“The weirdest compliment that I get is, ‘The music was so great I didn’t know that there was any,’” film composer Cliff Martinez told Carson Daly in a late-night interview that aired late last year.
At the time, the …
“The weirdest compliment that I get is, ‘The music was so great I didn’t know that there was any,’” film composer Cliff Martinez told Carson Daly in a late-night interview that aired late last year.
At the time, the …
Everyone always says it — the awards-show season is flawed. Safe, predictable choices often take top honors, while the brooding and more complex picks are prone to be left to the wayside.
A new, semi-regular series in which we totally spoil one of the weekend’s films. If you saw The Grey, please chime in below.
As the Screen Actors Guild salutes its members at its 18th annual awards show, TIME looks at the winners and losers on the SAG red carpet.
Moviegoers got out of the cold, and into it, as the Irish star dances with wolves and enjoys his third action-film hit
Truth and beauty are the victors in this playful, autobiographical tale of a French couple fighting for their son’s life.
With ‘The Grey’ depicting the dangers found on the frozen plains of Alaska, TIME takes a look at movies that had a chilling effect on audiences
Mountain man Liam Neeson battles a lupine conspiracy in this fitfully engrossing but logorrheic thriller
The Oscar-winning designer behind such movies as Bram Stoker’s Dracula and The Cell passed away Saturday, Jan. 21 in Tokyo. The wedding dress above, worn by Sadie Frost in Francis Ford Coppola’s 1992 adaptation of the famous …
The Oscar-nominated actress bases her performance of the title character, a lady disguised as a man, on Charlie Chaplin.
The rage against the economic machine that exploded forth from movie theaters in late 2011 (Margin Call, Tower Heist, In Time) continues in Man on a Ledge. In this slight, but crowd-pleasing caper, a blue-collar hero (Sam …
According to an annual survey, of all the directors, executive producers, writers, cinematographers and editors who worked on the 250 top-grossing films of 2011, only 18% of them were women
This year’s Oscar nominations are vacuous in so many ways – Extremely Loud and Incredibly Close is a preposterous choice for best picture – but the focus of the ire “coming out of me like lava” is the Academy’s nomination …