Politics and war, science and sports, memoir and biography — there's a great big world of nonfiction books out there just waiting to be read. We picked the 100 best and most influential written in English since 1923, the beginning of TIME ... magazine
What made George W.S. Trow’s 1981 book a brilliant critique of television was that it was also a critique of the television audience and a world that was shaping itself in imitation of television. TV, the New Yorker essayist argued, had erased the traditional contexts and associations that had given life order and replaced them with a temporary, arbitrary, relativistic “no-context.” Where people once belonged to cultures, they were now audiences; where there was once history, there was now a random succession of events and images; where there were once tribes, there were now only the mass and the individual. Trow’s book — epigrammatic, more prose poem than editorial — is a kind of channel-surfing experience: you can almost hear the click of a remote control as it shifts from observation to observation. And though Trow wrote in a different media era of three big networks, Within the Context of No Context proves prescient about TV’s future: “The lie of television has been that there are contexts to which television will grant an access. Since lies last, usually, no more than one generation, television will re-form around the idea that television itself is a context to which television will grant an access.” Who wants to watch the Survivor reunion episode?
“The words had an echo in them.” That’s music critic Greil Marcus, more than three decades after the 1975 publication of Mystery Train, writing about why he co-opted the title of Elvis Presley’s last Sun Records single. Yet it’s Marcus’ words that still echo today, mainly because the arrival of Mystery Train was akin to an explosion, the effects of which have rippled forward in time. A critical look at four rock acts — the Band, Sly Stone, Randy Newman and Elvis — Marcus’ work proved once and for all that one can write about popular music with the same sense of importance and sophistication with which one writes about high art. Indeed, rock ‘n’ roll was not just “youth culture, or counterculture, but simply … American culture.” This idea, borrowed from the Band’s Robbie Robertson, that “the land makes the music,” shone a light on what is the great and true American sound and influenced the manner in which pop culture as a whole is treated and talked about and regarded. He helped make it respectable.
TIME meets the female Banksy bringing royalty to London’s streets
Melissa
Reblogged this on Swamp of Boredom and commented:
I’m reblogging this for my own reference and also to share with my readers (all 34 of you;)). Since the release of the 1001 Books App on Tuesday, I’ve been book list crazy. Since I like non-fiction – especially non-fiction centered on historical events and people, not so much current people – and have read a couple of excellent non-fiction books in the last year (Only Yesterday, Empire of the Summer Moon) I wondered if there was a list of recommended non-fiction books. Of course there is. I found one from the Guardain (UK) that is, obviously, geared towards British readers and that, unlike Time’s list, encompasses all non-fiction ever written. This list from Time consists of books only since Time began publishing, 1923. There are a few that don’t interest me at all and the biography choices focus too heavily on women and African Americans, IMO, but overall the list is excellent.
Enjoy!
As we prepare for the Game of Thrones finale, we recognize Joffrey and nine other baddies who showed us that terrible, horrible things can come in small packages