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	<title>Entertainment &#187; Wook Kim &#124; TIME.com</title>
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	<link>http://entertainment.time.com</link>
	<description>What’s good, bad and happening, from pop culture to high culture</description>
	<lastBuildDate>Mon, 20 May 2013 16:47:51 +0000</lastBuildDate>
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		<title>Entertainment &#187; Wook Kim &#124; TIME.com</title>
		<link>http://entertainment.time.com</link>
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		<title>Natasha, Imelda and the Great Immersion of 2013</title>
		<link>http://entertainment.time.com/2013/05/20/natasha-imelda-and-the-great-immersion-of-2013/</link>
		<comments>http://entertainment.time.com/2013/05/20/natasha-imelda-and-the-great-immersion-of-2013/#comments</comments>
		<pubDate>Mon, 20 May 2013 13:00:23 +0000</pubDate>
		<dc:creator>Richard Zoglin</dc:creator>
				<category><![CDATA[Fine Arts]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[and the Great Comet ot 1812]]></category>
		<category><![CDATA[David Byrne]]></category>
		<category><![CDATA[Here Lies Love]]></category>
		<category><![CDATA[Leo Tolstoy]]></category>
		<category><![CDATA[Natasha]]></category>
		<category><![CDATA[Pierre]]></category>

		<guid isPermaLink="false">http://entertainment.time.com/?p=3540629</guid>
		<description><![CDATA[The waiters were serving borscht and blinis while we sat at our tables in the faux-Russian supper club, waiting for the show to start the other night. A sociable young women in 19th-century period dress stopped by to welcome us and asked if we had everything we needed. As long as you asked, I said, my friend here ordered a vodka a half-hour ago, and it still hasn’t arrived. Her pretty face grew clouded; she said she’d look into it, but quickly had to scoot away. The music had struck up, and she was a key part of the opening number. I was complaining about the service to one of the stars of the show. “Immersive” theater is all the rage these days. No longer can audiences sink into their seats and be assured of an uninterrupted couple of hours of passive entertainment (or snoozing). More and more shows are “immersing” the audience in the action. At the hit off-Broadway show Sleep No More, the audience wends its way through a dilapidated hotel, having random encounters with actors miming snatches of scenes from Macbeth. Even in conventional Broadway theaters, audience members are apt to be called up onstage by Bette Midler (playing pushy Hollywood agent Sue Mengers in I’ll Eat You Last) or invited to wander onto the stage before the show, to explore the set or belly up to the bar, as in the Tony-winning musical Once. Some of this is just gimmickry. But two new immersive off-Broadway musicals use the technique to wonderfully energizing effect. In Here Lies Love, David Byrne’s almost shamefully enjoyable new show about the rise and fall of Filipino First Lady Imelda Marcos, the audience stands on a disco floor for the entire 90 minutes, as the sung-through show is performed on a series of moving stages. In Natasha, Pierre and the Great Comet of 1812, characters from Tolstoy’s War and Peace come to life in a Russian cabaret. The audience gets to sit through this one (and even eat dinner), but the actors can pop up anywhere — on the ribbon-like stages that<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3540629&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	<primary_category>Theater</primary_category><primary_category_link>http://entertainment.time.com/category/fine-arts/theater/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2013/05/np1.jpg?w=240</featured_image>
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			<media:title type="html">Natasha, Pierre and the Great Comet of 1812</media:title>
		</media:content>

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			<media:title type="html">niennunb</media:title>
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		<title>Palme Pilots: 10 Important Cannes Winners</title>
		<link>http://entertainment.time.com/2013/05/20/palme-pilots-10-important-cannes-winners/</link>
		<comments>http://entertainment.time.com/2013/05/20/palme-pilots-10-important-cannes-winners/#comments</comments>
		<pubDate>Mon, 20 May 2013 09:45:05 +0000</pubDate>
		<dc:creator>Gary Susman</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Populist]]></category>
		<category><![CDATA[Akira Kurosawa]]></category>
		<category><![CDATA[Amour]]></category>
		<category><![CDATA[Apocalypse Now]]></category>
		<category><![CDATA[Fahrenheit 9/11]]></category>
		<category><![CDATA[Federico Fellini]]></category>
		<category><![CDATA[Jane Campion]]></category>
		<category><![CDATA[Kagemusha]]></category>
		<category><![CDATA[La dolce vita]]></category>
		<category><![CDATA[Lies]]></category>
		<category><![CDATA[M*A*S*H]]></category>
		<category><![CDATA[Michael Moore]]></category>
		<category><![CDATA[Sex]]></category>
		<category><![CDATA[sex lies and videotape]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Taste of Cherry]]></category>
		<category><![CDATA[The Piano]]></category>
		<category><![CDATA[The Umbrellas of Cherbourg]]></category>

