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	<title>EntertainmentCategory: Horror &#124; Entertainment &#124; TIME.com</title>
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		<title>EntertainmentCategory: Horror &#124; Entertainment &#124; TIME.com</title>
		<link>http://entertainment.time.com</link>
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		<title>Hearts, Not Brains: Why Zombies Are the Newest Big-Screen Heartthrobs</title>
		<link>http://entertainment.time.com/2013/01/31/hearts-not-brains-why-zombies-are-the-newest-big-screen-heartthrobs/</link>
		<comments>http://entertainment.time.com/2013/01/31/hearts-not-brains-why-zombies-are-the-newest-big-screen-heartthrobs/#comments</comments>
		<pubDate>Thu, 31 Jan 2013 13:55:44 +0000</pubDate>
		<dc:creator>Graeme McMillan</dc:creator>
				<category><![CDATA[Horror]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[iZombie]]></category>
		<category><![CDATA[Nicholas Hoult]]></category>
		<category><![CDATA[Robert Pattinson]]></category>
		<category><![CDATA[true blood]]></category>
		<category><![CDATA[twilight]]></category>
		<category><![CDATA[vampires]]></category>
		<category><![CDATA[walking dead]]></category>
		<category><![CDATA[Warm Bodies]]></category>
		<category><![CDATA[Werewolves]]></category>
		<category><![CDATA[zombies]]></category>

		<guid isPermaLink="false">http://entertainment.time.com/?p=3529009</guid>
		<description><![CDATA[Move over, Twilight. When it comes to big-screen romance, zombies are the new vampires. That argument is clear in the new movie Warm Bodies, Jonathan Levine&#8217;s movie adaptation of Isaac Marion&#8217;s 2011 novel of the same name. One look at R, the undead romantic lead of the story (played by Nicholas Hoult), reveals a zombie with the same pale skin and smoldering eyes of Edward Cullen. The movie&#8217;s tagline recasts brain-eating, shambling corpses as wistful romantics, asking &#8220;Why can&#8217;t I connect with people? Oh right, because I&#8217;m dead.&#8221; The Walking Dead it isn&#8217;t; R is just another misunderstood breed of monster, looking for love just like the rest of us. This new idea of zombies isn&#8217;t anything new, of course. We&#8217;ve seen zombie strippers, zombies versus strippers (as well as a Japanese take on the same idea) and the inevitable X-rated parody of The Walking Dead in the last five years alone. Sure, there may have been a more innocent time when zombies were merely unstoppable death machines who personified the political, social and public-health concerns of the day. But in 2013, it appears that even zombies have to be hot. Is this just another sign of celebrity making looks more important, or is there really something about undead cannibals that makes them appealing  — and even desirable? For Isaac Marion, who wrote the original novel, the incongruity of an undead romantic lead was part of the initial creative impulse. &#8220;I’d never heard anyone treat these creatures as individuals, something that would have a perspective,&#8221; he explained in the film&#8217;s production notes. &#8220;They&#8217;re anonymous and mindless. [Exploring zombies as individuals as a] concept really fascinated me.&#8221; It was more problematic for the special effects crew to have to deal with, however, given their task to make R both believable as a zombie and yet somehow attractive to the viewer. &#8220;You can&#8217;t have teeth showing or a piece of flesh or ribcage,&#8221; explained the movie&#8217;s head of makeup, Adrian Morot. &#8220;That&#8217;s really gross, and a different kind of movie.&#8221; But perhaps<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3529009&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	<primary_category>Horror</primary_category><primary_category_link>http://entertainment.time.com/category/horror/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2013/01/wb-024-df-jt-18197.jpg?w=240</featured_image>
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			<media:title type="html">Image: Warm Bodies</media:title>
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			<media:title type="html">gramcm</media:title>
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		<title>Is Horror Too Scary for Broadcast TV?</title>
		<link>http://entertainment.time.com/2012/10/31/is-horror-too-scary-for-broadcast-tv/</link>
		<comments>http://entertainment.time.com/2012/10/31/is-horror-too-scary-for-broadcast-tv/#comments</comments>
		<pubDate>Wed, 31 Oct 2012 12:00:03 +0000</pubDate>
		<dc:creator>Graeme McMillan</dc:creator>
				<category><![CDATA[Horror]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[666 park avenue]]></category>
		<category><![CDATA[american horror story]]></category>
		<category><![CDATA[grimm]]></category>
		<category><![CDATA[Night Gallery]]></category>
		<category><![CDATA[supernatural]]></category>
		<category><![CDATA[The Outer Limits]]></category>
		<category><![CDATA[The Twilight Zone]]></category>
		<category><![CDATA[Vampire Diaries]]></category>
		<category><![CDATA[walking dead]]></category>

