Slumdog Millionaire

To mine joy from misery: that’s the gift of many a terrific movie. Its story needn’t truck in sentimental optimism, just a striving for transcendence. And if there’s verve in the telling, you have yourself a winner. That’s the key to this Anglo-Indian melodrama about a boy who grew up with his brother in brutal poverty, and whose adoration for an even unluckier girl lands him as a contestant on the Indian version of Who Wants to Be a Millionaire? Simon Beaufoy’s script tells the three lives in flashbacks that illuminate India’s dynamic and troubled history over the past 15 years. As gaudy wealth and abasing poverty coexist in Mumbai, so Danny Boyle’s zippy movie catches the contradictions of slum drama, love story, social document and Bollywood musical in its firm embrace. Audiences in Europe and U.S. — and the Motion Picture Academy — gave it a big hug too.
Crouching Tiger, Hidden Dragon

As with Slumdog Millionaire, so too here: a director who made his reputation in the West plunders the genre treasures of Asia. At least for Ang Lee it was a homecoming: he was born and raised in Taiwan before going to college in Illinois and earning acclaim with The Wedding Banquet and Sense and Sensibility. In collaboration with a starry cast (Chow Yun-fat, Michele Yeoh, Chang Chen, Cheng Pei-pei) and the superb martial-arts choreographer Yuen Wo-ping — the movie’s true hidden dragon — Lee created a blend of Eastern physical dexterity and Western intensity of performance, where high art met high spirits on the trampoline of an elaborate plot. Both a powerful film and a terrific movie, Crouching Tiger became North America’s all-time highest-grossing foreign-language release… unless you include the Aramaic-and-Latin The Passion of the Christ.