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		<description><![CDATA[The famous French film festival — soon to hand out this year&#8217;s Palme d&#8217;Or — has a history of anointing landmarks of world cinema<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3540980&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	<primary_category>Movies</primary_category><primary_category_link>http://entertainment.time.com/category/populist/movies-populist/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2009/01/top10_sundance_sexlies1.jpg?w=240</featured_image>
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			<media:title type="html">sex, lies, and videotape, 1989</media:title>
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			<media:title type="html">niennunb</media:title>
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		<item>
		<title>Discomfort Zone: 10 Great Cringe Comedies</title>
		<link>http://entertainment.time.com/2013/05/13/discomfort-zone-10-great-cringe-comedies/</link>
		<comments>http://entertainment.time.com/2013/05/13/discomfort-zone-10-great-cringe-comedies/#comments</comments>
		<pubDate>Mon, 13 May 2013 09:45:13 +0000</pubDate>
		<dc:creator>Gary Susman</dc:creator>
				<category><![CDATA[Populist]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[curb your enthusiasm]]></category>
		<category><![CDATA[Da Ali G]]></category>
		<category><![CDATA[Da Ali G Show]]></category>
		<category><![CDATA[girls]]></category>
		<category><![CDATA[Louie]]></category>
		<category><![CDATA[modern family]]></category>
		<category><![CDATA[Parks and Rec]]></category>
		<category><![CDATA[parks and recreation]]></category>
		<category><![CDATA[The Comeback]]></category>
		<category><![CDATA[The Larry Sanders Show]]></category>
		<category><![CDATA[the mindy project]]></category>
		<category><![CDATA[The Office]]></category>

		<guid isPermaLink="false">http://entertainment.time.com/?p=3539787</guid>
		<description><![CDATA[The Office — which ends its nine-season run this week — is a great example of a TV genre that makes us both squirm and laugh<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3539787&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	<primary_category>Television</primary_category><primary_category_link>http://entertainment.time.com/category/populist/television-populist/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2013/05/curb.jpg?w=240</featured_image>
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			<media:title type="html">CURB</media:title>
		</media:content>

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			<media:title type="html">niennunb</media:title>
		</media:content>
	</item>
		<item>
		<title>Super Bad: 10 Best Movie Supervillains</title>
		<link>http://entertainment.time.com/2013/05/07/super-bad-10-best-movie-supervillains/</link>
		<comments>http://entertainment.time.com/2013/05/07/super-bad-10-best-movie-supervillains/#comments</comments>
		<pubDate>Tue, 07 May 2013 09:45:36 +0000</pubDate>
		<dc:creator>Gary Susman</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Populist]]></category>
		<category><![CDATA[bane]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Catwoman]]></category>
		<category><![CDATA[Daredevil]]></category>
		<category><![CDATA[Dr. Doom]]></category>
		<category><![CDATA[Dr. Octopus]]></category>
		<category><![CDATA[Fantastic Four]]></category>
		<category><![CDATA[General Zod]]></category>
		<category><![CDATA[Green Goblin]]></category>
		<category><![CDATA[Kingpin]]></category>
		<category><![CDATA[Lex Luthor]]></category>
		<category><![CDATA[Loki]]></category>
		<category><![CDATA[Spider-Man]]></category>
		<category><![CDATA[Superman]]></category>
		<category><![CDATA[The Joker]]></category>
		<category><![CDATA[Thor]]></category>

		<guid isPermaLink="false">http://entertainment.time.com/?p=3539208</guid>
		<description><![CDATA[Does the Mandarin of Iron Man 3  have what it takes to become one of the most hiss-able comic-book-movie bad guys ever?<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3539208&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	<primary_category>Movies</primary_category><primary_category_link>http://entertainment.time.com/category/populist/movies-populist/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2013/05/spider-man-immagini-dal-film-25.jpg?w=240</featured_image>
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			<media:title type="html">Spiderman 2</media:title>
		</media:content>

