Tuned In

Lostwatch: Charlie Brown, the Football and Linus

ABC

SPOILER ALERT: Before you read this post, pop an organic TV dinner in the microwave and watch last night’s episode of Lost.

One of the great riddles of this last season of Lost has been the meaning of the flash-sideways stories. Are they reality? Alternate reality? Will the universe they represent somehow merge with the one in which our friends are still on the Island? And if not—what are they for? For that matter, if the flash-sideways are the real reality, created by the H-bomb explosion, then why do the events on the Island matter? We’ll know by the end of the season—I assume—and I’m OK with waiting. But in the meantime, we gotta guess.

Thematically, at least, I’m getting a better guess at what they’re about. In the old flashbacks, and even the flashforwards, we saw the main characters struggling with the same conflicts as in the Island timeline, but ultimately, they succumb to the same failings. Kate will always run away. Sawyer will always con. Locke will always get conned.  Hurley will always have bad luck. Sayid will always have to kill some dude. Jack will never get over his daddy issues. Charlie Brown will never kick the football.

The flash-sideways are different, it seems. In the flash-sideways, Charlie Brown kicks the football. The characters are, at least a little bit, able to break the cycle and achieve some kind of progress or peace that’s been denied them. Kate stops running long enough to help Claire. Locke comes to accept his limitations. Hurley is the luckiest man in the world. I’m not quite sure the positive change / redemption in Sayid, who did, in “Sundown,” have to kill a dude, but we can gather from its ending that his flash-sideways story is not over.

And in “Dr. Linus,” the most affecting of the flash-sideways yet, Ben sacrifices his self-interest for the sake of Alex, whom he let die rather than give up power in Island time. (Which would leave him, as he analogizes himself, like Napoleon on Elba, alive but better off dead.) What’s more, he does so anonymously, making it a higher mitzvah.

We shouldn’t be surprised that Michael Emerson turned in another great performance. What he accomplished so well in his flash-sideways was to show us Ben as simultaneously a very different man and yet the same man, gone in another direction. He’s honest, moral and giving of himself; yet you also see in him the same fastidiousness and the same sense of injustice edged with bitterness that we’ve seen in Bad Old Ben. So it’s not surprising that he cannily comes up with a way to backstab the principal he hates and take his job, though he gives up the opportunity rather than hurt Alex. (Of course, there’s nothing save his word to keep him from burning Principal Reynolds later; but we’ve seen that even the Evil Ben of the Island can sometimes, almost rigidly, be a man of his word.)

Something changed in this Ben, or rather, didn’t change, didn’t make him go wrong. “Dr. Linus” makes the case more explicitly than any other season six episode that the failings of this character are specifically the products of circumstance: here, that staying on the Island led Ben to go bad. “Imagine how different our lives would have been if we’d have stayed,” Ben’s dad, having lived to old age, wistfully tells him. If only you knew, dude. The only gas your son would have given you would not have been oxygen.

Here, Ben’s redemption in the alt-universe mirrors his story in the Island story. On the Island, for once, he gets the drop on someone but does not shoot. He recognizes how he failed Alex, and how he himself was badly used. (Like Richard, by the way. Anyone still convinced Jacob is a good guy?) He considers going with Smocke, but only, he recognizes miserably, “because he’s the only one who’ll have me.” All this feeds my Ben-as-Anakin-Skywalker theory of Lost: the kid with potential led to the dark side, who may yet have a chance to rip off the black mask and do some good before he dies. (Update: Not just my theory! Sorry, Dave!) With our old buddy Widmore pulling up to the Island—well, we’ll see how soon that is.

In the second storyline, man of science Jack is acting more and more like a man of faith, sitting Richard down in the Black Rock—after we learned, sort of, why he’s cursedly ageless—letting the dynamite fuse burn down and trusting that Jacob will not allow it to go off, because he brought Jack to the Island “for a reason.” Between this and the poison pill scene, I’ve gotta say: I like Crazy Deathwish Jack.

