Although I realize that every single person who reads this website assiduously reads the print version of TIME magazine, and vice versa–are you listening, Wall Street?–I’m starting an occasional service for those of you who can’t get enough of my tedious yammering valuable insight at Tuned In by pointing you to my articles in the
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TiVo owners: we’re discerning, we’re loyal, we’re annoying as crap. Get trapped next to one of us at a party, and we’ll soon be jawing your ears off about how our digital video recorders have changed our lives, freed us from slavery to the network schedules and to the lousy knockoff DVRs foisted on us by cable and satellite companies.
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My problem with Brothers and Sisters (ABC, Sundays, 10 p.m.) is not that it is not a good show. It’s not a good show, true. This is the family soap that marks the return of Calista Flockhart to TV, as a right-wing radio host who moves back to California to be closer to her liberal family, which is going through a crisis. Suffice it to
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TV’s newest broadcast network, The CW–"We’re just like UPN and The WB, except greener"–debuted last night, with a two-hour installment of America’s Next Top Model. Some thoughts, in no particular order:
* Dudes, dial down the green graphics. Seriously. It’s the next morning and I can still see bright orange when I stare at a blank
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There’s been a lot written about the profusion of serial shows this fall, which you could call the Lost or Grey’s Anatomy effect on TV. There’s been another, smaller effect, too: the House effect, in which networks have decided that a central, nasty or irascible character means ratings ka-ching! There are two dramas on the fall schedule
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It’s not every TV show that starts off by asking a significant chunk of the audience to imagine, at 8 o’clock in the evening, that they’ve been instantly killed. But that’s what happens in the first episode of Jericho, debuting on CBS tonight, and it’s just warming up. Shortly after a prodigal son (Skeet Ulrich) with a mysterious past
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I want to apologize to the makers of Kidnapped (NBC, Wednesdays, 10 p.m.) for not liking their show better. There’s a catchy enough premise: one kidnapping–the teen son of a superwealthy Manhattan family–investigated over the course of a season. There’s an interesting dual-track dynamic: an FBI agent (Delroy Lindo) leads the FBI
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And verily, Oprah came unto Rachael. And Oprah spake, "Blessed are you, for you are Rachael, and upon this rock I will build my television empire. And neither the gates of the netherworld nor that has-been Martha Stewart shall prevail upon it."
Sorry for going all biblical on you, but there was a whiff of heavenly annunciation about
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The New York Times takes a look today at the evening-news race two weeks after Katie Couric started and finds that she’s made the ratings race more competitive: Last week, CBS and NBC were neck-and-neck, with CBS winning by only 70,000 viewers. After a long period of NBC dominance, it is for now anyone’s game.
An interesting article as
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Tonight, CBS premieres Smith, its entry in the one-name-title, high-class-thieves sweepstakes (Hu$tle, Thief, Heist). I’ll keep my review short, as compensation, since CBS, mercilessly, did not do the same with the pilot. Big Big Movie Star Ray Liotta occupies the grim title role as, you guessed it, a family man with a double life,
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The consensus among TV critics is that this is an unusually strong new season of shows. A good half of the fall’s new shows are potential keepers, with attention-getting premises and cinematic looks. Spurred by challenging hits like Lost and itching for their debuts to
get attention, the networks have fallen back on their most
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It’s rude to forget a birthday, but I believe Emily Post says it’s forgivable when the birthday is your own. Tuned In came into the world on Sept. 13, 2005, during that heady period of the mid-’00s when we all still believed that Martha Stewart was a celebrity. Back then, the blog was supposed to be temporary, intended to review the
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To start off, I would like to apologize on behalf of my race for stealing the chicken. On the first edition of Survivor: Apartheid Island, the only sign of interracial conflict was a minor one, but it reflected poorly on the white man. Jonathan, one of the members of the Caucasian–and when’s the last time you’ve heard that word on
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