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			<media:title type="html">niennunb</media:title>
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		<item>
		<title>Crosby, Stills, Nash and &#8230; Jazz?</title>
		<link>http://entertainment.time.com/2013/05/06/crosby-stills-nash-and-jazz/</link>
		<comments>http://entertainment.time.com/2013/05/06/crosby-stills-nash-and-jazz/#comments</comments>
		<pubDate>Mon, 06 May 2013 20:59:54 +0000</pubDate>
		<dc:creator>Steve Futterman</dc:creator>
				<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://entertainment.time.com/?p=3539277</guid>
		<description><![CDATA[On paper, “The Crosby, Stills and Nash Songbook,” which mated the legendary folk-rock trio with Wynton Marsalis and the Jazz At Lincoln Center Orchestra, looked like an oil-and-water blend. And for much of the May 3rd concert at New York’s Rose Theater it turned out just that way as often jarringly inappropriate arrangements — complete with swing and Latin rhythms, grandiose horn charts and shoehorned improvisations — were uneasily grafted onto CSN signature tunes. Add in the shaky harmonic vocal blend of the weathered threesome, and the going got plenty rough at times. Still, the collaboration was nothing if not ambitious, and all parties involved seemed to be enjoying themselves thoroughly. Some of the most elaborated rearranged songs actually did succeed, “Déjà Vu,&#8221; “Suite: Judy Blue Eyes” and “Critical Mass/Wind On the Water,” among them. Yet the least adorned performance of the evening was the most powerful. With a new trio of Crosby, Nash and trumpeter Marsalis taking center stage, Crosby’s “Guinevere” packed its punch by way of unvarnished beauty. As unexpected a collaboration as this was, two CSN members — David Crosby and Stephen Stills – were deeply influenced by jazz as budding musicians. Below, are some early examples of Crosby and Stills fruitfully blending jazz and rock, a handful of years before their longtime partnership began and some four decades before their encounter with Wynton and his crew. “Eight Miles High,” The Byrds  — Some claim that the first genuine example of jazz-rock fusion can be found on this 1966 milestone by the pioneering rock band, The Byrds. With Roger McGuinn’s Coltrane-influenced guitar solo and Crosby’s jagged rhythm guitar slashing across this Indian-tinged modal rocker, “Eight Miles High” was a potent herald for the future packed into a three-and-a-half-minute pop single. “Everydays,” Buffalo Springfield — Like the Byrds, Buffalo Springfield was a rock band ever willing to take chances. Stephen Still’s own, “Everydays,” with the composer on vocals and piano, is a moody jazz-inflected ballad that proves that even in 1967 there were already plenty of musical colors in Still’s palette.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3539277&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	<primary_category>Music</primary_category><primary_category_link>http://entertainment.time.com/category/music/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2013/05/csn.jpg?w=240</featured_image>
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			<media:title type="html">Crosby Stills And Nash</media:title>
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			<media:title type="html">niennunb</media:title>
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		<title>The Citizen Kane of Citizen Kane  Lists</title>
		<link>http://entertainment.time.com/2013/05/01/the-citizen-kane-of-citizen-kane-lists/</link>
		<comments>http://entertainment.time.com/2013/05/01/the-citizen-kane-of-citizen-kane-lists/#comments</comments>
		<pubDate>Wed, 01 May 2013 18:20:47 +0000</pubDate>
		<dc:creator>Wook Kim</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://entertainment.time.com/?p=3538791</guid>
		<description><![CDATA[Citizen Kane has long been given a reputation as a landmark in cinema — indeed, it has, at various points, been called the greatest film of all time. Such is the enduring level of regard for writer-director-star Orson Welles&#8217; cinematic masterpiece that critics often invoke the film as a measure of greatness — like Roger Ebert famously pronouncing 2000&#8242;s high-school comedy Bring It On &#8220;the Citizen Kane of cheerleader movies.&#8221; To mark the 72nd anniversary of the film — which had its world premiere at New York City&#8217;s RKO Palace Theater on May 1, 1941 — we&#8217;ve put together a small collection of &#8220;The Citizen Kane of&#8230;&#8221; comparisons. Shakes the Clown — a black comedy about an embittered birthday-party performer, written and directed by Bobcat Goldwaith — is, according to Betsy Sherman of the Boston Globe, the Citizen Kane of &#8230; alcoholic clown movies *    *    * Babe — the beloved family movie — is, according to Dann Gire of the Chicago Daily Herald, the Citizen Kane of &#8230; talking pig pictures *    *    * Magic Mike — director Steven Soderbergh&#8217;s look at the strange world of male ecdysiasts — is, according to Entertainment Weekly “columnist” Libby Gelman-Waxner, the Citizen Kane of &#8230; male stripper movies *    *    * The Hangover — the first installment of director Todd Phillips&#8217; epic trilogy of goofball debauchery — is, according to Gary Thompson of the Philadelphia Daily News, the Citizen Kane of &#8230; bachelor party movies *    *    * Over the Top — in which Sylvester Stallone, playing a truck driver named Lincoln Hawk, utters the line &#8220;I always wanted to be a milk shake&#8221; — is, according to several anonymous online critics, the Citizen Kane of &#8230; arm wrestling movies *    *    * Revenge of the Ninja — a 1893 actioner in which not a single cowboy or pirate appears — is, according to Tony of The Monthly Midnight Movie Exchange, the Citizen Kane of &#8230; ninja movies *    *    * Slade in Flame<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3538791&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	<primary_category>Movies</primary_category><primary_category_link>http://entertainment.time.com/category/movies/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2011/07/t100_movies_citizen-kane.jpg?w=240</featured_image>
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			<media:title type="html">T100_movies_CITIZEN KANE</media:title>
		</media:content>

