Tuned In Tuned In

Vacation Robo-Post: Your Favorite Holiday TV

I could be all coy and sly about this, but the fact is, I’m preparing a list of my favorite Christmas / Non-Christian Late-Year-Holiday Programs for time.com. (Or I would be, if I were working at the moment.) So this seemed as good a time as any to ask what yours are, since there are almost certainly going to be some that I’ll overlook. …

Quick Talk: With John Richardson


Picasso with Olga in London, 1919 — Image: Popperfoto

I’ve been posting in recent days about Volume III of John Richardson’s Picasso biography. Here’s part of a conversation I had last week with Richardson himself. I’ll put this up in two installments.

LACAYO: Volume III opens in 1917, just before Picasso met Olga …

Richardson on Picasso: Part III

Let’s look briefly at a few other dimensions of the new third volume of John Richardson’s ongoing biography of Picasso:

I think it’s a safe bet that Richardson will be the last of the line of Picasso biographers who knew him personally, a line that includes Roland Penrose, Pierre Daix and even Francoise Gilot, Picasso’s companion from …

Tuned In Tuned In

Programming Note

Photo by genewolf.

In solidarity with my fellow scribes in the screenwriters’ guild, I am staging a job action effective Monday. I can no longer ignore the role that my employer, Time Warner, plays in the exploitation of creative labor and, hence, to prove to them that they are nothing without content providers, I am walking off the …

Last Talk: With Neil MacGregor


Scenes from east frieze of the Parthenon, circa 438-432 BC — Elgin Collection/The British Museum

Let’s finish up that conversation with the director of the British Museum.

LACAYO: Do you worry about the future of what’s sometimes called the universal museum, the museum, like your own, that features objects from as many cultures as …

The Art Market Blues


Diamond (Blue), Jeff Koons, 1994-2005 — Photo: Christie’s

That big blue Jeff Koons diamond, the one that’s sitting outside of Christie’s this week as a kind of carnival barker for their upcoming postwar and contemporary sales — is it looking just a little ironic today? As you may have heard, everybody in the art marketing …

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