Tuned In

Doing Less With Less: What Are You Willing to Give Up from Journalism?

I met a neighbor at a party last weekend and mentioned that I write for TIME. This led to a conversation about the New York Times–specifically, how many typos she’s noticed in the paper lately. They must be getting rid of all their copy editors! Yeah, I said, they’re probably stretched pretty thin–more copy to edit, in the paper and online, and fewer people to do it–and they’re in the middle of a big round of layoffs.

I know, she said, it’s terrible! Anyway, she continued, we’re dropping the daily paper and just getting the weekend from now on. I’m not going to keep giving all that money to a newspaper that’s riddled with typos!

There you pretty much have the dilemma of the old-line media outfit today. Your readers expect old-fashioned editorial standards, and they want you to maintain them with a new-fangled revenue stream.

And here’s the thing. Yes, I’ll admit I had a sarcastic comeback: “Yeah, that’ll really help them beef up their copy desk!” But really my neighbor had a perfectly good point. Why should she support with her money a product that she’s not satisfied with? You could make the argument that she’s only further beggaring the Times by cutting back her subscription, but if maintaining the subscription isn’t giving her a satisfactory product, why shouldn’t she?

It goes against my interests as a journalist to say it, but that kind of response is entirely reasonable—if you’re honest with yourself about the consequences. It’s true that technology can boost productivity; it may be true that papers like the Times should be finding a better business model. It is also true that you get what you pay for, to an extent: no one is going to copyedit the New York Times on a volunteer basis for the pleasure of it. But you could decide that, if paying full price, in the current economic climate, doesn’t get you the level of service you want anyway, you may as well choose to pay less and get less.

When journalists say “you get what you pay for,” there’s often a moralistic tone to it that does no one any good. No one’s going to save journalism by hectoring people. Instead, journalists, and their audience, should look at it as a simple practical question: as it stands today, if you pay less, eventually you will get less. (Assuming, that is, no one invents a new means of subsidizing journalism without you paying anything.) Are you OK with that?

It’s an important question, without an automatic answer. A few days ago, The Awl’s Tom Scocca and Choire Sicha wrote a dialogue about a recent Times public-editor column by Clark Hoyt. One of the controversies Hoyt had written about was a case in which a Times freelancer had written about her boyfriend’s restaurant.

I won’t belabor the details, but Scocca and Sicha made an outstanding larger point about the Times’ freelancer guidelines: the paper is using far more freelancers to cut costs, yet expects them to abide by the same rigid guidelines as full-time staffers. But one thing that makes it easier for full-time staffers to follow those guidelines is, well, being paid a living wage by the Times. Which the Times either no longer wants to do or can no longer afford to do.

Scocca’s summary is devastating:

You want ethically impeccable writers? Then don’t expect them to have to hustle for a living. Don’t blame them for getting bought, let alone for the potential appearance of having previously been bought, when you’re too cheap to buy them yourself. … We are in tough Times. But stop pretending. The Times has lowered its standards. Lower standards are cheaper than high standards.

The key line there? “Stop pretending.” Maybe what the Times, and readers like my neighbor, are tacitly doing is reaching some kind of silent agreement: we are willing to do (and to read) cheaper news with lower standards, and in turn pay less for it (as employers and as consumers).

That’s an entirely defensible and adult decision. But media institutions (and, I believe, a lot of their audience) just are not comfortable saying that flat-out: “We’ve got to do it cheaper. So you get less quality control. That’s how it is. Deal?” Instead, like corporate managers everywhere, they’d rather officially subscribe to the idea that, to quote David Simon in The Wire, newspapers will just somehow do “more with less.” People will buckle down! We’ll cut the waste! The scientists will invent something!

The problem with that thinking is not that it’s hypocritical. (Again, a moral judgment that’s beside the point.) It’s that it gets in the way of having a simple, practical conversation about what we’re willing to trade off.

So there’s less money for professional journalism. Maybe, say, I’m willing to read a few more misspellings in exchange for another body working in the overseas bureau. (You’ll notice from even a brief reading of Tuned In that this blog is not copy edited.) Maybe I’m willing to accept cheesy travel coverage (or, um, reviews of vapid reality shows) if it pays the bills for local news. Maybe I want less national news and more local news in my paper, or vice versa. (The fact that different people will want precisely the opposite priorities—and some will cancel their subscriptions if you disappoint them, leaving you even less money—makes the call all the harder.)

