The Freshman

Considered the third great comic actor of silent film, after Charlie Chaplin and Buster Keaton, Harold Lloyd was as eager as they to display his athletic, balletic prowess, and paid a higher price: he lost part of a finger while shooting a 1918 short. That didn’t deter Lloyd from trying death-defying stunts, most memorably his hanging from a giant clock hand 12 stories above the ground in 1923′s Safety Last! So of course he was game for a football movie in the first decade that the sport seized the American spirit with college rivalries and that sensational innovation — the forward pass.
New at Tate University, and so desperate to be popular that he practices college cheers until he’s hoarse, the skinny, bespectacled Harold outlasts the derision of the coach and the meatier undergraduates to get a spot on the football team: as tackle dummy. Demonstrating the masochism at the sport’s heart — he likes being tackled — Harold is kept around as water boy, until the big game, which of course depletes the Tate roster until Harold has to be let in to score the winning touchdown, becoming an instant football hero and winning the love of a beautiful girl. (Really, did that piece of information merit a spoiler alert?) Directors Fred C. Newmeyer and Sam Taylor shot the final sequences in the Rose Bowl, with crowd reactions taken from a Berkeley-Stanford game. Twenty-two years later, Lloyd used that climactic sequences as the intro to a melancholy sequel, The Sin of Harold Diddlebock, a.k.a. Mad Wednesday, written and directed by Preston Sturges. The Freshman is the rare silent film that provokes the same rapturous laughter today as when it was released 86 years ago.
Lagaan

From the thunderclap in the first torrential rainstorm — a cue for riotous dancing — to the climactic sunlight on the smiling faces of millions of viewers, this Bollywood epic is cause for joy of meteorological proportions. Surely the longest and most enthralling underdog-sports movie ever, Lagaan stars Aamir Khan (who also produced the film) as the leader of 19th century peasants from the western Indian town of Champaner, who strike a desperate deal with the representatives of the English Raj: if the locals defeat the lords of the British Empire in a cricket match, they get a break on their lagaan, or land tax. One guess as to whether the Champaners become champs.
The most recent of only three musical dramas in India’s glorious film history to be nominated for an Academy Award (after the 1957 Mother India and the 1988 Salaam Bombay!), and one of the few to achieve U.S. release outside of the Desi theater circuit, Lagaan has the capability to win over Bollywood newcomers — to turn snickers into smiles, indulgence to rapture. Writer-director Ashutosh Gowariker finds the spice in a masala mix of melodrama and character comedy, and keeps his cinematic rhythms humid and urgent for the full 3¾-hour running time. Even those who know none of cricket’s complicated rules will bounce in their seats to A.R. Rahman’s irrepressible tunes; here, one can immediately and fully accept the Bollywood trope of music and dance as an expression of life’s deepest, most soaring emotions. As sports film, social document or communal ecstasy, Lagaan is the all-time all-rounder.
More Best & Worst Lists
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- The Big Lebowski
- Body and Soul
- Breaking Away
- Bull Durham
- Caddyshack
- The Damned United
- Downhill Racer
- Eight Men Out
- Field of Dreams
- Hoop Dreams
- Hoosiers
- The Hustler
- The Freshman
- Lagaan
- Major League
- Million Dollar Baby
- Million Dollar Mermaid
- Olympia
- Raging Bull
- Rocky
- Shaolin Soccer
- Slap Shot
- Speed Racer
- Tokyo Olympiad
- When We Were Kings

























