Arrested Development

No unanimated sitcom ever packed its jokes as tightly as Arrested Development: this was comedy so dense and hard it could scratch a diamond. Creator Mitch Hurwitz assembled a Delta Force-level squad of character actors to tell the story of the marvelously dysfunctional Bluth family, forced to get off the gravy train and walk after their kleptocratic patriarch is busted for corporate crime. Over three seasons, AD became a sharp satire of everything from the Enron scandal to the war in Iraq, but its prickly comedy had a sweet emotional center. A marvel of wordplay and layered comedy, it will be the measuring stick of sitcoms for years to come.
Mad Men

Nostalgia, Don Draper once pointed out in one of his classic sales pitches, means the pain from an old wound. This minutely observed 1960s drama avoided the clichés of historical nostalgia by focusing first on its characters, their own history and their aches. Central among them was Don, who ran from his impoverished childhood, stole a dead man’s identity and became not just a suburban dad but an American archetype of self-reinvention. Set amid the high life and highballs of swellegant Madison Avenue, Mad Men showed how people in the business of creating perceptions come to terms with reality.













