Tuned In

ABC's Fall Sked: Lots of New Shows for the Post-Lost Era

Everybody’s been paying attention to the rebuilding program over at NBC, but ABC hasn’t had a gangbusters season itself in the overall ratings (beyond finally having success with new comedies). With Lost signing off, Grey’s Anatomy greying and efforts like FlashForward having failed, ABC just announced a fall schedule that fills a lot of holes, with 6 1/2 new hours of TV and more to come (perhaps before the end of the fall).

ABC will debut just one new comedy (Better Together) to add to the Modern Family block, but five new dramas (including cop show Detroit 1-8-7 and No Ordinary Family, a superhero drama with Michael Chiklis), as well as reality hour Secret Millionaire. I’ll be looking at trailers at this afternoon’s upfront; in the meantime, here’s the schedule announcement:

ABC’s fall primetime schedule is as follows (all times listed are Eastern); new shows in bold:

DAY TIME SERIES

MONDAY: 8:00 p.m. “Dancing with the Stars”
10:00 p.m. “Castle”

TUESDAY: 8:00 p.m. “No Ordinary Family”
9:00 p.m. “Dancing with the Stars the Results Show”
10:00 p.m. “Detroit 1-8-7”

WEDNESDAY: 8:00 p.m. “The Middle”
8:30 p.m. “Better Together”
9:00 p.m. “Modern Family”
9:30 p.m. “Cougar Town”
10:00 p.m. “The Whole Truth”

THURSDAY: 8:00 p.m. “My Generation”
9:00 p.m. “Grey’s Anatomy”
10:00 p.m. “Private Practice”

FRIDAY: 8:00 p.m. “Secret Millionaire”
9:00 p.m. “Body of Proof”
10:00 p.m. “20/20”

SATURDAY: 8:00 p.m. “Saturday Night College Football”

SUNDAY: 7:00 p.m. “America’s Funniest Home Videos”
8:00 p.m. “Extreme Makeover: Home Edition”
9:00 p.m. “Desperate Housewives”
10:00 p.m. “Brothers & Sisters”

NEW FALL AND MIDSEASON SERIES

DRAMA

“BODY OF PROOF”
Dr. Megan Hunt (Dana Delany) was in a class of her own, a brilliant neurosurgeon at the top of her game. But her world is turned upside down when a devastating car accident puts an end to her time in the operating room. Megan resumes her career as a medical examiner, determined to solve the puzzle of who or what killed the victims. Her instincts are sharp, but she’s developed a reputation for graying the lines of where her job ends and where the police department’s begins. It turns out her career isn’t the only thing that will need to be rebuilt; Megan’s family has taken a backseat to her ambition, and now she’s discovering there’s a lot of work to do when it comes to dissecting her relationships with the living.

Dana Delany stars as Dr. Megan Hunt, Jeri Ryan as Dr. Kate Murphy, Geoffrey Arend as Dr. Elliot Gross, John Carroll Lynch as Detective Bud Morris, Windell Middlebrooks as Dr. Curtis Brumfield, Nic Bishop as Peter Dunlap and Sonja Sohn as Detective Samantha Baker.

“Body of Proof” is from ABC Studios. Christopher Murphey wrote the pilot, which was directed by Nelson McCormick. Murphey and Matt Gross serve as executive producers.

“DETROIT 1-8-7”
What does it take to be a detective on America’s most dangerous streets? Get ready to be part of the action when a documentary crew rolls with some of Detroit’s finest, offering an insider’s glimpse behind the curtain of a Homicide Unit. The cameras unearth the crisis and revelation, heartbreak and heroism of these inner city cops — moments of raw exposure when they address us directly, as well as private moments when they forget they’re being filmed.

