.S.
- Tenth Avenue Angel, 1949, Roy Rowland, U.S.
- Sailor Beware, 1951, Hal Walker, U.S.
- Diabolique (Les Diaboliques), 1955, Henri-Georges Clouzot, France
- School Girl, 1971, David Reberg, U.S
- There’s Something About Mary,1998, Bobby and Peter Farrelly, U.S.
- Anatomy of a Murder, 1959, Otto Preminger, U.S.
- Gun Crazy, 1949, Joseph H. Lewis, U.S.
- The Incredible Shrinking Man, 1957, Jack Arnold, U.S.
- Joe Versus the Volcano, 1990, John Patrick Shanley, U.S.
10 Best Soundtracks
Talkback
