Tuned In

Lost Rewatch Week: This Is the Place That You All Made Together

Note: I’m on vacation this week. While I’m gone, I’ve set up a week of discussion posts revisiting the Lost finale in time for the Lost series DVD set, out Aug. 24. In other words, this is a recording; you cannot press 0 to speak to a real live person.

Since we’re taking a second look at the Lost finale this week, we may as well begin at the ending. By which I mean, that ending: the revelation that everyone in the Flash Sideways world is already dead, and on the verge of going to—well, whatever comes next.

I still basically feel about the reveal the way I did when I first watched: a little syrupy in execution, but satisfying in effect. As I wrote back then:

To me, the closing of Lost was not telling me that I do or do not have an immortal soul; it was telling me what these characters lives meant. And that meaning, like all our lives’ meaning, derived from the interactions they had with, and the memories they shared with, other people.

You could take that literally, as in: this is a picture of what happens when you die. Or you could take it metaphorically, as in: this is a story using spiritual imagery to depict the lasting legacy of human contact. (I personally see it that way, in the same way that I believe that religious scriptures are not literally true and yet are some of our most powerful and important stories regardless. Your mileage may vary, as they say on the Internet.)

It was, in other words, like the symbols on the church windows indicated, a Unitarian ending. It could be explained through any or all of the spiritual traditions depicted there, or none. It could be a literal event, or Jack’s last dying memory, or the workings of some Jungian universal consciousness. (In the same way, as I’ve said, the golden water, and now the Giant Bathtub Drain, work for me; they’re no more outlandish root explanations than “giant pocket of electromagnetic energy.” One is “science,” one is “faith,” but both are ways of describing phenomena beyond our ken.) It was, to me, not about literal Heaven so much as memory: something you make together with the people you love, so you can find them when they’re gone.

The more I think about it, the more I think that it may actually be easier for me, as an atheist, to take the ending. That is, I believe religious/spiritual stories are never meant to be taken literally. (Many people who are religious believe the same thing.) So I don’t buy the idea that the ending somehow meant that nothing else that happened on the series mattered or had impact—any more than I think that no literature produced by a society that believes in an afterlife can be tragic. Many of the characters really did meet an awful end. Most of Oceanic 815′s passengers died early deaths. Locke was really murdered. Kate really flew home to live the rest of her life without Jack, who was only able to save a handful of his friends. All of this, as Jack said, mattered.

That’s how I took it, anyway. But the second time watching the finale, I paid more attention to one particular line, which in retrospect seems key: “This is the place that you all made together so that you could find one another.”

This might be the most important sentence of the finale. As I said in my night-of review, I don’t necessarily believe you have to understand this as Heaven, or even as a literal afterlife. (For me, as an atheist, it makes as much or more sense as a kind of mashed-up, literal representation of their collective dying thoughts and wishes. That light could be eternal life, or it could be the oblivion that comes after the peace of letting go.) You can see it that way, of course, but that’s not the most important thing, nor is it the thing that captures the spirit of the series here.

What matters is: whatever this place is, literal or metaphor, reality or hallucination, they all made it together. God didn’t make this place, Jacob didn’t make it, Jack didn’t make it–we’ve never read about it, not exactly, in any gospel or book of mythology. The characters created it collectively; it is the literally ultimate expression of communitarianism in a show that was always about community.

Call the ending hokey–and oh, it was, in places, with the slo-mo hugs and Christian going to the light–the idea that the characters end up in a mindspace they created collectively is fitting and, I’ll say it, beautiful.

But I’m told that not everyone feels quite the same way about it! So your take again—especially those of you who have rewatched it—was Lost’s big reunion heavenly or hellish?

Related Topics: Lost, lost discussion group, robo-james, Uncategorized
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  • rosseau

    I’ve thought it a little too Hallmark now and again, since I saw it, but I still think it was an emotional powerhouse. Not so much Sideways explanation, as the true ending of the show, which is Jack’s death. This is why Vincent the dog is a critical character, after being ignored for so long. Without him, the ending wouldn’t have been as sob inducing as it was. Sure, his presence was manipulatve but also obviously symmetrical to the beginning.

    But the Sideways reveal: sure it wasn’t logically necessary, as these characters already bonded on the island, but it was a way of hammering home the themes of redemption through community, and selfless acts, and told in a way that kept up the Lost structure of time displacements, whether flashbacks or forwards. This was a huge flash forward. So I loved it. I’m always curious at people who don’t like something or like it because of the ending or because of two minutes or one scene. I mean you spent six years watching a show and then a five minute scene that didn’t change the tone drastically made you a hater? Curious. Not that I disrespect the plot people who wanted answers or the people who feel the ending was a bit too discordant with the show they had been watching, but, still, the retroactive dismissal of the entire show based on a daring ending bugs me.

  • adburt

    I think the finale said a lot about the nature of life and death. The friends you make and the people you love, and the time that you share with them, is really what life’s about. And we may not know what’s beyond that door (death), but that’s not important. This seemed to be the show’s message, and I really liked it. And wouldn’t it be great it we could meet up with our friends and loved ones just once between dying and whatever follows? I certainly didn’t go into the finale expecting to get something spiritually moving out of it.

    The revelation that they’re all dead and that the sideways universe isn’t exactly real (and as we learn later in the episode, about to end) was a disappointment that put the bitter in the bittersweet. This wonderful world they found, which they had been trying to realize the whole series (a life continued without a plane crash), and we’ve enjoyed watching them in, turns out isn’t real. It’s a disappointment that really added to the emotional impact for me. It’s the same disappointment that Jack feels when he realizes he died. So while the revelation does kind of devalue what we saw of the sideways universe in season six, it worked to give the finale all the more emotional impact, reruns of season six be damned. I applaud that.

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