The Passion of Joan of Arc

An abbreviated biopic — the film focuses on Joan of Arc’s last tortured hours—Carl Theodor Dreyer’s silent masterpiece was lost twice in a fire before an original print was discovered in a janitor’s closet in 1981. It’s a beautiful and intimate film. As Roger Ebert writes, “There is not one single establishing shot…[it] is filmed entirely in closeups and medium shots.” Rarely since has a film lingered over the face of its lead (Renee Jeanne Falconetti) with such single-minded obsession.
Lawrence of Arabia

After a certain point, British director David Lean just stopped doing small movies. In between Bridge on the River Kwai and Doctor Zhivago he delivered this most epic of epics. The tale of T.E. Lawrence — British author, adventurer, and soldier — Lawrence is a sweeping portrait of the kind Hollywood rarely makes anymore. In his film debut — one of the most auspicious in movie history — Peter O’Toole delivers a vain, intelligent, passionate performance, appropriate for a Englishman who thought he could bring freedom and cohesion to long-warring Arab tribes. Full of overwhelming desert cinematography, Lawrence was made for the big screen. Watching it at home and watching it in a proper cinema give the impression of two vastly different films.

























