As the terrific, emotionally complicated midseason finale showed, Alicia and Will are hotter as rivals than as lovers.
In Nucky Thompson’s own game of thrones, the story gets ever more sprawling, and–as the season 4 finale proved again–few people are safe.
Fox’s apocalyptic drama is (American) Revolutionary, trading the dark paranoia of The X-Files for a celebration of belief and wonders.
This political satire, Amazon’s first streaming series, looks like big-time TV but plays like a cartoon.
Unlike so many other pint-sized spinoffs of reality competition, this cooking show improved on the original recipe.
There’s a difference between making a sitcom that has pop-culture references and a making a sitcom that’s about pop-culture references.
Halfway into its first season, Showtime’s drama matures into a character story, a period piece about social change, and a sexual detective story.
This French supernatural series, premiering Halloween on Sundance, is a zombie tale that has brains rather than eats them.
A civil war breaks out in the office, and “Hitting the Fan” proves, if there was any doubt, why The Good Wife is currently the best thing on TV outside cable
Like many sitcoms, ABC’s multi-parent comedy is about stereotypes. But it’s also about discovering the real people behind them.
Baldwin’s first interview with a candidate he supported was not exactly aggressive. But Up Late has potential as a relaxed chaser to caffeinated cable news
It was the kind of episode Glee never wanted to make, but also the kind of catharsis the musical was made for
Compared with the crazy-good frenzy of past AHS seasons, Coven’s cauldron starts at a relative simmer