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			<media:title type="html">niennunb</media:title>
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		<title>Tony Noms: Our Critic&#8217;s Take (and the Complete List of Nominees)</title>
		<link>http://entertainment.time.com/2013/04/30/tony-noms-our-critics-take-and-the-complete-list-of-nominees/</link>
		<comments>http://entertainment.time.com/2013/04/30/tony-noms-our-critics-take-and-the-complete-list-of-nominees/#comments</comments>
		<pubDate>Tue, 30 Apr 2013 16:45:07 +0000</pubDate>
		<dc:creator>Richard Zoglin</dc:creator>
				<category><![CDATA[Theater]]></category>
		<category><![CDATA[tony awards]]></category>
		<category><![CDATA[Tonys]]></category>

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		<description><![CDATA[The Tony Award nominations, announced this morning in New York City, set up a clear battle in the race for Best Musical of the season, between two popular, critically acclaimed but very different shows: Matilda: The Musical, the London import based on Roald Dahl’s children’s story, and Kinky Boots, the splashy homegrown show about a struggling shoe factory that tries to save itself by producing stilettos for drag-show entertainers. If not quite a competition between class and mass (both shows are doing sellout business at the box office), it’s an intriguing matchup between a traditional Broadway crowd-pleaser, and a more daring and somewhat darker family musical. Kinky nudged out Matilda in total nominations, 13 to 12, including two nods for Best Actor in a Musical — for stars Billy Porter (as the leading drag queen) and Stark Sands (as the shoe-factory owner), and one for Cyndi Lauper’s first Broadway score. Matilda grabbed three acting nominations, including one for its own drag queen, Bertie Carvel, who plays the sadistic headmistress who makes little Matilda’s life miserable. The two other nominees for Best Musical, Bring It On, and A Christmas Story, both of which have closed, don’t stand much of a chance. But they spoiled the evening for a couple of shows that had hopes of a nomination: Motown: The Musical, a jukebox show that is drawing big crowds (and picked up four nominations) and Hands on a Hardbody, the offbeat, country-flavored show about a dozen down-on-their-luck Texans competing to see who can keep their hands on a pickup truck the longest (which got three nominations). Two musical revivals also got a lot of love from the Tony nominators. Pippin — a new version of the Bob Fosse show, reconceived as an acrobatic spectacle by director Diane Paulus — got 10 nominations, and  Rodgers &#38; Hammerstein’s Cinderella — originally done for television but making its first appearance Broadway — garnered  9. They’ll compete in the Best Revival category with Annie (which, surprisingly, snagged only a single nomination) and The Mystery of Edwin Drood (which got 5). In the acting categories, the focus as usual was on the snubs. Chief among them was the absence of Bette Midler,<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3538659&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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	<primary_category>Theater</primary_category><primary_category_link>http://entertainment.time.com/category/fine-arts/theater/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2013/04/kb.jpg?w=240</featured_image>
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			<media:title type="html">Kinky Boots</media:title>
		</media:content>

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			<media:title type="html">niennunb</media:title>
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		<title>Duke Ellington: 5 Essential Performances (To Celebrate His 114th Birthday)</title>
		<link>http://entertainment.time.com/2013/04/29/duke-ellington-5-essential-tracks-to-celebrate-his-114th-birthday/</link>
		<comments>http://entertainment.time.com/2013/04/29/duke-ellington-5-essential-tracks-to-celebrate-his-114th-birthday/#comments</comments>
		<pubDate>Mon, 29 Apr 2013 21:29:17 +0000</pubDate>
		<dc:creator>Steve Futterman</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Billy Strayhorn]]></category>
		<category><![CDATA[Duke Ellington]]></category>
		<category><![CDATA[John Coltrane]]></category>