These are all rational trade-offs. But they are trade-offs, and we should acknowledge it. Where are you willing to give less to get less?

Related Topics: journalism, newspapers, News Media
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  • late2theshow

    I was laid of as a copy editor from a newspaper this year. I just wish someone was willing to pay me to copy edit things. I feel like a bridle-maker in the early 20th century.

  • late2theshow

    Wow, so maybe it’s okay that I was laid “of,” er, off.

  • http://twitter.com/poniewozik James Poniewozik

    You’re doing this on your own dime–misspell all you want.

  • http://genesboys.wordpress.com genesboys

    As a sports fan, I could do with fewer beat reporters from every individual newspaper, and more wire game stories if it meant more space for in-house features and columns. Also, I don’t understand quite why, in this day and age, many/most papers (I’m writing from Canada so I’m not quite sure what the situation is with US papers) persist with the quaint tradition of an entire page devoted to box scores, standings and other statistics when they’re all readily available on the Web.

    By the same token – a lot of papers (up here at least) have ditched most of their stock pages, and I think those that haven’t yet really ought to.

    In the arts and entertainment pages, I’d like to see fewer reviews of the big, touring arena and stadium shows – Lady Gaga or Kings of Leon or whoever. I’ve never really understood that practice: the show is (usually) only in town for one night, and everyone who wanted to be there generally was. So what purpose does a concert review serve? It’s not like with a play, a restaurant or an art exhibit, where readers might decide to go or not based on what they’ve read in the paper.

    Lastly – and I hate to say this, in this space, James – but critics who work for local outlets, who review things that aren’t specifically local (movies, TV, music to some extent) are superfluous these days. Some of the other stuff I mentioned above – food/restaurants, theatre, art, architecture – those are local things, and a paper needs local voices on them. But I don’t need someone who lives where I do to tell me if George Clooney’s new movie is any good, or what I should watch on TV that night.

    If one or two fewer local reporters in sports and one or two fewer local critics in arts means a few more reporters for the city section – I’m more than willing to accept that.

  • frommers99

    You have got to be kidding! Doing more with less means less investigative journalism; less personpower to, say, investigate an outfit like Madoff; fewer reporters to put on a story about the slimeball ethics of the credit card industry, which ruins consumer credit over a late payment of $5. I used to work for newspapers, but no more. Even 10 years ago when I left they were sliding downhill. Yes, poor copy editing is a problem, but the bigger problem is protecting Americans from abuses of power. There is a totalitarian feel to City Hall these days and to corporations. Say what you will about Michael Moore, but his movie “Capitalism – A Love Story” tells you where we’re heading. And the journalists really are not watching; they don’t have time.

  • jondonley

    I was laid off after 31 years in the newspaper business – from reporter to copy editor to Page 1 editor to web editor. Per-capita newspaper circulation has been in decline since the 1950s. That’s a fact. I launched my first newspaper web site thinking I was building a bridge to help my industry survive. Unfortunately, the industry has focused its resources on salvaging the print factory, rather than journalism. Experienced journalists, and now even web operations, are being cannibalized to keep the presses rolling, at the expense of journalism itself. If there is a silver lining, it’s that there are tens of thousands of experienced journalists, still passionate about journalism, but with their ties to newspapers and magazines severed, looking for new ways to cover news.

    J

    BTW – Don’t discount copy editors as mere proof-readers. They are the last line of defense for a newsroom, catching not only typos, but also major and minor factual errors and holes in stories. I’d be more worried about that than spelling errors.

  • doubleang

    I agree with jondonley’s last comment about the factual errors.
    I seem to see more and more factual errors anymore, and this drives me nuts as it leads to more ignorant readers.

    But your neighbors point about typos and spelling error riddled journalism is very valid. It drives me nuts when I read an article someone was paid to write and there are obvious spelling errors. Obviously Microsoft Word doesn’t catch everything, but I would be annoyed with myself if the papers I submitted in college or at work had significant typos.
    Don’t journalists have friends or parents they can have proofread their work? ;)

  • Bemused

    I teach in a program that grants a copyediting certificate after completion of a core curriculum. In the winter quarter, I’ll be teaching an elective called “Editing as a Business,” basically how to make a living as a freelance copy editor (as opposed to how to do the actual copyediting). Unfortunately, it’s hard to really encourage people to study the discipline, as more and more experienced copy editors find themselves unemployed and copyediting itself is increasingly deemed dispensable.

