Bull Durham

Walt Whitman called baseball “our game, the American game. It will repair our losses and be a blessing to us.” Anyway, that’s the close paraphrase of Whitman’s panegyric by Annie Savoy (Susan Sarandon), a keen student of the game and its minor-league players in Durham, N.C., and one of the most liberated, lubricious females in the history of movies — certainly of sports movies, where the usual function of females is to stand at ringside or courtside and cheer their men on. Groupies in America’s former national pastime are known as baseball Annies, of which this Annie is the glorious apotheosis. Each spring, she auditions new players from the Durham Bulls before taking one as a beau for the season. The finalists: Crash Davis (Kevin Costner), a former major leaguer playing out the string, and Ebby Calvin “Nuke” LaLouch (Tim Robbins), a young comer with a 100-m.p.h. fastball but no discipline, on the field or in bed. It’s Annie’s job to teach him the secret of outdoor and indoor sports: that “making love is like hitting a baseball. You just gotta relax and concentrate.”
Writer-director Ron Shelton, once a minor-league player, knows the subtleties of this strange game with no clock and the defense (the pitcher) in charge of the ball. So does Annie. “Baseball may be a religion full of magic, cosmic truth, and the fundamental ontological riddles of our time,” she observes, “but it’s also a job.” If Nuke is to make a career of his natural gift, he needs Crash — his catcher and competitor for Annie’s affections — to help him. Bull Durham was the first of Costner’s three baseball movies, followed by the elegiac, some would say sappy, Field of Dreams and, a decade later, For the Love of the Game. But this wry comedy is the one with all the magic, and a mature understanding of a million kids’ lifelong pursuit.
Caddyshack

The plot of Caddyshack, like any worthwhile sports comedy, is ridiculous. A country-club caddie with college ambitions kisses up to a bombastic judge, who then catches him frolicking with his racy niece Lacy; Bill Murray, playing groundkeeper Carl Spackler, chases a pesky puppet gopher around the course. The film is nothing more than a series of skits with dialogue — much of it improvised — still quoted hourly by fans of the 1980 cult classic. Which is nice.
Here’s Rodney Dangerfield as Al Czervick, a guest of the club who knows no decorum, and is accompanied by an Asian man: “This place is restricted, Wang, so don’t tell them you’re Jewish!” Or Chevy Chase, crooning to Lacy Underall: “I was boooorn to love you. I was boooorn to lick your face. I was boooorn to rub you. But you were born to rub me first.” Or Murray’s Spackler describing his time looping for the Dalai Lama: “So we finish the 18th and he’s gonna stiff me. And I say, ‘Hey, Lama, hey, how about a little something, you know, for the effort, you know.’ And he says, ‘Oh, uh, there won’t be any money, but when you die, on your deathbed, you will receive total consciousness.’ So I got that goin’ for me, which is nice.”
More Best & Worst Lists
View AgainWinning
- The Big Lebowski
- Body and Soul
- Breaking Away
- Bull Durham
- Caddyshack
- The Damned United
- Downhill Racer
- Eight Men Out
- Field of Dreams
- Hoop Dreams
- Hoosiers
- The Hustler
- The Freshman
- Lagaan
- Major League
- Million Dollar Baby
- Million Dollar Mermaid
- Olympia
- Raging Bull
- Rocky
- Shaolin Soccer
- Slap Shot
- Speed Racer
- Tokyo Olympiad
- When We Were Kings

