		<guid isPermaLink="false">http://entertainment.time.com/?p=3538614</guid>
		<description><![CDATA[To call Edward Kennedy “Duke” Ellington inimitable is to actually downplay his mythic role in world culture, as no American figure — be he from the realm of jazz or any other musical idiom — has ever matched his spectacular and ceaseless creativity. Born 114 years ago this week, Ellington was a composer, arranger, bandleader and pianist whose omnivorous talent saw little let up from his artistic maturity in the late 1920s until his death in May of 1974. There was no one remotely like him during his lifetime and there has been no one to challenge his status since. You can spend a lifetime exploring Ellington’s music — between official recordings and informally captured performances there are thousands of hours of what has come to be called Ellingtonia — and it would be a worthy and joyous existence. For those who are unfamiliar with this musical titan here is a tip-of-the-iceberg overview of highlights from his extraordinary career. “It Don’t Mean a Thing (If It Ain’t Got That Swing)”   If the Swing Era of the 1930s and &#8217;40s had a theme song it was this rousing number. This 1943 performance features a mere handful of the brilliant soloists (listen for trombonist “Tricky Sam” Nanton and tenor saxophonist Ben Webster) who made their names with the Ellington Orchestra. Over a decade after the song was originally recorded, it could still get the band jumping. “Take the ‘A’ Train”   Ellington’s actual theme song, played every night by his big band, was written by his longtime musical partner Billy Strayhorn and initially recorded in 1941. In this scaled-down trio performance, we get a chance to appreciate Ellington’s utterly personal and often overlooked approach to the piano. Live, 1958  The 1950s generally saw the big bands on the wane, but from the evidence of this 1958 live concert, no one had informed Ellington. In fact, two years earlier, Duke had revitalized his career at a historic, tumultuous performance at the Newport Jazz Festival. Among the Ellington Orchestra stalwarts to be heard here are<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3538614&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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	<primary_category>Music</primary_category><primary_category_link>http://entertainment.time.com/category/music/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2013/04/de.jpg?w=240</featured_image>
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			<media:title type="html">Image: Duke Ellington</media:title>
		</media:content>

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			<media:title type="html">niennunb</media:title>
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		<title>Veil of Tears: 10 Wild Movie Weddings</title>
		<link>http://entertainment.time.com/2013/04/29/veil-of-tears-10-wild-movie-weddings/</link>
		<comments>http://entertainment.time.com/2013/04/29/veil-of-tears-10-wild-movie-weddings/#comments</comments>
		<pubDate>Mon, 29 Apr 2013 09:45:36 +0000</pubDate>
		<dc:creator>Gary Susman</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Populist]]></category>
		<category><![CDATA[28 Days]]></category>
		<category><![CDATA[A Wedding]]></category>
		<category><![CDATA[Betsy]]></category>
		<category><![CDATA[Betsy's Wedding]]></category>
		<category><![CDATA[Father of the Bride]]></category>
		<category><![CDATA[Four Weddings and a Funeral]]></category>
		<category><![CDATA[Old School]]></category>
		<category><![CDATA[Seven Chances]]></category>
		<category><![CDATA[Sixteen Candles]]></category>
		<category><![CDATA[The Graduate]]></category>
		<category><![CDATA[The Wedding Singer]]></category>

		<guid isPermaLink="false">http://entertainment.time.com/?p=3538443</guid>
		<description><![CDATA[&#8216;The Big Wedding&#8217; joins a long procession of movies that have scenes of memorable matrimonial misadventures<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3538443&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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	<primary_category>Movies</primary_category><primary_category_link>http://entertainment.time.com/category/populist/movies-populist/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2013/04/159824784-e1367213498523.jpg?w=240</featured_image>
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			<media:title type="html">Sandra Bullock In &#039;28 Days&#039;</media:title>
		</media:content>

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			<media:title type="html">niennunb</media:title>
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		<title>Happy 10th Birthday, iTunes!</title>
		<link>http://entertainment.time.com/2013/04/28/happy-10th-birthday-itunes/</link>
		<comments>http://entertainment.time.com/2013/04/28/happy-10th-birthday-itunes/#comments</comments>
		<pubDate>Sun, 28 Apr 2013 14:47:41 +0000</pubDate>
		<dc:creator>Megan Gibson</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[apple]]></category>
		<category><![CDATA[iTunes]]></category>
		<category><![CDATA[iTunes Store]]></category>

