The Caprica Saga: Finally Adding Some Punch to the Philosophy

Greetings, Tuned In universe. It is I, Jim’s lowly temporary replacement, schlepped over from Techland to fill the gaps while Poniewozik recharges his brain for Lost’s last lap.

Syfy's Caprica

I thought I should begin my short-term tenure by posting a quick note on the series I’ve been covering most religiously for Techland – the series that has sparked more than a few heated arguments with friends and readers over the last few weeks. I am speaking of Caprica – the show that Jim gave a hesitant endorsement back at the beginning of the month. At the time, he said he had initially worried about the series – a spinoff of Battlestar Galactica - being able to assert its independence. But he was impressed by the foundation the show had constructed, was intrigued as to where things were headed, and thought it was a prequel worth giving a chance.

Well, after Friday night’s mid-season cliffhanger – or should I say cliffjumper – we now have a better sense of where they are taking things. And I for one couldn’t be more impressed.

I’ve really liked this show, even as the ratings have struggled to recover from an initial drop-off. While Syfy continues to tout the show’s performance with the ever-important younger demo, I’ve watched the weekly tally hover right around a million viewers. The numbers for Friday’s cliffhanger show 1.1 million viewers, with a 0.5 rating for adults 18-49 (tied for a series high). Yes, the season premiered right up against the Haiti telethon, and the hyper-serialized nature of Caprica has meant that it’s harder for newbies to access the series if they missed week 1 or 2. I, for one, think the show would do a whole lot better if it aired on a different night of the week.

But I digress. The show’s producers have clearly been building up to last Friday’s cliffhanger, and Syfy has now pulled it off the air until the fall, in hopes that a larger audience learns to love the show by then. You can find most of the episodes in their entirety right here, and if you are one of those few who catches up with it during this indefinite “hiatus,” here’s betting that you fall into one of two camps: The viscerally bored or the intellectually stimulated.

The gulf between these extremes illustrate’s the show’s ratings problem.

Caprica may be a Battlestar Galactica prequel, but it’s a show that up to this point has almost been devoid of action. It’s an insulated bubble of a thing, about two dead daughters, two fathers who aren’t quite getting the whole mourning process, and the virtual avatars of these two girls who continue to roam through a futuristic virtual space. (I’ve written truckloads of detailed copy about the show over at Techland, and you can find all the detailed analysis here, along with an interview with the show’s co-creator here). There was a brilliant moment in an early episode where the series all but came to a standstill in a black box, with three avatars looking at each other. In one corner was the virtual representation of a living teenage girl. In another corner was the avatar of Zoe Graystone, who created a standalone virtual replica of herself prior to her death. And in a third corner was the avatar of another dead girl, constructed after her death in a botched experiment. She has no memories of her real-life alter-ego. She is a wandering CG construct, existing unto herself.

Confused yet?

Yes, all of this is quite trippy, but that’s part of the show’s allure. It keeps scrambling up our conventional notions of humanity, reality and morality. In these three avatars, we see a sliding scale of humanity, between the real girl in a fake world, the echo of a real girl in a fake world, and then the fake replica in a fake world. All three avatars can function, and feel emotion, but they represent very different things. So who’s real, and who’s not? As Zoe’s avatar is downloaded into a robot in the real world, does she owe any allegiance to Zoe’s father? After all, technically Zoe is dead. This is Zoe II, with a mission all her own.

For all the series’ flaws, they have successfully given us a character who is neither human nor robot. But something in between. That’s pretty remarkable.

Now I know that Jim hasn’t been covering this show intimately, so it’s a little hard for me to bring everyone up to speed. And I guess that’s not really the point of this post, anyway. I merely wanted to give a shout-out to a show that I think has turned a rather significant corner. In last Friday’s “mid-season finale,” each and every storyline exploded (or imploded, depending on how you look at it). Daughters betrayed their fathers, characters attempted suicide, cyborgs that were locked down in computer labs have now broken out, and are engaged in high-speed car chases. Even a sweet-natured high school teacher, who did little more than sit around and talk for the majority of the first season, is involved in a car bombing.

I’m going to refrain from giving away all the twists and turns, and instead encourage you to simply catch up with Caprica while it’s away on break. Give some heady, smart sci-fi a try. As someone who thinks that A.I. is the best sci-fi film of the last decade, I have been thoroughly riveted by Caprica, and all the moral implications of its artificial life. If you could bring a dead loved one back in the form of a hologram, would you? Should you? What does it mean, to cheat death and escape mourning? And what would your loved one’s replica owe you? Heck, what is love? Is it the exchange of emotion, or a one-way affair?

This is juicy, smart stuff. But it’s also the kind of stuff that plays out at a slow-burn. It’s more heady than harrowing.

