Kung-fu movies came to the West via the grunting charisma of Bruce Lee. But his were standard revenge thrillers, showcases for the acrobatics of machismo. For a marriage of martial and cinematic art, King Hu was the man. And A Touch of Zen, the first Chinese action movie to win a prize at the Cannes Film Festival, is his masterpiece. In this three-hr. epic, a modest scholar (Shih Jun) hooks up with a resolute girl (Hsu Feng) to challenge a vicious warlord. Influenced, like so many major Hong Kong action directors of the period, by the samurai epics of Akira Kurosawa and other Japanese directors, Hu brought a unique buoyancy to the action genre. His performers literally bounced (on unseen trampolines) through forests and over hills, and — because Hu’s camera has a muscular grace as well — the viewer soars with them. Leading the acrobatic procession is Hsu Feng. Just 18 when the film was made, she remains the screen’s gravest, most ravishing woman warrior.
They came in rapid succession, as if off a Japanese assembly line: masterpieces galore in the early 50s, from Kurosawa and Ozu and Mizoguchi, who ended his career with four films (The Life of Oharu, Ugetsu, Sansho the Bailiff, Street of Shame) whose pained wisdom and fluidity of form are the film equivalent of Beethoven’s last Quartets. Ugetsu is both a magnificent war film and a parable of careless love. A villager, Genjuro (Masayuki Mori), leaves his wife to go to battle, not to serve the Emperor but to find wealth in war’s spoils. In a spooky castle he meets the glamorous Lady Wakasa (Machiko Kyo)and falls under her spectral spell. Ozu wants to define man’s restless, acquisitive nature and woman’s homing instinct. One creates adventure, the other continuity. These are the building blocks of any story—including the haunting ghost story that Ugetsu, in one of the great tracking shots in cinema history, reveals itself to be.
Sue me, but I like Betty Draper/Francis as a character. The problem is that Mad Men doesn’t. Betty’s not the worst character on the show, but she’s probably the worst-served.