Tuned In

Vacation Robo-Post: The 2009 Cincy Awards

Yesterday, I announced Tuned In’s newest year-end award: The Cincies, honoring TV’s most interesting failures of the year. You can read yesterday’s post for the explanation. Today, after the jump, I hereby announce the 2009 Cincies:

The Goode Family: Mike Judge’s sendup of political correctness didn’t take as well as his previous series, King of the Hill. But its characters, broadly drawn at first, became more understandable and likeable as the series went on. And for all its progressive target practice, it was actually a well-observed take on the schisms and characters of college towns.

Kings: A Biblical story, with Biblical language and the invisible but everpresent hand of God, set in a modern corporatized kingdom. Kings would have been hard to pull off even if NBC knew what to do with it, and it never quite balanced its ambition and its soapier elements. But it was odd, ambitious and occasionally mesmerizing.

Dollhouse: A textbook Cincy. Dollhouse spent the first half of its first season finding its tone; it had a hard-to describe premise and hard-to-take themes of sexual exploitation. When it clicked, though, it was a provocative and wildly entertaining show that asked: if you can store (and create) a consciousness on a chip, what makes a person?

Hung: An example of a Cincy that (because it was picked up for a second season by HBO) has a chance to right itself. The story of a dead-broke teacher turned gigolo (and his poet-turrned pimp), it tried to make sex farce out of very real desperation in the blighted Detroit area. Dark and often bitter, it had as much in common with a typical TV comedy as a baking-chocolate bar has with a Milky Way. Yet it felt like there was a good show in there, if the writers could get their jumble of ideas about American dreams gone awry to cohere.

The Prisoner: Critics, including this one, weren’t kind to this remake, but reimagining a beloved TV classic was not for the fainthearted. And this miniseries’ basic idea—turning the ’60s version’s Cold War gulag into a corporate prison of the mind—made sense on paper. A Cincy for the effort—and for, at least, looking spectacularly good while trying it.

Related Topics: 2009 in review, Awards, the cincies, Uncategorized
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  • deckerfamily03

    Hung is the only show listed that I have actually seen, and it is perfect for it. I love the show, but each episode leaves you feeling differently each week…whether the show is good or not. I can’t wait for the second season to come around and see where it goes. Which reminds me…East Bound and Down as another show that felt the same way, yet I still really enjoyed it. Any word on if it’s coming back at all?

  • http://memles.wordpress.com/ Myles

    Agreed on everything, except perhaps Hung.

    You’re right that the show was a bit incoherent at points, but I don’t think it ever abandoned the “American dreams gone awry” focus. I don’t think this is a failure of narrative but rather a conscious decision to explore rather than explain in its first season. And I thought the finale captured this, avoiding a sensationalist or shocking conclusion in favour of one which maintained the status quo while shedding light on how the characters have negotiated this exploration.

    And while I’m perhaps alone in this opinion, I’d easily place Nurse Jackie here instead. It has a great cast, and a simple but effective moral dilemma at its core, but the show’s balance of drama and comedy was completely thrown off by the awful material given to Anna Deavere Smith (Hung’s bawdier comedy felt more natural), and its conclusion pretended the show was Weeds or something similar.

    I guess I’d judge “getting a second season Cincy” contenders based on how certain I am that their second season has a sense of purpose and direction, and I am quite confident that Hung knows where it’s going. Nurse Jackie? Not so sure.

  • sirbach

    It has been a long time since something I eagerly awaited like The Prisoner disappointed me on almost every level. As No. 2, Ian Mccellan was amazing. But everything else was flat. Was it aiming to stay enclosed as a miniseries and no desire or aspirations for a full series. You could never tell and the ending left a bitter taste than anything I ever was involved.

  • moryan

    I have to nominate FlashForward for a Cincy. Talk about a show that had very little idea of what to do with an interesting premise… The more I watched FF, the more I thought it should be a miniseries. Or at the very least not contain a wtf level of migraine-inducing exposition.

  • Chaddogg

    I’d like to award my Cincy to “Life.” A victim of NBC, the strike, and poor promotion/time slots, “Life” was well-acted, well-written, stylistically beautiful (some of the shots of murder scenes were framed/lit/set almost artistically), and entertaining.

    A clever twist on the police procedural, it also managed to get serialized elements woven into its story well.

    But really, this is an award for Damian Lewis, who was phenomenal and deserves another show to be at the head of….and of William Atherton (who got in a couple episodes, and was great…which makes me excited for his upcoming appearance on Lost)…and Sarah Shahi, and Adam Arkin, and Donal Logue, and Garrett Dillahunt (who was amazing). Really an ambituous show that deserved more success…..

  • mrbilliam

    The last few episodes of Dollhouse (starting with “Belonging”) have so good that I don’t feel we can still say the show is a creative failure.

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    [...] year around this time, I invented a new kind of TV award, or perhaps "award." Like a lot of critics, I always list the best shows of the year, and the [...]

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