'Billie Jean'

Based on a real-life incident in which a woman accused Jackson of fathering her twins (“She says I am the one/ But the kid is not my son”) the song almost didn’t make it onto Thriller because Quincy Jones hated its signature part: the bass line. Thumping and fraught, it feels like the soundtrack to a late-night walk through a bad neighborhood. It successfully makes Jackson sound dangerous, which is no small feat. Amazingly, the video was also one of the first by a black artist ever played on MTV.
'Never Can Say Goodbye'

At 12, Michael’s voice is noticeably deeper than on earlier Jackson 5 songs — and deeper than on a lot of his later solo stuff too. In the verse, he ramps up the emotion gradually, easing his way up the scale until he bursts into the chorus, hitting all the high notes with astounding clarity.

























