Uncategorized

Where Are the Post-Katrina Sensitivities? Blowin' in the Wind

Usually, a major American tragedy isn’t a major American tragedy until the entertainment industry overreacts to it. After the Littleton school shootings, TV executives pulled scenes of violence; after 9/11, movies and TV shows featuring terrorism and spectacular explosions were held until it was deemed safe (and profitable) to scare

Cable Goes Wild With the WilmaWatch

Between the news tickers, stock numbers, story captions and "BREAKING NEWS" screamers, we’ve already gotten used to our cable news channels being lit up like the Ginza at midnight. But the newest addition to cable-news screens is the picture-in-picture inset, the video box in the lower-right corner that tracks an image from one story

We Now Return to Irregularly-Scheduled Programming

Like a new fall show that you would have expected to be canceled by now but has managed to escape the axe, Tuned In is staying on the air, but with some scheduling changes. Now that the deluge of debuts is over, I won’t be blogging on the same daily (or near-daily) basis. But I’ll keep posting—when there’s a new show worth

Freddie: His Brother Dies, and All He Gets Is This Lame Sitcom

The most notable accomplishment of Freddie (Wednesdays, 8:30 p.m. E.T.), the sitcom vehicle for Freddie Prinze, Jr., is that it manages to be bad in two entirely different ways. On the one hand, it’s as lame and inane as its high-concept premise: a swinging bachelor’s life changes when his female relatives move in with him. There’s a

Hot Properties: Don't Buy It

Say whatever you want about Hot Properties (ABC, Fridays, 9:30 p.m. E.T.): it strikes a resounding blow for feminism. The brainchild of a female creator (Suzanne Martin), it proves that women can stereotype themselves as well as any man.

Following on the high, pointy heels of Related, this sitcom, set in a New York City real-estate

Related: A Little More Sex, A Little More City

Sex and the City is the Velvet Underground of TV shows. Everyone who bought the VU’s first album, it is said, started a band. And sometimes it seems like everyone who saw Sex and the City created a TV show. Take Related, (The WB, Wednesdays, 9 p.m. E.T.), a comedy-drama about four loving, bickering young sisters. Let’s tick off the

How HBO Does Diversity (and Doesn't)

Watching some upcoming episodes of HBO’s engrossing Rome recently, I saw something unusual for that show: a black man. The episode takes place in Egypt; the character is a Nubian soldier under King Ptolemy XIII. He has, by my count, one line, before being killed.

TV critics, understandably, have taken shots at the major networks for

Will & Grace Lives — For One Night, Anyway

When Will & Grace announced it was doing a live performance for its season opener, Americans shared the same reaction: "Damn it! Will & Grace is still on the air! I owe the guy in the next cubicle five bucks!" Which is pretty much what NBC was going for. In a few short years, Must-See Thursday devolved into Must-Tape-While-Watching-CBS

The Journalist vs. the Monsters: These Days, Bet on the Monsters

It’s a long-debated question which the public hates more, lawyers or journalists. But people at least hate lawyers better. Whatever their contempt for the legal profession, TV viewers never get sick of watching legal dramas, whereas the recent history of TV shows about journalists is the history of failure. Ink ran dry. Lateline

How I Met Your Mother: Who Says Men Hate Marriage?

On TV, to paraphrase Jane Austen, a young man in possession of a new sitcom is generally considered to be in no need of a wife. Not so on How I Met Your Mother (Mondays, 8:30 p.m. E.T., CBS). On the face of it, Mother is a pretty conventional sitcom. There’s a laugh track; there’s no single-camera movie look to it; there are young

Lost vs. Desperate Housewives: The Monster Wins

It’s probably an exaggeration to say that you’re either a Lost person or a Desperate Housewives person—considering the ratings, plenty of people must watch both. But I’m definitely a Lost person, and to know why you need only watch the season  premieres of both shows.

The Lost debut was excellent on a story level: it showed us

  1. 1
  2. ...
  3. 294
  4. 295
  5. 296
  6. 297