The Daily Show

We can drop the whole pretense that this is a “fake-news show” now, right? Comedy Central’s headline satire (which Jon Stewart took over in 1999) may have been news commentary, but regardless it was the best journalistic program of the ’00s hands down. From 9/11 to the Iraq War (a.k.a. “Mess o’ Potamia”) to the elections and all the madness between, TDS was a searing, lucid mix of pointed analysis and dirty jokes. (It could be simultaneously the most juvenile and most adult great show on TV.) But above all, it was a spot-on running work of media criticism, from its takedowns of news foibles and clichés to its sendups of pundits (culminating in Stephen Colbert’s spun-off bloviator). In a decade of noise, Jon Stewart always found the signal.
The Office

The BBC original starred co-creator Ricky Gervais as the most hilariously bad boss in the world: David Brent, a frustrated entertainer inflicting his need to be loved on his paper-company employees. The U.S. version borrowed the premise and the cringe humor, but rounded out boss Michael Scott (Steve Carell) and expanded the cast of characters at Scranton’s Dunder-Mifflin branch. Both shows were about the strange alliances, rivalries and small victories that get you through a day under the fluorescent lights. And each reflected the culture that made it: the British version, mordant and melancholy, the American version, wackier and more optimistic. But both shows hit a universal theme: that the longest journey in the world can be the one from nine to five.













