Tuned In

Shield Watch: We Made Each Other Into Something Worse

Prashant Gupta / FX
Prashant Gupta / FX

Spoilers for the series finale of The Shield coming up after the jump:

Oh, Jackson. Oh, poor Jackson. I know we’re supposed to be talking about what happened to Vic Mackey right now. We’ll get to it.

But first, Jackson. As The Shield wound down in its last few episodes, I found that the character whose welfare I mainly cared about was Jackson. It was obvious things weren’t going to end well for Shane, one way or another. He was too tangled in his web and too dumb and desperate to get out. I pitied him, but I wouldn’t mourn him. Mara made her own bed; Ronnie, in his way, too, as badly as he was screwed over. Vic would—well, whatever happened to Vic would happen to Vic, and in some way it would probably still be insufficient punishment.

But Jackson didn’t ask to be born into his family. He didn’t ask to have his future gambled on Shane’s hotheaded schemes. And The Shield, brilliant, unsparing show that it is, focused you on this fact, made you stare without looking away at how vulnerable Shane’s family was left—playing house in that abandoned mansion with danger outside every giant window. As Shane and family went on the run, it made me anxious, and angry. You are supposed to take care of your kid. This was the irony of Shane’s situation, and the perversion of all of Vic’s lessons. That’s what this was all supposed to be for, right? The families?

Jackson deserved to make it. He didn’t, because in The Shield people who deserve to make it don’t always. And that tableau—him laid out on the bed with the toy truck in his hand, pregnant Mara with her flowers—has stuck in my head ever since I screened the finale a few weeks ago, like no fictional image has since I read The Road two years ago.

Speaking of that conclusion: when did you realize that Shane was planning a murder-suicide? I have to confess I was totally blindsided, though if nothing else Shane’s giving the wad of cash and the suggestion to “have yourself some fun”—life advice from Shane Vendrell!—to the clerk should have been a tipoff. Which in retrospect makes Shane’s behavior in the rest of the episode—easing his family into the home he knew they couldn’t stay in, calling the family meeting, walking Mara to take a piss, talking to Mara about their daughter’s name without cracking—especially poignant, and Walton Goggins’ performance absolutely wrenching. Seeing him unpack his bodega bag, hold the truck in his hands, listen to Mara read to Jackson, steel himself and call, “Family meeting”—even more devastating on second viewing.

On top of that: when do you think Shane knew that he was going to take that step? On the surface, you’d think it was when he talked to Vic and saw he was out of options. (“Whatever happens to me and Mara, at least we’ll be together for it.”) But watching the finale a second time, I wonder if he didn’t realize, much earlier, that this was his ultimate plan B. You can see it in the determined concentration on his face when he talks to Mara about “Franny Abby.” You can hear it in his certainty when she asks him what will happen to Jackson “when they catch us,” and he says, ”Nothing. Because they’re not.”

Or did the call with Vic, with Mackey taunting him about visiting his kids and poisoning them against him, push Shane to the decision? Either way, it’s telling that for “family man” Mackey Shane’s own family—”Jackson and this other kid”—is nothing more than a vehicle through which to get at his old partner. (And yet, after that supreme jerk move, Vic seems genuinely anguished to hear about Shane and his family’s deaths.)

As a cop, I’m sure Shane knows a thing or two about prisons and foster care. I could talk about his final act as a failure and cowardice, but Goggins and Ryan are too good to let him be only despicable and cowardly. And dramatically, this ending—horrible as it was to watch—was far better than a shootout with Vic. What we needed to see each man confront was not the other, but the repercussions of what they wrought on themselves and those around them. Trapped and unable to surrender, Shane was more controlled and lucid in his final moments than he ever was on the street. 

We made each other into something worse than our individual selves. Shane’s last words bring us back to Vic. Did he deserve worse than he got? Was his punishment fitting? I don’t know. Shawn Ryan is not God. A show shouldn’t be judged on whether its end comports with justice in a moral universe. It should be judged on how the characters respond to whatever end fate serves up to them.

