Review

Forget character and dialogue. In a movie like Fast Five it’s the action, not the acting, that matters

Tyler Perry’s latest film looks to continue his streak as the most powerful star whose movies most American moviegoers have never seen

The movie is a flashback to Hollywood’s midcentury, when sentimental best-sellers routinely became films of high purpose

Still an old-fashioned whodunit in which people get scared over the phone and killed in person

A high-flying romp that’s sunny enough to keep kids enchanted and their parents engrossed

Director Robert Redford delves into the case behind the assassination of Abraham Lincoln

Your Highness’ isn’t just a bad movie, it’s ‘the’ bad movie — a work of ur-awfulness, counterbrilliance and antigenius

Over-eager in almost every way, Joe Wright’s thriller keeps pressing scenes of deliberate, off-putting weirdness

Duncan Jones played with twisted realities in “Moon.” Now he’s back, scrambling up the timeline with “Source Code:” The story of a military man who can relive the last eight minutes of another’s life, on the hunt for a train bomber

Director David Schwimmer’s grim story of Internet-based pedophilia is hard to watch but impossible to ignore

Director Zack Snyder’s limp stab at girl-power fantasia wusses out on divine delirium

The second installment of the surprise hit Wimpy Kid series is warm, wry and better — or at least nicer — than the book

Simon Pegg, Nick Frost and Seth Rogen have amiable fun skewering sci-fi clichés, but Paul never quite lives up to their talents