There’s the damaged but driven Detective Louis Fitch, a wily homicide vet who is the most respected
– and most misunderstood — man in the division; Detective Damon Washington, Fitch’s new partner, who finds the first day on the job is a trial by fire, complicated by the imminent birth of his first child; Detective Ariana Sanchez, sexy, edgy and beautiful, who has emerged from a rough background to become a rising star in the department; Narcotics undercover cop John Stone, a streetwise smooth talker, clever and quick with a smile made for the movies, who is teamed with Sanchez — a combustible pairing rife with conflict and sexual tension; Sergeant Jesse Longford, a 30-year veteran struggling with his impending retirement from the force and the city he loves, who, together with his partner, Detective Aman Mahajan — a fully Americanized son of Indian immigrants — form an amusing mismatch of experience and enthusiasm, intellect and instinct, old school and new world, but whose combined skills have never encountered a case that couldn’t be cleared; and all are headed by Lieutenant Maureen Mason, a strong-willed single mom struggling to balance home and work.

The men and women of Detroit Homicide are as smart and tough as they come. They have to be, working the neighborhoods of the once and future Motor City, a rebounding bastion of middle America still saddled with the highest murder rate in the country.

“Detroit 1-8-7” stars Michael Imperioli (“The Sopranos”) as Detective Louis Fitch, Jon Michael Hill as Detective Damon Washington, James McDaniel (“NYPD Blue”) as Sergeant Jesse Longford, Aisha Hinds (“True Blood”) as Lieutenant Maureen Mason, Natalie Martinez as Detective Ariana Sanchez, D.J. Cotrona as Detective John Stone and Shaun Majumder as Detective Aman Mahajan.

The series is produced by ABC Studios. The pilot was written by Jason Richman. Executive producers are Richman, David Hoberman, Todd Lieberman and David Zabel. Jeff Nachmanoff directed the pilot.

“MY GENERATION”
What a difference ten years can make. In 2000, a documentary crew follows a disparate group of high schoolers from Greenbelt High School in Austin, TX as they prepare for graduation, then revisits these former classmates ten years later as they return home to rediscover that just because they’re not where they planned doesn’t mean they’re not right where they need to be.

These students couldn’t wait to graduate and head out into the real world. But the world they were entering got very real very fast. As these classmates return home to revisit their old hopes for their future, they’ll discover that, even if you don’t get exactly what you thought you wanted out of life, it’s not too late to get what you need.

“My Generation” stars Michael Stahl David as Steven, Kelli Garner as Dawn, Jaime King as Jacqueline, Keir O’Donnell as Kenneth, Sebastian Sozzi as Falcon, Mechad Brooks as Rolly, Anne Son as Caroline, Daniella Alonso as Brenda and Julian Morris as Anders.

“My Generation” was created and written by Noah Hawley (“The Unusuals,” “Bones”), who is also an executive producer, along with Warren Littlefield, Henrik Bastin, Patrick Magnasson and Martin Piersson. Craig Gillespie directed the pilot. The project is from ABC Studios.

“NO ORDINARY FAMILY”
The Powells are about to go from ordinary to extraordinary. After 16 years of marriage, Jim and Stephanie’s relationship lacks the spark it once had, and their family life now consists of balancing work and their two children, leaving little time for family bonding. During a family vacation set up by Jim in an attempt to reconnect, their plane crashes into the Amazon River. But this is where the fun starts for the Powells, as they soon discover that something’s not quite right. Each of them now possesses unique and distinct superpowers. But saving and savoring their family life will be equally important, as they try to find purpose for their new powers and embark on a journey to find out what defines and unifies them. The Powells are a totally relatable family who happen to be a little bit amazing.

Michael Chiklis (“The Shield”) stars as Jim Powell, Julie Benz (“Dexter”) as Stephanie Powell, Romany Malco (“The 40-Year-Old Virgin”) as George St. Cloud, Tate Donovan (“Damages”) as Mitch McCutcheon, Autumn Reeser as Katie Andrews, Christina Chang as Yvonne Cho, Kay Panabaker as Daphne Powell and Jimmy Bennett as JJ Powell.

The pilot was written and executive-produced by Jon Feldman. The series is executive-produced by Feldman, Greg Berlanti, Morgan Wandell and David Semel, who also directed the pilot. Joe Hartwick, Jr. serves as producer. “No Ordinary Family” is from ABC Studios.

“OFF THE MAP”
Executive producers Shonda Rhimes and Betsy Beers (“Grey’s Anatomy,” “Private Practice”) and creator Jenna Bans (“Grey’s Anatomy”) bring you an uplifting medical drama that explores how far you have to go to truly heal.