		<guid isPermaLink="false">http://entertainment.time.com/?p=3538362</guid>
		<description><![CDATA[Those past the age of 25 may find it hard to believe, but April 28 marks the ten-year anniversary of the iTunes store. Over the past decade, Apple’s groundbreaking online marketplace solution has transformed the way we purchase music. There was a time, back in the early aughts, when the music industry was still trying to figure out how to deal with illegal downloads and file-sharing.  Apple, on the other hand, was embracing the trend and developing a way to allow music fans to legally access and own music over the Internet. With the launch of the iTunes store, consumers had a quick and easy way to purchase music — and music labels and artists were offered a way to continue profiting through the  digital revolution. (Record stores and music chains, on the other hand, didn’t fare so well.) Alas, a decade is practically an eternity online, and as such, the download-to-own concept that iTunes revolutionized is already showing signs of age. The growth of subscription-based streaming services like Spotify and Pandora, and the current cultural dominance of YouTube, with its more than three billion videos viewed daily, hint that  that music consumers are now largely content to listen, rather than own. Still, by any reasonable measure, iTunes continues to be a dominant industry player. Here’s a look back at the iTunes store history, by the numbers: [ 1 ]   On April 3, 2008, iTunes officially became America’s number one-music retailer. [ 80 ]  Percentage of U.S. consumers who purchase downloaded music that do so via iTunes. [ 1 hour, 12 minutes ]  The average amount of time spent on the site per month, according to a January 2013 Nielsen report. [ 200,000 ]   The number of songs that iTunes had in its catalogue when it first launched in the U.S. on April 28, 2003. [ 26 million ]  The number of songs available on iTunes today. [ $0.99 ]  The flat-rate cost of all songs sold on iTunes in 2003. In 2009, a three-tier pricing structure was introduced with songs<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3538362&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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	<primary_category>Music</primary_category><primary_category_link>http://entertainment.time.com/category/music/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2013/04/beatles.jpg?w=240</featured_image>
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			<media:title type="html">Beatles on iTunes</media:title>
		</media:content>

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			<media:title type="html">niennunb</media:title>
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		<title>Country Stars Remember George Jones</title>
		<link>http://entertainment.time.com/2013/04/26/country-stars-remember-george-jones/</link>
		<comments>http://entertainment.time.com/2013/04/26/country-stars-remember-george-jones/#comments</comments>
		<pubDate>Fri, 26 Apr 2013 21:47:59 +0000</pubDate>
		<dc:creator>Kayla Webley</dc:creator>
				<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://entertainment.time.com/?p=3538383</guid>
		<description><![CDATA[Nashville stars, past and current, paid tribute to the legendary singer, who died on Friday, April 26. (READ: George Jones, Country Legend, Dead at 81) (READ: George Jones: 7 Essential Tracks) Vince Gill: &#8221;There aren&#8217;t words in our language to describe the depth of his greatness.  I&#8217;ll miss my kind and generous friend.&#8221; Garth Brooks: &#8221;The greatest voice to ever grace country music will never die.  Jones has a place in every heart that ever loved any kind of music.&#8221; Alan Jackson: “Well, heaven better get ready for some great country music. While George was known for his wild and crazy days, I’ve known him for 25 years as a friend. He had grown into a real good man. Of course, he will always be the greatest singer and interpreter of real country music – there’ll never be another. Like the song says, ‘You know this old world is full of singers, but just a few are chosen to tear your heart out when they sing. Imagine life without them…Who’s gonna fill their shoes.’” Hank Williams Jr.: “Today is a sad day in Country music.  We have lost another piece of history.  George Jones was not only a good singer, but was a good friend.  He will be missed by many.” Merle Haggard: &#8221;The world has lost the greatest country singer of all time. Amen.&#8221; Randy Travis: “I am very thankful I got to know George, he’s one of the greatest singers that ever lived.  I actually loved the man and really enjoyed the time I got to spend with he and Nancy.” Dolly Parton: &#8221;My heart is absolutely broken.  George Jones was my all time favorite singer and one of my favorite people in the world.  My heart goes out to Nancy and all his family and friends.&#8221; Kenny Rogers: “George Jones will always be one of the most amazing singers who ever lived.  He was a true Country Music legend who made music very personal to the listener – I think more than anyone else.  He will be dearly missed, but always remembered.” Travis Tritt:  &#8220;I am just devastated by the news<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3538383&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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	<primary_category>Music</primary_category><primary_category_link>http://entertainment.time.com/category/music/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2013/04/gj1.jpg?w=240</featured_image>
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			<media:title type="html">George Jones</media:title>
		</media:content>