    This past quarter, while teaching Copyediting I, I actually encouraged a student (in response to her inquiry) to drop out of the program–she was doing very poorly, and it was just unrealistic to think she’d be able to support herself in this field, especially competing against experienced copy editors. I get paid based on the number of students, but I just couldn’t encourage her to continue in good conscience. It’s all very sad.

  • http://rachhoch.wordpress.com rachhoch

    Seriously? People should have enough pride in their work to spell check it themselves.

  • http://andrewbargh.wordpress.com andrewbargh

    The reason the Times can’t pay for enough copy editors is because they practically give themselves away online. If the journalism won’t take itself seriously enough to charge people for online content then I don’t know how it will survive.

    Ad revenue will never be enough — an industry will always be loyal to whoever signs the checks. If this is advertisers rather than consumers, I think the quality and neutrality of serious journalism will really suffer.

    It’s always amazing to me how many people still say this could never work, considering the music industry succeeded in convinced most people to pay for online music in a matter of just a few years.

  • http://andrewbargh.wordpress.com andrewbargh

    haha.. If the journalism *industry won’t take itself seriously.

    (I was never a copy editor)

  • treepeony

    As memory serves, the Maddoff Ponzi scheme was not broken by any major news media outlet. Maddoff broke the news himself. In fact, the MSM did a fairly poor job of sniffing out Maddoff’s 20 year crime spree.

    I agree that “do less with less” is not an ideal situation but perhaps you might be more convincing with a better example of hard investigative reporting.

  • molokainews

    Yes investigative journalism will suffer as cutbacks are made but the Madoff case is not a good example, as explained above.
    The Associated Press, however, did show that real investigative journalism is still alive. AP recently uncovered confidential licensing agreements between Monsanto and seed users that provides real evidence that Monsanto controls seed development and, ultimately, the price we pay for our food. Here’s the story: http://bit.ly/61mBir.
    And for an example of a laid off newspaper guy who is trying to make it with hyper-local coverage, check out themolokainews.com. Mahalo!

  • frommers99

    Untrue about Madoff. Barron’s did a story in 2001:
    http://online.barrons.com/article/SB122973813073623485.html
    and the word on the street – loud and clear – was that Madoff’s outfit was crooked. This is a perfect example of a major story missed by journalists. It’s incredible that anyone would say journalists should not have investigated this scammer. Many people refused to invest with him. Why did the business press ignore Barron’s? Because they don’t know what’s going on under their noses.

  • frommers99

    “As memory serves, the Maddoff Ponzi scheme was not broken by any major news media outlet.”
    Uh…yes…treepeony….that would be my point.

  • chrisfranklin123

    http://www.thebloggersbulletin.org/2009/12/11/the-direction-of-the-media-shift/. In light of the aforementioned link, what would Richard Jalichandra say about Copy Editors — that they might find a new life in editing copy found in the blogosphere perhaps? I say that every copy editor that gets let-go by a major newspaper or magazine should be playing up his/her mainstream media credentials and providing services to the top blogs out there. After all, the members of good, large, independent blogs or group-blogs actually respect journalists, copy-editors etc. from traditional media quite well for the most part. And said blogs and their members are the ones who I anticipate will see a competitive advantage in producing a quality, well-edited media product. In fact, I’d say that copy-edited material is a selling point to readers of blogs (Reader: “Wow, those guys at Blog “X” never get their copy wrong; I sure can’t say the same about those millions of half-a$$ed amateur blogs out there…”). So, what I am saying to you laid off copy editors is: 1) start selling your services to the blogosphere and/or 2) Join up with the big group blogs forming out there — who knows you might gain a stake in these sites and profit from your participation far more than you ever could have as a staffer with a main-stream media outlet.

  • georgiac

    One of my local television channel’s news divisions posted an online story–admittedly, at 1:15 in the morning–reporting that someone “through” a dog from an overpass. Throwing a dog from an overpass is, of course, worse than using the wrong word, but one would hope that someone who aspires to write professionally at least knows the difference between “through” and “threw.” Even the most novice of professional writers shouldn’t require a copy editor to get that right, yes? I’ve sent more than my share of grumpy old lady emails, I suppose, though I have offered to copy-edit for free.