Welcome to “la ciudad de las estrellas” (the city of stars), a tiny town in the South American jungle which has one understaffed, under-stocked medical clinic. That’s where idealistic young Dr. Lily Brenner just landed, along with fellow doctors Mina Minard and Manny Diaz. All of these young doctors are running away from personal demons, but they aren’t the only ones with emotional baggage. Take the legendary and enigmatic Ben Keeton, who was the youngest Chief of Surgery at UCLA. He walked away from it all to found the clinic. Together with his right-hand doctor, Otis Cole, he’ll teach these newcomers how to save lives in the most challenging environment they’ve ever worked in.

In this ensemble drama, five doctors who have lost their way will go to the ends of the earth to try to remember the reasons why they wanted to become doctors in the first place.

“Off the Map” stars Martin Henderson as Ben Keeton, Caroline Dhavernas as Lily Brenner, Enrique Murciano as Manny Diaz, Mamie Gummer as Mina Minard, Jason George as Otis Cole, Valerie Cruz as Zita (Zee) and Jose Julian as Charlie.

“Off the Map” is executive-produced by Shonda Rhimes and Betsy Beers, and created/executive-produced by Jenna Bans. The series is from ABC Studios.

“THE WHOLE TRUTH”
This unique legal drama chronicles the way a case is built from the perspective of both the defense and prosecution. Showing each side equally keeps the audience guessing, shifting allegiances and opinions on guilt or innocence until the very final scene.

Kathryn Peale, the product of a New England background and a sheriff father, is the Deputy Bureau Chief in the New York State District Attorney’s office. Jimmy Brogan, born and raised in Hell’s Kitchen and a friend of Kathryn’s since their days at Yale Law School, is one of New York’s rising criminal attorney stars. Buoyed by their respective teams, these evenly matched lawyers — each with a strong streak of competitiveness, a fervent belief in their clients and an equally intense passion for the law —

go about creating two different stories from the same set of facts. As this up-close, behind-the-scenes look at the legal process mirrors the excitement of a championship match, it becomes evident that truth has nothing to do with innocence or guilt — at the end of every trial, the only thing that matters is what the jury believes.

“The Whole Truth” stars Rob Morrow (“Numb3rs”) as Jimmy Brogan, Joely Richardson (“Nip/Tuck”) as Kathryn Peale, Eamonn Walker (“Oz”) as Sr. ADA Terrence “Edge” Edgecomb, Sean Wing as Chad Griffin, Anthony Ruivivar as Alejo Salazar and Christine Adams as Lena Boudreaux.

The series is produced by Bonanza Productions Inc. in association with Jerry Bruckheimer Television and Warner Bros. Television. The pilot was written and co-executive produced by Tom Donaghy, and the executive producers are Jerry Bruckheimer and Jonathan Littman. Alex Graves was executive producer and director for the pilot, and KristieAnne Reed serves as a co-executive producer.

COMEDY

“BETTER TOGETHER”
Maddie and Ben have been dating for nine years. They know each other inside and out, a relationship marked by contentment and affection, seeing their commitment to one another as a “valid life choice,” something they proclaim often — and often loudly. Maddie’s younger sister, Mia, has been dating Casey for seven weeks. With a shared c’est la vie attitude, Mia and Casey are smitten with each other, and thrilled to explore the oh-so-many things they don’t know about each other yet. But when they announce they’re getting married and having a baby, it’s news that throws Maddie for a loop. Surprisingly, the girls’ parents, Vicky and Joel, couldn’t be more pleased. Married 35 years, they have recently adopted a carpe diem sort of philosophy, rather like Mia’s, maybe because they’re getting older and lost a good portion of their savings when the economy tanked. With three very different relationships tightly intertwined in one family, will it be free thinkers vs. over-thinkers, or will each couple begin to see things a little bit differently?

“Better Together” stars JoAnna Garcia as Mia, Jennifer Finnigan as Maddie, Josh Cooke as Ben, Jake Lacy as Casey, with Kurt Fuller as Joel and Debra Jo Rupp as Vicky.