Though I’m still foggy on this season’s direction and taking it on faith—I still operate on the theory that this is one big episode and we just have to see how it ends—”Dr. Linus” gave me reason to hope. Between Richard’s story and Ben’s, it told us that we’re not here to cheer Team Jacob or Team Smokey in whatever megalomaniac game they have going, but to cheer our characters in their progress. One of the characters I care about most at this point, God help me, is Benjamin Linus, and if nothing else, this episode reminded me why.

Now for the hail of bullets:

* So we’ve learned, that Richard was on the Black Rock when he got to the Island. Given the history cram session in the flash-sideways, did the ship have any connection with the British East India Company?

* Followup to which: so if Jacob touches you, you have a “gift”? Does the gift vary, or does it always mean you can’t die? And I know the whole Internet is looking this up now, so I’ll just ask: so who have we seen Jacob touch?

* Loved the callback to Nikki and Paolo, as Miles’ spidey sense leads him to realize where their diamonds are buried—and, oh yeah, that they were buried alive. Couldn’t have happened to a nicer guy.

* In addition to being a fine dramatic actor, Emerson is one of the better comic players on the show, and “Dr. Linus” gave him some good material. Tie between “I’m fine, thank you” (on being asked where Sayid is) and “The things people bring on a trip” (upon finding the big-butts magazine in a tent).

* Still, the star of Lost the Comedy this week had to be our old friend Leslie Arzt, dreaming of a parking space where “I get the shade from the maple tree but not all that maple tree crap all over my car!”

* So Widmore is the guy who Jacob said was coming to the Island? Fine, since I was wondering when and if his story would re-enter the picture. On the other hand: I still want me my Desmond!

* “Cheese curds.” Mmmm, indeed.

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  • des1989

    I agree that we don’t yet know what the “point” of the alt-timelines is. But that’s not what bothers me. What bothers me is that I think it would have been MUCH more interesting to simply examine what would have happened had Oceanic 815 not crashed, with everything else staying the same. That’s what we were supposed to believe would happen at the end of Season 5. Instead, the bomb changed virtually every aspect of their lives (and yet, they all the characters seem to be connected?) which is fine, except that the changes seem to be random and arbitrary. Honestly, who gives a crap about Jack’s would-have-been son? Kate’s episode was the only one where their lives didn’t seem to be different.

    Here’s what I don’t understand…Jack detonated the bomb to change the future (or past, depending on how you look at it). Because he did that their lives have been changed: Jacob never touched Jack, Hurley, Kate, Locke, etc. and the hatch was never built (and the Island sank?) so 815 never crashed. BUT BEN WAS ON THE ISLAND WHEN ALL THIS HAPPENED! So shouldn’t he be dead?

  • adriaezn

    Two things:

    1) Hooray! You used “Smocke”! I totally suggested that a few weeks (or has it been months?) ago!

    2) My biggest complaint about the alt-timeline is that it all just seems far too convenient. Are we really supposed to believe that Ben just HAPPENS to be Alex’s teacher? And that Arnzt (sp?) and John just HAPPEN to also work there? This all suggests that the connection these people share somehow transcends the island (or Jacob, for that matter) – unless somehow Jacob’s “touch” transcends the rules of time (meaning if he touches you in 1997 in the original timeline, but then you’re sent back in time, and you happen to split the timeline in 1970-whatever, will alternate you still have the power of Jacob’s touch?). This is one question I really do hope they answer. Because…c’mon…WHY would Rousseau just HAPPEN to move to the U.S.?

  • macevangelist

    Wanna try another stick?

    Learning from Napoleon, Dr. Linus settled for getting rid of detention, having the history club back for the 5 kids who care, and making Alex happy. Roger Linus decided to leave all that Dharma beer behind, getting off the island before the Incident could drown it for good. LOST B, the sideverse, shows us a reality in which the Swan outburst was unchecked by Jughead’s core. If this timeline, that shows the best outcome for all our protagonists, should converge with LOST PRIME in the next couple of weeks, pigs are flying. It is the happy ending. The Kitsis/Horowitz outing from last night proved that again.

