It’s a dead zone at the movies this week. Hollywood’s annual exorcism film, The Devil Inside, is the only real new movie release. Like we said, a dead zone.
Starting this week, we’ll be trolling Netflix, Hulu, Amazon Instant …
It’s a dead zone at the movies this week. Hollywood’s annual exorcism film, The Devil Inside, is the only real new movie release. Like we said, a dead zone.
Starting this week, we’ll be trolling Netflix, Hulu, Amazon Instant …
A quarter-century after the French director began it, his grand film essay on movies is finally available in America
War Horse is the story of the unbreakable bond between a young man and his horse. But it’s set during one of the darkest, most violent periods in human history: World War I. Joey the horse charges in battle, pulls cannons up a …
Last year was a bad one for the movie business, with the fewest tickets sold since 1995and revenues that dropped 4.5% from the previous year. Analysts foresee a better year ahead in 2012, and what is it that’s expected to turn …
It’s the end of an era for alt-weekly The Village Voice—and the perfect moment to celebrate a great career.
Margin Call is one of last year’s more surprising little successes. A film about a single night at a Wall Street investment firm when the masters of that little universe discover that their business is about to implode, the …
I used this past holiday weekend the way the lord intended it to be used — as a time to catch up on some new movies. One I made sure to see was The Girl With the Dragon Tattoo, David Fincher’s remake of the Swedish film version …
Sequel, sequel, sequel, sequel, sequel, sequel, sequel, comic book movie, reboot, comic book movie. Those are the top 10 highest-grossing movies of 2011.
Between War Horse, The Adventures of Tintin and the Christmas/New Year’s Jaws marathons on Spike, there’s a decent chance you saw something directed by Steven Spielberg over these past few holiday weekends. And like any director …
Tom Terrific helps spur the box office to a 3% boost over same time, last year
Director Asghar Farhadi shows how, even in the nicest families, things can go horribly wrong