South Park and Muhammad

During 14 years on the Comedy Central air, South Park has satirized nearly everyone and everything. But after the April 14 broadcast of the series’ 200th episode—which included a Muhammad character hidden from view, thanks to a bear suit—a post on an extremist Muslim website threatened show creators Matt Stone and Trey Parker: “We have to warn Matt and Trey that what they are doing is stupid, and they will probably wind up like Theo Van Gogh airing this show.” A picture of the murdered Dutch filmmaker and the listing of addresses on the site belied the insistence that this was a warning and not a threat.
The following week, South Park‘s 201st episode also included Muhammad…sort of. Turns out it was Santa Claus under the bear suit. Instead, Stone and Parker “showed” Muhammad under a black box and the word CENSORED. But the non-images aside, all references to the prophet were also bleeped. According to a statement from Stone and Parker, “It wasn’t some meta-joke on our part. Comedy Central added the bleeps. In fact, Kyle’s customary final speech was about intimidation and fear. It didn’t mention Muhammad at all but it got bleeped too.”
This is not the first time South Park has weighed in on the issue of depicting Muhammad. In 2006, following the Danish cartoon controversy, Comedy Central also put Muhammad behind a black CENSORED box. Yet the prophet had actually made his South Park debut years before: in 2001, during the show’s fifth season, he was a member of “The Super Best Friends,” appearing on screen with the likes of Jesus, Moses, Buddha, Lao Tzu, Joseph Smith, and Krishna.
The Censored Eleven
Nothing shows its age faster than humor. In 1968, having deemed 11 Looney Tunes and Merrie Melodies cartoons — popular in their own time two decades prior — too politically incorrect to air, United Artists withheld them from syndication. The “Censored 11″ haven’t aired on TV since, but clips have crept online, giving today’s audiences a window into cringeworthy racist stereotypes once considered fit for Saturday-morning fun. A 1941 episode called “All this and Rabbit Stew” showed Bugs Bunny hunted by a dim-witted, black gambler (later reimagined as Elmer Fudd). In 1943, “Coal Black and De Sebben Dwarfs” parodied Disney’s Snow White with an all-black cast. (Innovative despite its dubious content, the cartoon was named one of the 50 Greatest of All Time in 1994 based on votes from more than 1000 animation-industry professionals.) And 1944′s “Goldilocks and the Jivin’ Bears” likewise repopulates the popular story with an all-black cast, turning the Three Bears into jazz musicians, with many characters drawn in blackface style. It makes South Park look positively sensitive.




