    Jacob is a good guy, and he has a plan. Poor Richard was just not able to wrap his mind around it, because like us, he had not enough intel. The question is, what was Jacob’s job anyway, and was he the first the to keep watch over evil incarnate over the ages, or was he a replacement already? After the kickass performance with Richard, who lost his faith, in the belly of the Black Rock it would really surprise me if Jack would not end up as Jacobs replacement in the finale. His life saved in the last moment by Ben Linus, maybe. All that manipulating of Ben will fly straight back into Locke’s face in the end, now that Ilana saved Linus soul. And then Shepard will accept his duty and keep us all safe from Evil Incarnate™, for the next couple of centuries.

    Kitsis/Horowitz episodes are usually my favorites, and they did not disappoint last night, with Miles ignoring Bens offer and going after Nikkis and Paolos diamonds. Which are, as we know, forever. Very sweet writing to pin LOST B Arzt against dynamite in the Black Rock again.
    And when I thought the 42 minutes of Dr. Linus were over… cut to water and a sub. For seconds I thought Locke found another Dharma U-Boot. But no, it’s Chuck from London.

    But if Locke and his arrmy travel by outrigger to the Hydra, maybe we finally see who got shot by Juliet in ‘The Little Prince’…

  • Rorschach

    First off, Lost still can’t manage to do a sub special effect to save its life. WTF Lost? You didn’t learn from the humiliation of the finale last year?

    Second, it may be because Alex is played by an older actor, or maybe because Ben just acts creepy, but there were a lot of sexual vibes in their scenes together. Will my slash fic come true at last?

    Third, with the possible exceptions of Bernard, Rose, Jin, and Sun, everyone has a better life off island. If Jacob is a good god, he’s the kind that’s ok with breaking a few eggs. Oh who am I kidding no one got to my third point after I grossed them out with #2.

  • profdante

    Thoroughly enjoyed this episode! Ben (Michael Emerson) is great and I liked the parallels and the anti-parallels (perpindiculars?) to his island- and sideways lives. Glad we got to see Richard actually acting human and loved Miles getting Nikki & Paolo’s diamonds — perfect! The whole digging your grave thing was kind of ridiculous, but it set up that great last scene with Ben and Iliana. And the callback to the ‘coming around the bushes for the reunion on the beach while music plays’ scenes from the early seasons… nice.

    But- we nitpick because we love, right? Why is Sun calmly hoisting tarps when she should be frantically searching the island calling JIIIIIIIIIIN! (ala “Waaalt!”) now that she knows he is alive and on the island. And has the show completely forgotten about 1977? Why aren’t she and Lapidus grilling Miles (and Jack/Hurley for that matter, but they just arrived on the scene) about what happened during the 3 years he was gone? For that matter, how about a little acknowledgment between Miles and Ben that they should remember each other from the 1970s — or maybe Miles could ask Ben what happened on the Island after the bomb blew? I know, I know there is already too much stuff going on in the show to worry about these kinds of loose ends/connections, but after so much time setting up the whole time-jump stuff last season, there should be some repercussions now….

  • Tom Shaw

    Ahh, Michael Emerson. Even he can elevate the worst script this season to something decent. Examples: “What would my life be like if I hadn’t slept in.” “Irony: Ben giving his father air!” “Complain that Expose sucks, will you… let’s use valuable last season time to bring up that plotline!”…. Err, that last one was writer’s commentary, not dialogue.

    All in all a harmless but not particularly revelatory hour:

    The writers seem content to string out the “Point when the timelines diverged” reveal for another third of a season.

    Richard being startled with the chains is too obvious – he’s a slaver that’s lamenting his previous actions, not a former slave.

    The only real question is Widdmore – is that real Widdmore, and he sided with Esau in the war for The Island years ago (hence his baiting Locke to come back), or is that alt-Widdmore, on the alt-Sub, and The Island has landed in the alt-World (in my mind, the only decent way to link the two halves of the season together)? Either way, should be interesting.

