The first album from the Kanye-West-led collective is available Sept. 18
Reviews
Postcards from the Festivals: Seven Films at Toronto and Venice
What did you miss by skipping the September fests? This batch of movies, some worth catching
Lil Wayne Is Rabid, Raw on Dedication 4
The rapper’s latest mixtape contains moments both great and questionable
The Perks of Being a Wallflower: A Teen Angel’s Dreamy Angst
Emma Watson of the Harry Potter franchise comes to America to comfort a lonely high-school freshman in Stephen Chbosky’s film of his young-adult best-seller
Richard Gere Is Ruthless and Ruthlessly Good in Arbitrage
First-time feature film director Nicholas Jarecki stacks this financial thriller with twists, turns and strong performances
The Master: Neither a Scientology Exposé Nor a Cinema Masterpiece
Admirers of L. Ron Hubbard can relax; fans of writer-director Paul Thomas Anderson may be disappointed in his meandering new drama
Hyde Park on Hudson: FDR and the Stammering King
Despite a game impersonation of Roosevelt by Bill Murray, this intimate bio-pic chokes on its own tattle and smarminess
Bob Dylan Creates a Perfect Storm on Tempest
The legendary artist burns bright on his 35th studio album
Liberal Arts: How I Met the Inappropriately Young College Student
Sitcom star Josh Radnor—Ted from ‘How I Met Your Mother’—makes a film about a mid-30s admissions officer who falls for a free spirited college student (Elizabeth Olsen)
Silver Linings Playbook: Bradley Cooper and Jennifer Lawrence Go Dancing on the Edge
David O. Russell’s modest indie romcom offers nothing original but the chance to spend a couple hours in the hating-then-loving company of two engaging stars
The Wachowskis’ Cloud Atlas at Toronto: Unique and Earthbound
The new film from the ‘Matrix’ team bustles through six stories spanning hundreds of years, but its achievements rarely match its vaulting ambition
Anna Karenina: Keira Knightley Takes Center Stage in Bold Adaptation
Tolstoy’s classic becomes film within theater thanks to Tom Stoppard’s script and Joe Wright’s direction
Argo at Toronto: An Oscar for Ben Affleck?
This true-life adventure, about a CIA escape plan to free U.S. hostages from the Iranian Islamists, has all the Academy elements. It’s just not a very good movie