Oh, No, They Didn’t! The Problem With Homeland’s Addiction to Twists
Pulling the rug out under your audience can be effective sometimes. But do it too often, and we stop believing there’s a floor underneath.
Pulling the rug out under your audience can be effective sometimes. But do it too often, and we stop believing there’s a floor underneath.
The musical can no longer end as the story of Rachel and Finn’s romance. It should refocus as the story of Rachel and Kurt’s dreams.
The Lost creator joked, interacted, and lived out the fallout of Lost’s finale online for over three years–until now
The CW’s decision to cut a scene of self-pleasuring in Reign shows that TV still follows an absurd taboo
Baldwin’s first interview with a candidate he supported was not exactly aggressive. But Up Late has potential as a relaxed chaser to caffeinated cable news
It was the kind of episode Glee never wanted to make, but also the kind of catharsis the musical was made for
ABC’s Avengers-based series just got a full first-season pickup. Here’s how it can earn a second
Compared with the crazy-good frenzy of past AHS seasons, Coven’s cauldron starts at a relative simmer
It’s not just a matter of who watches anymore: it’s where, when, how, and maybe even how much they tweet
People can argue the rights and wrongs of the showdown, but pinning the crisis on a bipartisan failure of “Congress” is a media copout
At a Paley Festival panel with TIME’s TV critic, the comic teased season 4, coming in May, and talked about making great TV on a tight budget
There are plenty of reasons not to watch The Millers, but its gassy gags have a distinguished history
Comments from Breaking Bad’s creator make clear that while Walt fixed a few messes in the end, he didn’t fix himself