What Friday night’s cliffhanger showed us is that all these moody, moving cogs do add up to a more exciting puzzle – one in which firepower, bankruptcies, terrorism and death hang in the balance. While the ratings teeter, and the future of the show hangs in the balance, I can now finally see for the first time how the makers of the series intend to overlay some high-octane thrills on top of this high-minded soap.

Caprica might not be for everybody, but I think we’re finally starting to see the show’s true colors. Now might be the perfect time to give the show a second glance.

Related Topics: adama, Battlestar Galactica, caprica, zoe graystone, Uncategorized
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  • http://erieangel.wordpress.com erieangel

    I love Caprica. It’s exciting watching the birth of the Cylon race and how they became mono-theistic while the humans of Caprica and the other surrounding planets remained poly-theistic. And its fun watching Admiral Adama as a child. Yes, I was fan of Battlestar as well.

  • anon76

    Welcome Steven!
    .
    It’s great that you introduce yourself as James’ lowly assistant rather than Lev’s lackey when opening a discussion of the BSG universe.
    .
    I finally decided to give Caprica a watch a couple of weeks ago- I started with episode 3, went through ep 5, went back and caught up with 1-2, and have now watched 6-9. Obviously this is a sub-optimal viewing sequence, but I think if anything it has simply heightened my awareness of what works and doesn’t work in the show.
    .
    First off, I agree with you whole-heartedly on the concept of the show- it’s great, and I love the elements they’ve managed to weave into the story (this in spite of the fact that I’ve made jokes describing the show as ‘BSGG’ due to the heavy reliance on the female teenage romance theme).
    .
    Unfortunately, where I think the show has run into problems has been execution, especially with the Adama storyline. I agree here a bit with what James said in his post, that the show would almost be better having left these elements out. When you bring characters from a series into a prequel, the expectation is that you’re going to do a lot to flesh out those characters’ formative experiences which lead to the motivations of the characters that we see in the later series. What I’ve seen so far of William and Joseph Adama has told me exactly zero about the Commander Adama of BSG, nor his relationship with his son (who supposedly takes after Joseph). Instead there has been a fixation on their ‘Tauron’ upbringing (which, unless I’m mistaken, was never once mentioned in BSG- i.e. it is a dead-end). The most compelling character in the Adama circle is the brother Samuel, yet he is strictly a back-bencher only featured occasionally. Joseph Adama as a character is a rash of contradictions, and young Willie Adama seems to be nothing but a sullen punk. I wish they had done better here, as a huge BSG fan.
    .
    Finally, regarding the ‘sweet-natured high school teacher’ involved in the car bombing, WTF? You can’t possibly be talking about Polly Walker’s Clarice as ‘sweet natured’. Did you mean Lacy? FWIW, I believe she is a student, not a teacher.

  • nycgeoff

    I stopped watching once I realized that I liked the idea of Caprica much more than I liked Caprica itself.

    I agree with the gist of your post: the show gives us a look into the idea of death, grief and virtuality. But I disagree that it is at all “interesting”. The show does not generate empathy for its characters (hit-man uncle aside). The plot is static. There are too many characters doing too few things. There is no sense of urgency.

    It’s an interesting failure, but as a TV-watching experience I prefer Warehouse 13.

  • Rorschach

    I was a little thrown by the sweet natured bit, too, anon76. I don’t think it’s a spoiler to say I disagree with that description, because she’s only sweet natured for about 5 minutes of screentime.

    But I disagree with you, anon76, about the Adama stuff, especially the idea that if it wasn’t mentioned in BSG it is a dead-end. The creators of this show told the actors to completely ignore BSG. The goal of Caprica isn’t to make BSG make more sense, or to set it up, or any of the things that most prequels do. They are trying to make a 99% independent show. Which I could see being a turnoff for some.

    Some of the plots are a little slow, but maybe with the hiatus they tighten things up a bit. Personally, I request more terror, more discussion of what defines life, more moral ambiguities. And I request less whiney angst (Looking at you, second half of the run Joe and Amanda).

  • anon76

    @Rorschach-
    If that’s the case, they shouldn’t have tried to have their cake and eat it to. Perhaps the characters would have been more interesting (or at least less distracting) had they not been named Joseph and Willie Adama, especially if there is no consequence to that name in terms of setting up BSG. Probably more important would be less of the angst for Joe that you mention, and less of the sullenness for Willie that I mention. And more uncle.

    ps- were you speaking of Lacy or Clarice being sweet-natured? Maybe it’s just my association with Rome, but I don’t see Clarice as having been sweet natured for a single second of screen time. She’s wonderfully duplicitous, as was my hope when I heard Polly Walker would be in the cast (in fact I was hoping for a much more central role for her- link).

  • Rorschach

    I think in a perfect world they wouldn’t have made the BSG tie in. I think that was a thing at least in part for ratings. With all the bad will from the BSG finale, and people staying away because they hadn’t seen BSG, that might have been a bad idea…

    I was speaking of Clarice, but I was being generous with the 5 minutes of sweet-naturdness.

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