Before helming The Godfather, Francis Ford Coppola wrote the Oscar-winning screenplay for Patton, which featured one of the iconic opening scenes in 20th century cinema. As Coppola was writing The Godfather‘s screenplay, a friend suggested he try for an equally striking opening. Coppola said the part of the book he found most significant was that people call on the don on his daughter’s wedding day because on that day, the don cannot refuse a favor. The undertaker’s story introduced that concept, and also the idea that the laws of the country don’t always protect the citizens, so they call upon the don like clients in the oldest sense, asking for help. Using a “high technology” computerized zoom lens, Coppola started with a tight shot of the undertaker’s face, and then pulled back slowly for 2 min. 20 sec., before holding the shot for another 30 sec. while the undertaker whispers in the don’s ear.
The Anniversary You Can’t Refuse: 40 Things You Didn’t Know About The Godfather
On March 15, 1972, The Godfather hit movie screens. In the four decades since, it has become acknowledged as one of the greatest movies of all time. TIME has compiled the most interesting stories, anecdotes and tidbits from the film's production
That Opening Shot
Full List
The Corleones at 40
- The Cat
- George Lucas Shot Some Footage
- That Opening Shot
- The Alternate Ending
- It Was Initially Set in the 1970s
- The Horse Head
- Coppola Wasn’t the First Choice
- There Was Originally a Different First Scene
- Very Few People Wanted Al Pacino for Michael
- Burt Lancaster as the Don?
- Brando Was Almost a No-Go
- Until His Incredible Screen Test
- Who Is This Coppola Guy?
- A Palace Coup
- The Prince of Darkness
- There Are Very Few Unorthodox Camera Shots
- Kay and the Wig
- Brando and the Cue Cards
- Pacino Hurt Himself Early in the Shoot
- Everyone Wanted to Know What Brando Looked like as the Don
- Luca Brasi Fumbles His Lines
- Lots of Bare Butt Cheeks
- What’s with All the Oranges?
- Marlon Brando Was a Real Prankster
- Luca Brasi Was a Pro at Dying
- Offensive to Italians?
- What’s the Mob?
- The Succession Scene Needed a Major Rewrite
- Death by a Thousand Bullets
- A Too-Realistic Fight
- Sofia Coppola Played a Boy
- The Baptism Montage
- Deleted Scene No. 1: Michael Shoots His Wife’s Killer
- Going to See Genco in the Hospital
- The Problem with Sinatra
- Vic Damone Was Almost Johnny Fontane
- The Film Was a Family Affair
- The Score Was Honored (and Then Rejected) by the Oscars
- Each of the Main Male Actors Got Oscar Noms
- Ushering in the Age of the Modern Blockbuster