House (1977)

Bizarre is too paltry a word to describe the insanity that is House. Japanese director Nobuhiko Obayashi’s cult horror-comedy sends a group of young girls to an old house in the countryside owned by one of their decrepit aunts. There they discover evil spirits, disembodied heads, carnivorous pianos and one very naughty cat. Before it was available as a Criterion release, House traveled the U.S. as a midnight movie. Nashville designer Sam Smith (who also played drums for pop-rocker Ben Folds) put together this mad, bright orange poster for the film’s run at his hometown’s Belcourt theater. “I used the first idea that came to me after watching a screener of the film — Blanche the cat’s psycho-screaming mug — and adapted it to stand alone as a symbol of the uncanny and over-the-top assault that our midnight-movie audience was in for,” wrote Smith. Eventually, Janus Films (the movie’s distributor) and the Criterion Collection both adopted the striking image for posters and DVD cases. There’s just something about this that says, “Watch me or I will eat you.”
Make Way for Tomorrow (1937)

It’s not like Leo McCarey didn’t know how to make a happy movie. After all, as Roger Ebert has pointed out, this was the man who made Duck Soup, the Marx Brothers’ best film. Yet Make Way for Tomorrow might be one of the all-time tearjerkers. (Documentary filmmaker Errol Morris once called it “the most depressing movie ever made, providing reassurance that everything will definitely end badly.”) A story about an elderly couple who are separated and must shuffle between children after they lose their house during the Depression, Make Way deserves the beautifully muted palette of the cartoonist who goes by the name of Seth. Just looking at this art — everything about the posture of those two indicates that they know they’ll never see each other again — makes one want to start sobbing.




