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			<media:title type="html">niennunb</media:title>
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		<title>George Jones: 7 Essential Tracks</title>
		<link>http://entertainment.time.com/2013/04/26/george-jones-7-essential-tracks/</link>
		<comments>http://entertainment.time.com/2013/04/26/george-jones-7-essential-tracks/#comments</comments>
		<pubDate>Fri, 26 Apr 2013 19:45:46 +0000</pubDate>
		<dc:creator>Steve Futterman</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[George Jones]]></category>

		<guid isPermaLink="false">http://entertainment.time.com/?p=3538377</guid>
		<description><![CDATA[The key to C&#38;W vocal greatness is sincerity, and five-plus decades of fans believed every word out of George Jones mouth. Here are a handful of “Possum” classics — warning: have a handkerchief handy. (READ: George Jones, Country Legend, Dead at 81) (READ: Country Stars Remember George Jones) “She Still Thinks I Care” Heartbreak was Jones’s beat, as he proves on this 1962 gem “The Grand Tour” There might be sadder songs than this 1974 classic but you might not want to ever find them. No one else could bring off this over-the-top tearjerker like Jones, the master of heartfelt melodrama. “The Race Is On” As magnificent a ballad singer as Jones was, he could also rip ‘em up with the best of them. Grateful Dead fans will recognize this 1964 hit. “We Must Have Been Out of Our Minds” A great duet singer – hear him on recordings with his one-time wife Tammy Wynette, and scores of C&#38;W and pop greats — Jones and the under recognized Melba Montgomery made this gem of rueful regret a hit in 1963. “He Stopped Loving Her Today” Again, Jones brings off a C&#38;W sob story with an understated eloquence no one has ever matched. “A Drunk Can’t Be a Man” Self-pity, self incrimination and remorse – Jones never made it sound so good. “If Drinking Don’t Kill Me Her Memory Will” And a second round of same<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3538377&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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	<primary_category>Music</primary_category><primary_category_link>http://entertainment.time.com/category/music/</primary_category_link>
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		<title>Macbeth, Mary and Midler: Solo Turns on Broadway</title>
		<link>http://entertainment.time.com/2013/04/25/macbeth-mary-and-midler-solo-turns-on-broadway/</link>
		<comments>http://entertainment.time.com/2013/04/25/macbeth-mary-and-midler-solo-turns-on-broadway/#comments</comments>
		<pubDate>Thu, 25 Apr 2013 09:45:35 +0000</pubDate>
		<dc:creator>Richard Zoglin</dc:creator>
				<category><![CDATA[Fine Arts]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Alan Cumming]]></category>
		<category><![CDATA[Bette Midler]]></category>
		<category><![CDATA[Fiona Shaw]]></category>

		<guid isPermaLink="false">http://entertainment.time.com/?p=3538220</guid>
		<description><![CDATA[One actor alone onstage — not necessarily my idea of a good time at the theater. Yet one-person shows continue to have enormous appeal: for actors (the ultimate ego trip), for producers (less expensive to stage), and very often for critics, who find it hard to resist a showboating star. I usually do, but two extraordinary new solo shows on Broadway have almost revived my faith in the genre. A third, not so much. The Irish actress Fiona Shaw and director Deborah Warner have collaborated on on adventurous solo pieces several times before. Some of them, like their adaptation of T.S. Eliot’s The Wasteland, I found pretty hard going. But their latest, The Testament of Mary — the Virgin Mary, in a monologue imagined by Irish novelist Colm Toibin — is both an absorbing piece of theater and a challenging work of theological inquiry. Toibin’s take on the religious icon is revisionist without being dismissive (which hasn’t stopped at least one Catholic group from calling it “blasphemous”). His goal is to strip away the Biblical iconography and speculate on what the mother of Jesus might have been like in the real world — to separate the human from the holy. His Mary is not the mother of God, but the mother of a man; she’s grief-stricken, sardonic, suspicious of her son’s followers (“misfits,” she calls them), skeptical of his divinity. Her narrative is fragmented and impressionistic, but with two moving extended passages: her haunting account of the raising of Lazarus from the dead (a miracle that she views as transgressive and dangerous) and the Crucifixion itself, rendered in language as graphic and harrowing as any I’ve encountered on stage. Shaw, donning a drab brown cloak and wandering in an abstract, Beckett-like landscape (a ladder, an uprooted tree, an empty birdcage, rolls of barbed wire) gives a titanic performance: earthy, poetic, brutally honest (she strips naked at one point, climbing into her bath), so intense it leaves you exhausted. In her many classic roles, ranging from Medea to Hedda Gabler, Shaw has sometimes struck<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3538220&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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	<primary_category>Theater</primary_category><primary_category_link>http://entertainment.time.com/category/fine-arts/theater/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2013/04/fs.jpg?w=240</featured_image>
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			<media:title type="html">Image: Fiona Shaw</media:title>
		</media:content>

