Reviews

Your Highness’ isn’t just a bad movie, it’s ‘the’ bad movie — a work of ur-awfulness, counterbrilliance and antigenius

Over-eager in almost every way, Joe Wright’s thriller keeps pressing scenes of deliberate, off-putting weirdness

Duncan Jones played with twisted realities in “Moon.” Now he’s back, scrambling up the timeline with “Source Code:” The story of a military man who can relive the last eight minutes of another’s life, on the hunt for a train bomber

Director David Schwimmer’s grim story of Internet-based pedophilia is hard to watch but impossible to ignore

Director Zack Snyder’s limp stab at girl-power fantasia wusses out on divine delirium

The second installment of the surprise hit Wimpy Kid series is warm, wry and better — or at least nicer — than the book

Simon Pegg, Nick Frost and Seth Rogen have amiable fun skewering sci-fi clichés, but Paul never quite lives up to their talents

Granted extraordinary intelligence by a black-market drug in Limitless, Bradley Cooper’s character decides the best use of his new powers is corporate raiding. Is there an originality pill he could’ve taken instead

In this tale of a suburban schlub in need of redemption, Paul Giamatti and writer/director Thomas McCarthy craft a film that’s warm, edgy and — you guessed it — winning

This remake of Charlotte Brontë’s Jane Eyre hits the jackpot with Mia Wasikowska

What with the jittering camera aesthetic, clunky script, and creaky clichés, Battle Los Angeles won’t live long in the memory

A sexed-up, dumbed-down cross between the children’s fairy tale and ‘The Wolfman,’ ‘Red Riding Hood’ is mostly a snack for tweens between meals of ‘Twilight’

George Nolfi’s up-and-down movie, The Adjustment Bureau, sees two lovers who fight the system to forge their own destiny together after they determine the random occurrences in life aren’t so random