Many Americans can't be bothered to watch foreign films. The subtitles, you know. Luckily, Hollywood is always ready to jump in with an unnecessary remake. TIME picks the best of the bunch.
Fans of Swedish coming-of-age teen-vampire movie (and if a film ever defied categorization, it’s this one) Let the Right One In (2008) passionately swear by it and would likely swear at the people behind its Hollywood remake, Let Me In. But the truth is that Hollywood hasn’t let them down. Director Matt Reeves (best known for helming Cloverfield) cannily co-wrote Let Me In‘s screenplay with John Ajvide Lindqvist, who penned the original Swedish novel. The update casts Chloë Grace Moretz in the lead role of Abby, and neither she nor the always reliable Richard Jenkins (the father) disappoint, with the action moving from Stockholm to New Mexico (both locations appear equally cold). It’ll inevitably be called “the thinking man’s Twilight,” and with good reason. The right movie is indeed being let in to theaters.
You may not know much about the German film Fanfaren der Liebe (Fanfares of Love, 1952), but know this: it provided the inspiration for Billy Wilder’s Some Like It Hot. And it can’t compete with the wonderful Wilder’s wild reimagining, as his power-packed cast, featuring the late Tony Curtis and Jack Lemmon — musicians who turn to drag to escape the Mob — along with Marilyn Monroe, lit up the screen. And while Monroe seemed to have a touch of the Lohans about her (“very tough to work with,” Wilder would later tell Cameron Crowe), the film remains one of the greatest comedies ever made. “Nobody’s perfect,” is, of course, what the famous last line tells us. Perhaps so. But Some Like It Hot comes pretty close.