Hoop Dreams

High-school basketball stardom is a grueling life for William Gates and Arthur Agee, two kids from the Chicago projects. They can make poetry of a jump shot, but to them algebra looks like Chinese. And when they get on the court, they must perform under pressures that would break most adults. “It became more of a job,” William says, “than a game to play.” Steve James’ taut, nuanced epic, which took Sundance’s Audience Award for a documentary and earned $8 million in theaters, found an apt microcosm for African-American ambition — to become an NBA star — and the overwhelming odds against achieving it.
The Usual Suspects

No backyard project this: it cost $6 million and had familiar actors (Kevin Spacey, Gabriel Byrne, a Baldwin) in its cast. The movie was shown at Sundance, thought not in the official competition (which The Brothers McMullen won). But everybody paid attention to Christopher McQuarrie’s canny, knotty script — about five guys on a heist and a mysterious overlord named Keyser Soze — because it ran cool twists on classic Hollywood crime films. McQuarrie and Spacey earned Oscars, Benicio del Toro stepped into the limelight with his mumbles routine, and director Bryan Singer was off on a blockbuster career: X-Men, Superman Returns, Valkyrie.













