American Splendor

Another dextrous jumble of fact and fiction, this bio-pic of part-time comic book creators and full-blown neurotics Harvey Pekar (Paul Giamatti) and Joyce Brabner (Hope Davis) was shot in Pekar’s home town of Cleveland by the wife-husband filmmaking team of Shari Springer Berman and Robert Pulcini, who snagged an Oscar nomination for their script. Pekar, an ornery depressive who made his living as a file clerk at a veterans’ hospital. achieved furtive renown as an occasional guest on David Letterman’s talk soiree. He appears briefly as himself here, but Giamatti makes him even more endearing-exasperating as the hero-schlub of a flaky romantic comedy. It won the Sundance Jury prize.
Super Size Me

It was a stunt, but a clever one: docu-director Morgan Spurlock decided he’d eat only at McDonald’s for a month, and record the results. Because Spurlock was an gregarious, engaging fellow with a modest social mission — kind of Michael Moore Lite — Super Size Me clicked at Sundance (Best Director of a Documentary) and with audiences ($11 million domestic gross on a $65,000 budget). The movie’s notoriety, and its Oscar nomination, propelled Spurlock into his own little doc-conglomerate, hosting and producing the TV series 30 Days, lending his exec-producer imprimatur to such like-minded nonfiction films as The Third Wave and What Would Jesus Buy? and starring in another fun doc, Where in the World Is Osama bin Laden? Who says fast food is bad for you?