The series is from Bonanza Productions Inc. in association with Silver and Gold Productions and Warner Bros. Television. Shana Goldberg-Meehan is executive producer and writer. The pilot was directed by James Burrows.

“HAPPY ENDINGS”
Forget who gets to keep the ring – when a couple splits, the real question is, who gets to keep the friends? In this modern comedy, a couple’s break-up will complicate all of their friends’ lives and make everyone question their choices. When life throws you for a curve, hold on tight to the people you love. Every circle of friends has someone who’s the gravitational center. For years, perfect couple Dave and Alex drew their friends in and held them together. Now that they’ve split, does this group have the stuff to stay together? Or do Max, Brad, Jane and Penny have to choose sides? Suddenly every event is a negotiation… like, who gets to go on the annual ski trip? There are a lot of big questions to be answered, but this group has been together so long, somehow, little by little, they’ll figure out how to hold on, even though their center is split up. It helps that Dave and Alex have agreed to stay friends. But there will definitely be other complications down the road – like Penny’s long-suppressed feelings for Dave. What is the waiting period for dating a friend’s ex? This show isn’t afraid to ask the embarrassing personal questions that inevitably arise in every long-term, close-knit group of friends.

“Happy Endings” stars Elisha Cuthbert (“24”) as Alex, Eliza Coupe as Jane, Zachary Knighton as Dave, Adam Pally as Max, Damon Wayans, Jr. as Brad and Casey Wilson as Penny.

From executive producers Jamie Tarses, Jonathan Groff, Anthony & Joe Russo, and co-executive producer David Caspe, “Happy Endings” examines the complex network of long-term friendships. The pilot was written by David Caspe and directed by Anthony & Joe Russo. The series is from Sony Pictures Television and ABC Studios.

“MR. SUNSHINE”
Matthew Perry stars as Ben Donovan, the self-involved manager of a second-rate San Diego sports arena who begins to re-evaluate his life on his 40th birthday. Working alongside him is his boss and arena owner, Crystal — attractive, powerful and highly erratic; Alice — the cute, tomboyish marketing director and Ben’s friend with benefits; Alonzo – a former basketball player, handsome and unbelievably happy; Ben’s assistant, Heather – pretty, sweet, but terrifying because she once lit a boyfriend on fire; Crystal’s son, Roman – sweet-faced, clueless and Ben’s newest employee; and a hapless operations crew whom Ben refers to collectively as the “Steves.”

“Mr. Sunshine” stars Matthew Perry (“Friends”) as Ben, Allison Janney (“The West Wing”) as Crystal, Andrea Anders as Alice, James Lesure as Alonzo, Nate Torrence as Roman and Portia Doubleday as Heather.

Matthew Perry, Alex Barnow, Marc Firek, Jamie Tarses and Thomas Schlamme are executive producers. The Pilot was written by Matthew Perry and Alex Barnow & Marc Firek and directed by Thomas Schlamme. “Mr. Sunshine” is a Matthew Perry Production, Shoe Money Production, Barnow and Firek Production and FanFare Production, in association with Sony Pictures Television.

ALTERNATIVE SERIES

“SECRET MILLIONAIRE”
“Secret Millionaire” is a one-hour alternative series that follows some of America’s wealthiest people for one week as they leave behind their lavish lifestyles, sprawling mansions and luxury jets, conceal their true identities, and go to live and volunteer in some of the most impoverished and dangerous communities in America. Surviving on welfare wages, their mission is to discover the unsung heroes of America — deserving individuals who continually sacrifice everything to help those in need. Throughout this incredible experience, the Secret Millionaires will attempt to remain undiscovered, coming face to face with extraordinary and amazing people battling the odds every day of their lives. On the final day, in an emotional and dramatic climax, they reveal their true identities. Ultimately, the millionaires will each give away at least $100,000 of their own money, changing lives forever.

Executive producers of “Secret Millionaire” include Grant Mansfield, Claire O’Donohoe and Leslie Garvin. Co-executive producer is Paul Osborne. It’s directed by Bruce Ready and is an RDF USA Production.