  • madmatt86

    Very good and satisfying episode. I know why and I wonder if other people feel like that as well, but this was the first (the only?) episode in a long, long time that answered questions (sort of) and didn’t raise any (substantial) new ones.
    .
    End game. It’s on.

  • Dave

    Halfway through the episode, I was mentally planning out my comments asking whether a good resolution at the end is worth enduring bad individual episodes. Then the second half of the episode assured me I wasn’t enduring a bad episode.

    Not much more to say beyond what has already been said… Emerson was great, I’m LOVING Jack right now, I’m super excited about getting the band back together.

    Obligatory fake timeline note: I still don’t care, though Roger making reference to the DI gave the slightest hint that the fake timeline may be a divergence splitting at the Incident, as opposed to an entirely unique timeline. This puts the notebook in play. Other than that, same story as before: interesting enough, compelling enough, but why do we care about it?

  • http://sth.freeshell.org/ stharward

    @Rorschach: rendering good water effects takes a huge amount of computer time. The LOST CGI team probably started putting together the submarine sequence no more than a week ago, and even a big-name CGI house like WETA, ILM, or Digital Domain would have struggled to get a decent-looking water sequence done in that amount of time.

  • lazwell

    I think what we are supposed to understand from the alt timeline is who the characters really are (without the presence of the island).
    Ben would have been (relatively) good, which explains his choosing to stay with the good guys.
    Jack would have gotten over his issues and been a good dad, and person. Explains his choice to be with the good guys.
    And so on with hurley, etc.

    As for Sayid, despite looking as though he had changed in the beginning of his episode, he turns out bad no matter what, which explains his choosing Smocke’s side.
    Same for Kate, even without the island, she has the same problems, which explains her choosing Smocke’s side. (However, I think her past is more complicated, she’s not quite on Smocke’s side, she’s never on anybody’s side really, I think this has and will continue to define her character).
    I think we’ll have a confirmation of this theory when we see Sawyer’s and Jin’s alt realities. If Sawyer is still a con man and Jin is still a mobster, it will explain why they are ultimately on Smocke’s side.

    I think, in the end, people who are corruptible no matter what, will be with Smocke.
    People who have problems, but can overcome them will be with Jacob (explains why Jacob always had hope that Ben would not kill him, he believed everybody could be saved in the end).

    It could be interesting to see Jin versus Sun (if this theory is correct).

  • http://ewstephe.blogspot.com ewstephe

    I’m over this whole 2-power divide on the island, god v. devil, that kind of thing. Lost can be more creative than that. But those lines are blurring now, and I’m looking to Widdmore to really mix things up instead of picking sides.

    My favorite part of the episode, though, was that alt-Locke was the one who suggested to Ben that he seek the principal job. It appears that Ben never thought to stage a coup til alt-Locke brought it up. Meanwhile on the island, the Smokester is playing devil and tempting everyone by offering them their deepest desire or whatever. Loved it.

  • http://costellofilm.wordpress.com costellofilm

    One note on what Richard said in regards to the “gift” from Jacob: He didn’t say you can’t die, he just said you can’t kill yourself (hence why he asked Jack to kill him.)

  • denisemorris

    I liked this episode. Ben is creepily awesome on or off the island. And when he explained why he killed Jacob, I actually felt sorry for him.

    I still think Jacob is the good guy. He is a “god” that does allow suffering, which is a reality of life. He doesn’t always let people in on his plans–but there is a plan. My friend and I were saying that it kind of reminds us of the story of Job in the Bible. God is allowing certain things, but in the end, everything is restored. And sometimes the plan is bigger than each individual. We kind of saw this when Ben killed Jacob after Jacob said, “What about you?”

    Also, just a reminder that this whole bigger plotline was hinted at in the pilot when Locke tells Walt about backgammon. “Two players. Two sides. One is light. One is dark. Walt… do you wanna know a secret?”

