Downhill Racer

You see it often in the postgame interview, the postmatch press conference: some of the world’s best athletes have a bit of blankness about them. Not stupidity, but simplicity. They’ve pared away everything but that which will allow them to win. Robert Redford, with his golden-boy mystery, plays that blankness well in director Michael Ritchie’s debut film, Downhill Racer. As David Chappellet, he shows up as a replacement for an injured skier on the U.S. team and wants nothing more than to win. He doesn’t want to talk, he doesn’t want to bond, he wants to succeed. (“What’s there to understand?” he asks his coach, played by Gene Hackman. “I’m here because I ski, and I ski fast. That’s all there is to it.”) Which makes him the perfect athlete, no matter what idealized concepts of sportsmanship or teamwork outsiders may try to place on the competitor.
For many, the most intense cinematic skiing sequences they’ve ever seen have been limited to James Bond movies. Downhill Racer buries them all with its zooming, twisting POV shots of a skier racing down the slopes — at some points, the camera appears to be mounted on Chappellet’s chest. Thrills aside, the movie is blessedly unsentimental. Much like Redford’s The Candidate (in which he teams up once again with Ritchie), Downhill Racer ends on a note of dissatisfaction-tinged victory. All right, we’ve won. Now what?
Eight Men Out

“Shoeless” Joe Jackson, who played from 1908 to ’20, still holds the third highest lifetime batting average of all major-league players; Babe Ruth said he based his stance on Jackson’s. The left fielder’s exclusion from the Hall of Fame, over accusations that he and other Chicago White Sox players took money from underworld gambler Arnold Rothstein to throw the 1919 World Series, has spurred many an impassioned defense by historians and novelists. Among the most famous is W.P. Kinsella’s 1982 novel Shoeless Joe, which seven years later was moistened into the film Field of Dreams. John Sayles’ docudrama approach, based on the Eliot Asinof novel Eight Men Out, portrays Jackson (D.B. Sweeney) as a big baseball light with a dim mental bulb — oppressed by skinflint owner Charles Comiskey (Clifton James) and manipulated by pitcher Eddie Cicotte (David Strathairn), who certainly was in on the take.
Sweeney, who had played the game at Tulane, prepared for the role by spending spring training with the minor-league Kenosha Twins; John Cusack, who plays another of the accused, Buck Weaver, got tutored in third basemanship by Cubs hot-corner man Ron Santo. Charlie Sheen, fresh off the Oscar-winning Platoon, played Happy Felsch, while Sayles, the three-decade conscience of indie film (from Return of the Secaucus 7 in 1980 to 2011′s Amigo), appears in a cameo as sportswriter Ring Lardner. He brings a gritty authenticity to a film that locates the mixed motives and roiling ambiguities in baseball’s most notorious scandal.
More Best & Worst Lists
View AgainWinning
- The Big Lebowski
- Body and Soul
- Breaking Away
- Bull Durham
- Caddyshack
- The Damned United
- Downhill Racer
- Eight Men Out
- Field of Dreams
- Hoop Dreams
- Hoosiers
- The Hustler
- The Freshman
- Lagaan
- Major League
- Million Dollar Baby
- Million Dollar Mermaid
- Olympia
- Raging Bull
- Rocky
- Shaolin Soccer
- Slap Shot
- Speed Racer
- Tokyo Olympiad
- When We Were Kings

























