The Elephant Man

“I am not an animal! I am a human being!” So says John Merrick, the tragically deformed subject of David Lynch’s restrained follow-up to Eraserhead. Cursed with a dangerously large head and a painfully gnarled body, Merrick (John Hurt) is paraded around for years as a sideshow freak before encountering the kind Dr. Treves (Anthony Hopkins). Based partly on the true story of a 19th century British unfortunate, Elephant Man unveils for audiences the entire range of human capabilities. We can be cruel and kind, ugly and beautiful—often times we’re all of those at once.
Malcolm X

Originally slated to be directed by Norman Jewison, a white man, Malcolm X soon became a Spike Lee joint after the director personally lobbied Jewison and convinced him that only a black director could make the film. It’s difficult to imagine anyone else having made this movie. While some minimized it as a unadventurous, straightforward telling of X’s life, the fact that a three-hour-plus movie about a still-controversial black leader was even made—Lee had to ask wealthy African American entertainers to help him finance the film—is incredibly impressive. Witness the fact that a Martin Luther King Jr. biopic has yet to be made. Who alive has the guts to do that?













