Lawrence of Arabia

After a certain point, British director David Lean just stopped doing small movies. In between Bridge on the River Kwai and Doctor Zhivago he delivered this most epic of epics. The tale of T.E. Lawrence — British author, adventurer, and soldier — Lawrence is a sweeping portrait of the kind Hollywood rarely makes anymore. In his film debut — one of the most auspicious in movie history — Peter O’Toole delivers a vain, intelligent, passionate performance, appropriate for a Englishman who thought he could bring freedom and cohesion to long-warring Arab tribes. Full of overwhelming desert cinematography, Lawrence was made for the big screen. Watching it at home and watching it in a proper cinema give the impression of two vastly different films.
Patton

George C. Scott is ferocious as Gen. George S. Patton, who led his tank forces against Germans in North Africa and Italy. It seems mad to have released a World War II movie just as the Vietnam War was coming to a head. It must have been something to see this villainous military hero say, right at the beginning of the film, “That’s why Americans have never lost and will never lose a war.” Francis Ford Coppola wrote the script, and it’s unclear if that line was supposed to be ironic or not. Richard Nixon didn’t think so, for the film was reportedly one of his favorites, screened many times in the White House.
Scott received an Oscar for his portrayal and promptly declined it. Only he and Marlon Brando have done such a thing.