  • http://sarahhartley.wordpress.com/2009/12/17/links-for-2009-12-17/ links for 2009-12-17 « Sarah Hartley

    [...] Doing Less With Less: What Are You Willing to Give Up from Journalism? – Tuned In – TIME… When journalists say "you get what you pay for," there's often a moralistic tone to it that does no one any good. No one's going to save journalism by hectoring people. Instead, journalists, and their audience, should look at it as a simple practical question: as it stands today, if you pay less, eventually you will get less. (Assuming, that is, no one invents a new means of subsidizing journalism without you paying anything.) Are you OK with that? (tags: journalism business future media newspapers articles nytimes web) [...]

  • grlreporter

    As some who is currently employed by a paper I appreciate an aversion to typos and spelling errors. When they get into the paper, even after others read the story, it reflects poorly on my writing and my paper. And frankly it’s embarrassing.
    However, I doubt many people understand the basics of how a newsroom works, particularly at a small paper. I don’t have the luxury of covering one beat – City Hall for instance. I cover three to four beats, take photos for all my stories, copy edit, design pages and put stories on our Web site.
    Unfortunately, though my paper is owned by a major newspaper corporation, we don’t have the budget to employ a full-time photographer, much less a copy editor.
    I’m not excusing spelling errors, we hold the paper – no matter how “small” it may be – to a high standard. I don’t have a solution to the problem or even a suggestion as to how to fix it. Today reporters are expected to do more with less; that is true. We’re expected to put out a high quality product, seven days a week, with fewer and fewer employees to make it happen.

  • frommers99

    To: treepeony.

    “In fact, the MSM did a fairly poor job of sniffing out Maddoff’s 20 year crime spree.:

    Not sure what MSM stands for, but the purpose of the press is to “sniff out” corruption when the government either can’t do it or won’t do it. I suspect you are under the age of 30, and are not aware that the press’s job was once to protect us from our own form of government. Power corrupts, and it’s the press’s job to keep that power in check. The Madoff scam could not be a more perfect example of the press’ failings. If the press couldn’t hear on the street what hundreds, perhaps thousands, of investors heard…they were not doing their jobs. It was clear to many people on Wall St. that the SEC was hardly regulating anything. Journalism is clearly dead. It’s easy to see how dictatorships get off the ground.

  • rhys1882

    I don’t agree that local reviewers are superfluous. James may belong to a national publication, but my three other favorite TV reviewers/bloggers, Mo Ryan, Tim Goodman, and Alan Sepinwall, are all writers for local newspapers. Arguably, their newspapers are more high profile then others, but ultimately they are still local papers. If they didn’t have those jobs, their blogs wouldn’t exist. Local reviewers give local papers character. If you strip out that aspect of local papers, local readers would even have less of a reason to care about the local paper. People like “their” reviewer. I’d say 90% of the reviewers compiled on Rottentomatoes are from local newspapers. I would argue that the people regurgitating the same national story every other paper is covering are the ones who need to go first. Local character is what keeps readers.

  • rhys1882

    Personally, I’d like to see less regurgitating of national stories being covered by the all other news outlets and all over the wires, and more investigative reporting, especially on local issues. I think newspapers could reorganize and rededicate themselves to issues for more interesting then what they generally cover right now. The problem is that the papers are all mostly giant corporations, and giant corporations are scared of real dramatic change. Instead of reworking the systems, they just hack off limbs to cut costs and whatever remains just keeps doing what it has always done. They hope they can hack off enough so that they can become profitable while still basically continuing the same business model with what is left. It’s idiotic. They need a complete, top-down restructuring. Move out of the expensive office space, ditch the officers for writers who can work at home, have communal offices for basic file keeping and other things that require a physical office for. Ditch all the ridiculous sections that are just full of fluff. Don’t spend 20 pages parroting wire stories. Hell, ditch the wire service all together and just publish 10 pages of pure local news & arts.

    You know what is a great model for a newspaper? The Onion. A small paper with one fold and a few subsections inside. Why? Because they know readers wouldn’t be interested in 50 pages of nonsense, so they keep it short, and 25% is the AV Club which is real reporting on arts & entertainment. Now if only the real newspapers would understand that most people are not interested in 50 pages of nonsense in their papers either, even if it is “factual” nonsense.

  • frommers99

    rhys1882 Yes….everything you said makes great sense. It’s why many local papers, and local throwaways, continue to get advertising, because people can actually see something newsworthy in them. I’m amazed at how excited I am to get my hands on a local throwaway from the supermarket. It lists and covers all sorts of arts events, festivals, community events I would never otherwise know about. I can read about Tiger Woods from one source; don’t need 850 news outlets for that kind of factual nonsense…You are very smart and probably not young.

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