National Lampoon’s Animal House

Stung by a cheating scam engineered by a rival fraternity (and having just been placed on “double secret” probation), the young men of the Faber College chapter of Delta Tau Chi decide to forget their troubles by throwing a toga party. It’s a gloriously debauched affair — featuring smashed guitars and the slatternly advances of the dean’s boozy wife — with costumes fashioned from bedsheets and music provided by Otis Day and the Knights (a fictional R&B band created by the filmmakers that subsequently toured as a real band in the wake of the film’s enormous popularity). And the mysterious word shouted by Bluto (John Belushi) that gets all the Deltas to fall down and writhe on the floor? According to director John Landis, it’s “gator” — the name of a popular ’60s dance.
An American in Paris

The titular character of this Vincente Minnelli-Arthur Freed gem is a poor-but-happy Jerry Mulligan (Gene Kelly), a Yankee G.I. who stayed in Paris to pursue his dream of becoming a painter. He meets and falls in love with the lovely Lise (Leslie Caron), unaware that she is engaged to someone else. When she finally informs him of her other relationship, he is crushed — but later spies her (and her husband to be) at a lavish ball. They share a brief final moment on a balcony before the movie proceeds to its unforgettable — and wordless — final scene: the mesmerizing 15-minute “An American in Paris” ballet, which shows Jerry’s pursuit of Lise in a swirling kaleidoscope of dance styles and visual motifs.




























