Tuned In

HIMYM Watch: Conceiving of Change

CBS
"Doppelgangers" -- Barney (Neil Patrick Harris) and Ted (Josh Radnor) visit Marshall (Jason Segel) and Lily (Alyson Hannigan) when they put fate to the test when deciding whether or not they are ready to have a baby, on the fifth season finale of HOW I MET YOUR MOTHER, Monday, May 24 (8:00-8:30 PM, ET/PT) on the CBS Television Network. Photo: Karen Neal/Fox ©2010 Fox Television. All Rights Reserved.

Spoilers for How I Met Your Mother’s season finale coming up:

We’ve reached the end of another season of How I Met Your Mother. How far have we come? Robin dated Barney, then dated Don, and is now single again. Barney is hooking up with as many people as possible. Ted is… well, Ted is blond. The people who have come closest to changing over the season are Marshall and Lily, who have gone from married and childless to married and considering having a baby.

This would not always be a problem in a sitcom; time was, sitcoms by definition always returned to the same status quo. HIMYM, however, defined itself some time ago as a sitcom on which things changed. At some point this season, though, the producers of the show seemed to become uncomfortable with things changing.

This might not be a problem if the individual episodes operated at a high level of funny, though that’s been uneven this season as well. But I’m at the point with HIMYM where–though I have a fixed habit with it and will probably keep watching regardless–I might consider dropping it from the rotation next fall to make room for other reviews on the blog. There’s only so much point, if the story stays static, in finding ways to describe how a particular set of jokes work, or, worse, don’t.

As for this episode, it did at least showcase one of HIMYM’s most off-the-wall and inventive running gags this year, the doppelgangers. And while I don’t think Marshall and Lily can carry the narrative momentum of the show on their own, I’m curious what a baby would do to the dynamic of the group. (Carter and Bays can’t write off a baby if they have second thoughts the way they did Barney and Robin’s relationship! At least I think they can’t!)

Like The Office, I think HIMYM is at the point where it needs an end date, to allow the writers time to set up Meeting Your Mother. I don’t expect it to happen. Beyond that, I’ll probably give HIMYM a little time when it comes back next fall, but if it doesn’t find a way move forward, I may not be writing about it. Maybe my doppelganger can do it.

Now the hail of bullets:

* I can’t say I’ll deeply miss Don (if he’s gone for good), but I did enjoy the puppet discussion of the relative dangers of soft drugs. “Not looking for gray areas here, Moo-Moo!”

* On a more serious note, it was a change for Robin’s character to decide that she was committed enough to a relationship to turn down a job–even if I suspect the main motive was to find a way to write off Don.

* “Stay out of this, Brigitte Nielsen or Dolph Lundgren from Rocky IV!”

Related Topics: how i met your mother, Uncategorized
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  • amrios

    …I liked it very much, but I agree with you: the show needs an end date; I don’t think they can keep up dragging the “mother” reveal much longer…and I liked Ted last night, how at ease he was at the beauty salon, on a first name basis with employees and customers…

  • Mipiace

    I do find the notion of a Lost-style self-imposed end date as a critically needed element in current, and future television to be really interesting.

    The idea that if a show should have an end goal makes complete sense. If adopted I think it could really change the landscape of American television. As you mentioned in another post, nobody really paid attention to the finales of 24 and Law & Order this week. Although it’s not necessary that the same type of prescription would have saved those two, it may have meant, especially in the case of 24, that it would have gone out with a bang rather than a whimper.

    I’m not sure what the end numbers (i.e. ratings) were for Lost, but James, do you think an end date to shows would cause their ends to be more meaningful, thus more event-style tv that draws more viewers in to the live event? Or would it only work for cult/mystery shows like Lost?

  • chelsea15jk

    Well I started watching this show because I liked NPH so much in Glee, and while I kinda like it, I’ve having a hard time really getting into it. I don’t watch much comedy shows, just TBBT (I get all the nerd jokes) and Community (I attend a CC and they are -spot on- with the jokes) and this show is so relationshippy! Not really one for romantic comedy.

    But it a weird way I am enjoying it. Maybe because it’s totally different from anything else I’m watching.

    But I’m really bored with the Robin/Ted relationship. We know she’s not the mother, so it’s hard for me to really care…though I suppose it’s character developement and all that.

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