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			<media:title type="html">niennunb</media:title>
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		<title>Apocalypse Wow: 10 Ways Hollywood Has Ended the World</title>
		<link>http://entertainment.time.com/2013/04/23/apocalypse-wow-10-ways-hollywood-has-ended-the-world/</link>
		<comments>http://entertainment.time.com/2013/04/23/apocalypse-wow-10-ways-hollywood-has-ended-the-world/#comments</comments>
		<pubDate>Tue, 23 Apr 2013 09:45:09 +0000</pubDate>
		<dc:creator>Gary Susman</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Populist]]></category>
		<category><![CDATA[12 Monkeys]]></category>
		<category><![CDATA[2012]]></category>
		<category><![CDATA[Armageddon]]></category>
		<category><![CDATA[Children of Men]]></category>
		<category><![CDATA[Dr. Strangelove]]></category>
		<category><![CDATA[I Am Legend]]></category>
		<category><![CDATA[Independence Day]]></category>
		<category><![CDATA[melancholia]]></category>
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		<description><![CDATA[As Oblivion reminds us, the movies never tire of imagining the end of civilization<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3537972&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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	<primary_category>Movies</primary_category><primary_category_link>http://entertainment.time.com/category/populist/movies-populist/</primary_category_link><featured_image>http://timeentertainment.files.wordpress.com/2013/04/deepimpact.jpg?w=240</featured_image>
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			<media:title type="html">Deep Impact</media:title>
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		<title>Richie Havens: 6 Essential Performances</title>
		<link>http://entertainment.time.com/2013/04/22/richie-havens-6-essential-performances/</link>
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		<pubDate>Mon, 22 Apr 2013 23:26:31 +0000</pubDate>
		<dc:creator>Wook Kim</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Richie Havens]]></category>

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		<description><![CDATA[Over a remarkable career that lasted nearly five decades — and only ended with a March 2012 Facebook announcement that he was retiring due to persistent health issues — Richie Havens developed a global reputation as a consummate interpreter of pop and folk hits, an innovative guitarist, and an artist dedicated to myriad social causes. Below, are six examples of his extraordinary gifts. &#8220;Handsome Johnny,&#8221; Woodstock, 1969 Havens was the festival&#8217;s opening performer — this track was the first song played at Woodstock. &#8220;Freedom,&#8221; Woodstock, 1969 Havens played for nearly three hours (partly because several scheduled acts had difficulty reaching the location due to traffic jams caused by the unexpectedly huge crowds).  One of his final songs was this, an improvisation of an old spiritual called &#8220;Motherless Child.&#8221; His performance, captured in the seminal music documentary Woodstock, catapulted the singer to worldwide fame. &#8220;Here Comes the Sun,&#8221; 1971 From Havens&#8217; album Alarm Clock, a wonderful mid-tempo interpretation of George Harrison&#8217;s hit. &#8220;I&#8217;m Not in Love,&#8221; 1976 A year after the art-rock duo 10cc scored a No. 1 hit with this lush weeper, Havens offered his soulful version of the song — which became a minor hit for the singer. &#8220;Hands of Time,&#8221; 2002 Havens teamed up with the electronic duo Groove Armada for this retro-styled hit —  in this clip, they perform the song on the @Jools Holland Later Show. &#8220;Tombstone Blues,&#8221; I&#8217;m Not There, 2007 Playing a character named Old Man Arvin in Todd Haynes&#8217; quirky Bob Dylan biopic, Havens — along with Tyrone Benskin and Marcus Carl Franklin — cooks up a sizzling jam of Dylan&#8217;s blues classic.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=entertainment.time.com&#038;blog=24659518&#038;post=3537957&#038;subd=timeentertainment&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Richie Havens - Woodstock - Freedom</media:title>
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