		<guid isPermaLink="false">http://entertainment.time.com/?p=3520888</guid>
		<description><![CDATA[All joking aside, &#8220;scary&#8221; isn&#8217;t a word that you&#8217;d normally use to describe network television, no matter how much you may dislike the prospect of a second season of Whitney (Wait, I said all joking aside, didn&#8217;t I…?). There&#8217;s something about the lack of spooky and oozy programming on broadcast television in the U.S. that seems at once oddly comforting and also entirely surprising. After all, horror is arguably the most buzzed-about genre on television right now between the successes of both AMC&#8217;s The Walking Dead and FX&#8217;s American Horror Story: Asylum—and yet the closest thing NBC, ABC, CBS, Fox or the CW has to either show is Supernatural. Doesn&#8217;t that just seem wrong? This wasn&#8217;t always the case, of course; broadcast networks used to gleefully try to freak out their audiences with anthology series in the 1960s and &#8217;70s like The Twilight Zone, The Outer Limits and Night Gallery (Kids have had a slightly more gentle version of this more recently, with the likes of Goosebumps, which ran on Fox in the 1990s), and both Twilight Zone and Outer Limits were resurrected in the &#8217;80s, &#8217;90s and early 2000s. These days, however, there&#8217;s a distinct lack of non-cable shows that want to make you just that little bit uneasy before you switch off the television late at night; despite the seeming appetite out there right now, as Jeffrey Schlesinger, the president of Warner Bros International Television Distribution put it recently, &#8220;The one thing that&#8217;s not on [broadcast] television is horror.&#8221; Or, at least, not straight horror. Because, let&#8217;s face it: We have a lot of horror-ish shows these days. Alongside the CW&#8217;s Supernatural, NBC&#8217;s Grimm offers up beasties, ghouls and things that go bump in the night on a regular basis, but both shows slot the horror elements into a procedural format with deep mythologies and soap operatic character relationships to soften out the edges. Similarly, ABC&#8217;s 666 Park Avenue may be set inside a demonic building with murderous elevators and Lost&#8216;s Terry O&#8217;Quinn&#8217;s creepy, creepy smile, but when it comes<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3520888&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	<primary_category>Television</primary_category><primary_category_link>http://entertainment.time.com/category/television/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2012/10/ah_203_1803-1.jpg?w=240</featured_image>
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			<media:title type="html">Image: American Horror Story</media:title>
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			<media:title type="html">gramcm</media:title>
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		<item>
		<title>The Walking Dead Behind-the-Scenes Battle That Almost Doubled the Zombie Count</title>
		<link>http://entertainment.time.com/2012/10/10/the-walking-dead-behind-the-scenes-battle-that-almost-doubled-the-zombie-count/</link>
		<comments>http://entertainment.time.com/2012/10/10/the-walking-dead-behind-the-scenes-battle-that-almost-doubled-the-zombie-count/#comments</comments>
		<pubDate>Wed, 10 Oct 2012 12:00:22 +0000</pubDate>
		<dc:creator>Graeme McMillan</dc:creator>
				<category><![CDATA[Horror]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[AMC]]></category>
		<category><![CDATA[Legal]]></category>
		<category><![CDATA[Robert Kirkman]]></category>
		<category><![CDATA[the walking dead]]></category>
		<category><![CDATA[Tony Moore]]></category>

		<guid isPermaLink="false">http://entertainment.time.com/?p=3518289</guid>
		<description><![CDATA[Just how much do you enjoy The Walking Dead (returning this Sunday at 9pm ET on AMC)? Enough to want to watch it twice as often as you do now? What if the second helping was an entirely separate Walking Dead, on a different network with a different cast, but also based on the plot and characters from the comic book of the same name? That unlikely scenario was seriously discussed earlier this year, thanks to a lawsuit between the two men responsible for the creation of the series — and the unusual rights afforded to anyone who is legally recognized as an author of a creative work in the United States. The two men in question are writer Robert Kirkman and artist Tony Moore. Comic fans are already familiar with both names; in addition to their work together on the first six issues of The Walking Dead series from Image Comics, they&#8217;ve collaborated on two other projects (Brit, a take on the invulnerable superhero idea, and Battle Pope, a superhero parody that, yes, features a Pope literally on a mission from God to prevent the Rapture) and had success separately at Marvel Comics, working on characters including the X-Men, Deadpool and Spider-Man villain, Venom. And yet, The Walking Dead remains what they&#8217;re best known for; a zombie story in which the undead are neither metaphor nor monster, but the backdrop to the slow realization that the few humans that are left in this new world may be the most horrific of all characters. For Kirkman, in particular, The Walking Dead has changed his life; not only has it run for almost a decade by this point, bucking the trend of decreasing sales or irregular relaunches in order to grab customer attention, but it has brought him into the world of television thanks to the AMC series on which he is a writer and executive producer. And that is where the trouble began. In February of this year, Tony Moore filed a lawsuit against Kirkman, accusing the latter of not only<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3518289&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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	<primary_category>Television</primary_category><primary_category_link>http://entertainment.time.com/category/television/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2012/10/twd_gp_301_0514_0367.jpg?w=240</featured_image>
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			<media:title type="html">The Walking Season 3.01</media:title>
		</media:content>

