Taxi Driver

Cannes loves to certify auteurs and stars, and had the chance to do both by handing the Palme d’Or to Martin Scorsese. His study of urban violence featured Robert De Niro as deranged cabbie Travis Bickle, a sort of Ghost of New York Present patrolling the steamy, sewery nighttime streets and giving rides to the city’s human refuse. That year’s jury president, Tennessee Williams, must have responded to a vision of New York as sordid and poetic as those the playwright had created of the modern South.
The Tree of Wooden Clogs

Two years in a row, the Palme d’Or went to Italian films: the Taviani brothers’ Padre Padrone in 1977 and this splendid rural epic from Ermanno Olmi. Like La Dolce Vita, this was a three-hour fresco, but hopeful, not skeptical. A village of farmers, under the boot of their master, sacrifice to send a bright child to school. That child might have been Olmi, who’s been making films since 1953 without losing his love of the land and the peasants who till it.

























