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Community Watch: And That's Why…

Last night’s blissfully weird Community, “Conspiracy Theories and Interior Design,” was a buildup to two elaborately constructed payoffs: the twist-within-a-twist-within-a-twist conspiracy ending, and the chase through Troy and Abed’s teeming blanket-fort city. The latter was one of those fanciful constructions that makes Community, in a good way, like a live-action cartoon (while illustrating the overgrown-kids relationship of BFFs Abed and Troy).

The former probably looked familiar to any Arrested Development fan. The storyline gave a nod to the post-kiss tension between Annie and Jeff, and was a sendup of the double-, triple- and quadruple-cross crutch of conspiracy-movie endings. (It was actually not unlike the sort of pop-culture critique-via-story that South Park likes to do.) But it was also, as AD fans noticed, a callback to the life-lesson scenarios that George Bluth liked to pull on his children using one-armed ex-employee J. Walter Weatherman. (“And that’s why you leave a note!”)

So rather than a drawn-out review of “Conspiracy Theories”—which would boil down to a list of funny lines and scenes—let’s take a moment to look back at the original, above. (Or not quite the original. Hulu doesn’t have a clip from season 1′s “Pier Pressure,” though you can watch the whole thing if you have Hulu Plus; this clip is from season 3′s “Making a Stand.”)

I say all this not to suggest that Community is ripping Arrested Development off, but as an example of its shared DNA with another sitcom that was also—in the best way—like a live-action cartoon. Good work, Community. Some lessons are more worth learning than others.

Update: Alan Sepinwall posted some thoughts on the parallels between Community and AD that I think are worth discussing. From his “Conspiracy Theories” review:

The two series have the Russo brothers in common, but I’ve always said “Community” has a warmer, more humanist spirit than “Arrested,” which was an incredibly funny but also incredibly cynical show. So it was interesting to see “Community” do an episode so similar not only in content, but tone, to “Arrested.” Not a bad thing; just different.

I see the distinction Alan is making and I would agree, to a point, though I would probably phrase it differently. (And to be fair, maybe Alan would too if he were writing this as more than a couple-sentence aside.) I agree that Community is definitely warmer and sunnier in tone than Arrested Development, which had an often dark view of relations among its characters. But AD also had a lot of sentiment, genuine feeling and real issues at its heart—to the extent that, actually, I would say that it developed its characters more depthfully than Community has.

The two approaches to this exact plot device, actually, are a perfect illustration of this difference. With J. Walter Weatherman, AD is not just making a gag for a gag’s sake. It is illustrating, in precis, the entire generational pattern of this family which has made the grown children the way they are: they were raised by parents who often pitted them against each other, and who regularly used manipulation and deception as a means of parenting. (Also, they were raised in privilege by a dad who would do things like hire a disabled ex-employee to teach them life lessons.)

In other words, AD used the device both to further the Bluth family storyline and to deepen its background. Community’s “Conspiracy Theories” was not without character development–the Jeff and Annie business, as well as nice notes like Jeff noting that Annie works too hard even at passive aggression–but it uses the device itself pretty much to parody the use of that device in other movies and TV shows.

Again, this is not to bash Community; it is not an insult to be compared to possibly the best sitcom in the history of TV and certainly in the last decade. But it is a really interesting way of looking at the differences in comic style between two very inventive comedies, so I’m glad Alan brought it up.

(I’d also note that Alan uses the other of two title that have been given for the episode: “Conspiracy Theories and Soft Defenses.” I don’t know which is canonical, but I’ll update if we get a ruling.)

Related Topics: Arrested Development, community, Uncategorized
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  • mjwilstein

    The blanket fort chase scene was surreal. If you missed it, you can watch it here:
    http://bit.ly/de7c94

  • http://www.simonvinkenoog.nl/beeld/Yogi%20-%20Annelies%20Rigter.jpg yogi

    Great, now I’m going to spend the rest of the day re-watching old AD episodes. All in all Community was a fun episode.

  • http://schlien.wordpress.com schlien

    One of the tricks that Community may have learned from Arrested Development is that it reversed the protagonist’s appeal. Jeff Winger is essentially selfish who learns week in and week out the value of friendship. Michael Bluth was the lone voice of reason in a family consumed by selfishness and greed. On “A.D” you rooted for Michael to either save his family or get out of it for good. On “Community” you know that the group will exert enough pressure on Jeff to change him. It’s when the group starts exhibiting signs of human frailty that it gets interesting. I loved last night’s episode and hope that it doesn’t get the boot mid-season for Parks and Rec. As much as I love Parks and Rec, “Outsourced” is clearly the odd man out.

  • http://twitter.com/poniewozik James Poniewozik

    NBC announced its midseason sked already, and both Community and Outsourced are remaining on air as Parks & Rec returns, in a three-hour comedy block.

  • anon76

    Thanks James! Not exactly the full title I requested, but close enough to avert a crime against humanity. An excellent compare and contrast.

    On an AD-related matter, do you have news on whether Running Wilde’s November hiatus means the end of the series?

  • http://twitter.com/poniewozik James Poniewozik

    No inside news, but the outside news ain’t pretty. Every scheduling move Fox has made suggests it is a show they have no intention of keeping.

  • rosseau

    I wouldn’t call it “blissfully weird;” I’d say repetitive and dull, especially after that interminable shooting sequence. After the 50th discharge, we kind of got the point. The show has to stop going to the parodying a genre movie well. What came across as fresh and brilliant last season, with overuse becomes a clear sign that the writers may not know what they’re doing and so have a crutch. Not that I actually believe this, but come up with some original ideas already. Like the best thing about last night’s ep: the blanket fort and yes the surreal aspects of it. Okay, one more and only one more genre parody: David Lynch movies. Britta in a opium fulled harem was very creative, and they could do a whole Blue Velvet, Mull. Drive killer parody.

  • rosseau

    Not that Lynch has ever done an opium fuElled harem scene, to the best of my memory, but the Simpsons Tree House of Horror has. Which Community is in danger of being with too many genre parodies. We all know what the Simpsons’ Halloween specials have become, right?: poor takeoffs of other pop culture stuff that barely elicit a laugh. How many times did you laugh at the last Halloween show? Exactly. Abandon all hope Community who enter down their unfunny path.

  • azeil89

    Okay, here is my take: The series has moved from one with a linear plot line to one that simply put, is strucured in such a way that each episode can stand by itself and the episodes are becoming more and more surreal week by week,

    My theory is that Jeff Winger was a high-powered attorney but he was disbarred for some reason and the stress got to him so much that he just cracked. He is now institutionalized and is imagining all of this, the entire series. I mean honestly, Profesor Profesorson? As his schizophrenia becomes more and more extreme, the episodes become stranger and stranger.

  • mgersting

    While a Lynchian parody would be interesting, I feel like I should mention the Britta bit you’re talking about wasn’t supposed to be Lynchian – it was a call out to Kubrick’s “Eyes Wide Shut.” The piano part gives it away if you weren’t sure before.

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