    Also, I love, love, love that they’re all ending up back “home” at the beach camp. That last familiar scene when Jack and Hurley arrived got me all verklempt.

  • rosseau

    Baadassss Ben’s Sweet (Redemption) Song

  • Rorschach

    I understand that it’s difficult, but then just don’t do it. Show water, then show him in a sub, we’ll figure it out. Terrible effects take you out of the moment.

  • Mipiace

    I know we’ve been told that this whole alt-thing is not Sliding Doors but the further we get into it, the more it feels like it. I mean we had two separate characters in two differing realities asking what-if questions about the path their lives would have taken. And it seems that eventually the two possible realities will converge.

    Oh, and as an aside I’m really enjoying Matthew Fox’s portrayal of Crazy Deathwish Jack. Such a marked turnaround in a character’s make-up could have easily come off cheesy and unbelievable. He could have veered into over-acting, but has managed to provide a compelling and provocative performance. As much as I like Michael Emerson, the dynamite scene last night when he asks Richard if he’d like to light another, with the perfect maniacal laugh made my night.

  • squally12

    Is it safe to assume that Michael was also touched by Jacob at some point since he could not kill himself?

    That said, he was able to set the explosives on the freighter, but maybe that was fine since his “work was done.”

    Also, since Tom (I think that was the Other’s name) knew Michael couldn’t kill himself do the Others know more then they are letting on about the Jacob / Smocke struggle?

  • chelsea15jk

    Yay that we got to see Richard and learn a tiny little bit more about him! And Jack is definitely my favorite character. :)

    And when Ben said “because he’s the only one who will have me” I cried.

    I think this was my favorite Flash Sideways so far…except that (if that timeline continues) I hope Ben will takedown the principle.

  • thebro88

    Nice

  • tyrantking

    I was most interested in Miles comment that Jacob didn’t want to die and that he was hoping he was wrong about Ben right up to the very end. So I’m wondering if he was hoping he was wrong that Ben was going to kill him because he didn’t want to die, but that he knew he had to die and that Ben would kill him. Which of course comes back to Jacob as Jesus and Ben as Judas.

  • http://patmando.wordpress.com patmando

    Kate’s gift is that she can always (eventually) get away.

  • jayne1365

    Locke was also touched by Jacob. Therefore, even though he was in the middle of killing himself, Ben had to kill him instead…did Ben know that was the reason he had to kill Locke or was he just following orders without knowing why again?

    A thought occurs to me…of the Island people who had to go into the healing waters, did any of them come out of it “not infected”-Claire and Sayid didn’t. I hope that Ben did(he was healed when he was 12).

    As for the overall story, I am starting to believe that the Island is a prison of some sort. That is why Smocke is now in a hurry to leave the island before Jacob’s replacement is chosen-the gate has been left unlocked.

  • lynneking

    Was it another person playing Alex ? Because she looked weird, her teeth mostly, the top ones looked almost perfect and the bottom ones looked untouched. I kept wondering why does she look so weird?

  • http://shandro.com Tyler Shandro

    I’m surprised more people haven’t referred to the Third Policeman by Brian O’Nolan. The producers have said that the book holds clues about where they’re going.

    Where are they going? Time (and the story) is circling around and restarting over and over. That’s why the producers say it’s not a parallel universe or alternate reality.

    But as for why time is restarting over and over, I’m guessing the end will be left to several interpretations, like the last episode of the Sopranos (which Darlton have said they admired).

    Perhaps the characters have all been dead throughout the story and all of the strange things happening to them is some type of weird hell (like O’Nolan thought the Third Policeman was about). And this sort of thing goes on forever.

    Or as Keith Hopper thought about the Third Policeman, maybe the characters are “flickering between an awareness that [they are] a character trapped within a fictional order and [their] realist belief that [they are] a ‘real-life’ person”.

  • meg7

    Why does Alex have to be Danielle’s daughter?? I would say she is more connected with Ben than with her mother…

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