Related Topics: ABC, upfronts, Uncategorized
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  • Kevin in Chicago

    I’m interested in “No Ordinary Family,” but other than that, not much exciting there.

    I find it somewhat interesting that it doesn’t look like ABC is trying to find a spiritual successor to Lost. Instead, with the exception of NOF, it’s all legal, medical, and cop dramas. And one of the medical dramas takes place in a jungle, but presumably one without a four-toed statue of a foot or a smoke monster.

  • joeinatlanta

    I disagree with the first comment; I think this looks pretty good. I’m especially excited about “Off the Map.”

    ABC has been one of the best networks for portrayals of gay/lesbian characters — but I don’t see any specific mention of my tribe above. I hope this doesn’t mean that they’re just resting on their laurels from previous shows.

  • Kevin in Chicago

    It just seems “safe” to me. The networks aren’t just competing with each other for my (and your) viewing; they’re also competing with cable channels, the internet, and other forms of entertainment.

    Part of the reason I tune in to shows like Mad Men, Breaking Bad, or Sons of Anarchy is that, in addition to being very well-made shows, they’re also not like anything else on television.

    James said a while back regarding “Heroes” that a show can’t be great unless it’s willing to risk being horrible. A lot of the new shows from all networks so far, seem pretty bland to me. Sitcoms about young people having relationships. Dramas about gritty cops and quirky lawyers and idealistic doctors.

    I think it’s a fine line for the networks to walk between showing that they have new, exciting programming and programming that will turn off some viewers. However, with the exception of NBC’s gloriously cheesy trailer for “The Cape,” the networks seem to be erring largely on the side of “this is like stuff you’ve seen before.”

    But, hey, who knows? I wouldn’t have bet that Modern Family was going to be one of the best new sitcoms of last season based on the description from the upfronts.

  • Tom Shaw

    THR is running a blurb suggesting that ABC was unhappy with their pilot crop. I certainly hope its true, because this schedule strikes me as an utter failure.

    Although little of the press notices it, before Modern Family, ABC hadn’t had a hit that wasn’t mostly to all lead-in in half a decade. And given that all those half-decade or more shows are ending or aging, now was the time to put their new hopes in the timeslots with the good lead-ins, namely after DWTS, DH, and maybe even GA.

    Instead, ABC went with the same old shows in the same old slots. So Castle keeps the plum post-DWTS timeslot, and ABC tries, what, the 7th? 8th? show in a row to try and fill Tuesdays at 10pm, for instance. (And that show is another police procedural, because The Forgotten and The Unusuals worked so well for the network recently.)

    On top of that, I even question the placement of some of the new shows themselves. V briefly did well as a young, male, action leaning show on Tuesdays at 8pm. Does anyone think a Greg Berlanti production will fill the same shoes, especially when Glee is also competition? ABC throws their 18-34 My Generation up against Vampire Diaries, Survivor and the NBC comedy block? Etc.

    So yes, unless ABC simply had nothing that they were enthusiastic about, I’d have to mark this schedule as a significant disappointment.

  • rosseau

    “Unique legal drama” is an oxymoron at this point. Hollywood cannot help but make terrible romantic comedies (see JLO’s new movie, or rather, do not). Hollywood TV somehow has managed to make their rom-coms even worse. So, congratulations, I guess. I dare anyone to watch the four minute trailer of NBC’s Perfect Couples. I rather go crawl through hot coals while simultaneously eating a living porcupine. But at least ABC had clips of their shows, not extra long excruciating trailers like NBC had.

    Let’s see, the superhero family show looks like a retread of The Incredibles. We don’t need in these times another CEO/wealthy people rehabiliitation show. (If you really want to be daring, have an episode featuring BP”s CEO or that W. Virginian mining company’s). My Generation sounds like a fictionalized version of Apted’s Up series. The interesting Mr. Sunshine has Perry and Janney and looks sharp. Plus they had some good ripostes on the West Wing. Slightly better than NBC’s lineup, though there should be an urgent moratorium on relationship, legal and medical shows. Ha, made myself laugh. This has been another edition of the Surly Viewer Who Hates Everything, because it’s just so easy.

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