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			<media:title type="html">gramcm</media:title>
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		<title>The Shining Prequel?: Horror Classic May Get Backstory</title>
		<link>http://entertainment.time.com/2012/07/31/the-shining-prequel-horror-classic-may-get-backstory/</link>
		<comments>http://entertainment.time.com/2012/07/31/the-shining-prequel-horror-classic-may-get-backstory/#comments</comments>
		<pubDate>Tue, 31 Jul 2012 12:00:51 +0000</pubDate>
		<dc:creator>Tim Newcomb</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Jack Nicholson]]></category>
		<category><![CDATA[prequel]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Stephen King]]></category>
		<category><![CDATA[The Shining]]></category>

		<guid isPermaLink="false">http://entertainment.time.com/?p=3508458</guid>
		<description><![CDATA[Is the “Here’s Johnny!” line that Jack Torrance (famously portrayed by Jack Nicholson) utters after axing through a door in The Shining  a one-off event—or the culmination of a life of “all work and no play”? We may soon find out, as Warners Bros. is reportedly seriously exploring a prequel to Stanley Kubrick’s 1980 horror classic, even as Steven King finishes penning a Shining sequel due out in January 2013. Although King’s sequel—or King at all, for that matter—isn’t connected in any way to the prequel rumblings, the Los Angeles Times reports that an A-team is already connected. Warner Bros. has brought in writer-producer Laeta Kalogridis, along with her partners Bradley Fischer and James Vanderbilt. Kalogridis is best known for writing the screenplay to another horror flick, Martin Scorsese&#8217;s 2010 film Shutter Island. (PHOTOS: Spartacus: Behind the Scenes of a Stanley Kubrick Classic) But what would a prequel entail? Will we get insight into Torrance’s slip into psychosis while holed up in the quite-possibly-haunted confines of the cavernous hotel in the mountains of Colorado? Will filmmakers delve deeper into the telepathic abilities of Jack’s son, Danny? Speaking of Danny, if the movie does get made, there will be plenty of threat of “Redrum” (murder, for those who haven’t seen The Shining) throughout. But since King’s Shining sequel, Doctor Sleep, will focus on Danny as a grown—and still highly troubled—man, maybe the prequel will leave the Torrance family behind altogether. The yet-to-come script could focus on another family—the previous caretaker did kill his family while suffering from a similar cabin fever, after all—or bring to light the telepathic skills of chef Dick Hallorann. Maybe those characters could give us some insight into what lies behind the doors of all those rooms in the empty winters at Overlook Hotel—or at least give us a glimpse into what happened in Room 237. PHOTOS: Remember Me, My Ghost: Documenting Ireland&#8217;s Notorious Ballymun Neighborhood<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3508458&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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	<primary_category>Movies</primary_category><primary_category_link>http://entertainment.time.com/category/movies/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2012/04/the-shining.jpg?w=240</featured_image>
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			<media:title type="html">The Shining</media:title>
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			<media:title type="html">tdnewcomb</media:title>
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		<title>What Scares the People Who Scare Us?</title>
		<link>http://entertainment.time.com/2011/10/31/what-scares-the-people-who-scare-us/</link>
		<comments>http://entertainment.time.com/2011/10/31/what-scares-the-people-who-scare-us/#comments</comments>
		<pubDate>Mon, 31 Oct 2011 15:37:35 +0000</pubDate>
		<dc:creator>Allie Townsend</dc:creator>
				<category><![CDATA[Horror]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[TV]]></category>

		<guid isPermaLink="false">http://entertainment.time.com/?p=2796922</guid>
		<description><![CDATA[<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=2796922&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	<primary_category>Horror</primary_category><primary_category_link>http://entertainment.time.com/category/horror/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2011/10/max_brooks.jpg?w=240</featured_image>
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			<media:title type="html">max_brooks</media:title>
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			<media:title type="html">Allie Townsend</media:title>
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