Mackey’s state, at the end, seems just right. He hasn’t died, he’s gone to paper-pushing Purgatory. No gunshot, no screams, just the hellish hum of fluorescent lights. He has to live and know that his family is somewhere that he can never see them. He is diminished, shackled, sullen.

And yet—and it wouldn’t be believable otherwise—he has not entirely given up. At the end of that chilling last scene, we see something that we’ve seen in Michael Chiklis when Mackey’s been backed into a hundred other corners. The eyes. Darting, fidgeting, snake-like. Red-rimmed now, but still looking for an out. Looking for the slightest fissure he can jam a stick into and wedge open. One lowlife he can beat information out of and get the address he needs.  I’m not saying there is an out this time, but he would not be Vic if he didn’t believe it was there, if he stopped looking for it. 

I’ll ask you, anyway, because fans will debate it anyway: did Vic get what he deserved? Even at the end, it’s never simple with Vic. He’s criminal and irredeemable, and we were forced to face it again with his immunity confession. And yet—why does he feel compelled to finish the Beltran bust when he already has his immunity? Is it on principle? Is it for the last chance to feel like a cop? Does he think he’ll gain some leverage toward a last family visit? A guy only looking out for himself would have let it become someone else’s problem. And yet, again—the pain on his face when Ronnie says he’s going to finish the job too doesn’t make Vic any less guilty. 

So much else in this finale, but I’m just going to hit it quickly: 

* You want injustice, forget about Vic. How about Claudette, whose reward after fighting the good fight for seven seasons is a terminal diagnosis? How about her tremendous, un-self-pitying dignity in deciding to show up for work every day, until she doesn’t? How about her balls of steel facing down Vic one last time: “This is my seat. That’s yours.” How about a supporting Emmy for C.C.H. Pounder?

* In retrospect, I’m surprised they haven’t used X’s Los Angeles on this show before. (They haven’t, have they?)

* Besides the resolution of the murder case, it was nice to see Dutch end on some kind of rapprochement with Steve. (Who—God love him—caps off his penny-ante legal triumph by checking out his lawyer’s ass.) Who’s up for a buddy-cop sequel?

* “The whole thing’s just so shitty.” Just as Ronnie got screwed over in the end—to the point of going to jail when Shane’s death would have freed him had Vic not talked—he was often short-shrifted as a character, fading in the background behind Vic, Shane (and even Lem). But right there, he captured the spirit of this last episode perfectly.  

* Having sent off The Wire earlier this year, it was good to see Clark Johnson situating Corinne and the kids in witness protection. 

* The one issue I had with the finale was the Andre Benjamin, New Paradigm party subplot. Not that it was bad; like Benjamin’s earlier appearances, it would have fit perfectly in an episode in the series’ regular run. In a finale, it seemed too portentious, prompting you to scan it for messages about the Bigger Picture of the relationship between the cops and the community. But it’s to The Shield’s credit that it didn’t deliver any soapbox missive: Benjamin’s preaching was half-indictment, half paranoid rant. But only half paranoid, as his murder showed. Like so much in the welter of The Shield, it was too inchoate to draw an easy lesson from. Finally his preaching said less in itself than his ability to connect with his audience—disrupting Aceveda’s town meeting at the church—said about the perhaps insurmountable trust between the community and authority. 

* I saw this and the previous episode at one sitting, and in a way they played like one giant finale. Taken together, I still think The Shield’s conclusion was one of the best for any drama ever, I can’t decide though, if that episode or this was better—not that it really matters. Penultimate episodes are sometimes better than finales, which have to touch so many final bases. That said, this one touched them as well as anyone could expect.

* Even at the bitter end, even revealed as a complete heel, Mackey is still funny. “You want him to live, you’d better start sucking face.”

There’s more to say; maybe I’ll say it eventually or maybe you will. I’ll leave you with one question after this astonishing finale, besides whether Vic got what he deserved. Namely: What is the shield? Not the title or the show, but the concept. You could always read the title multiple ways. A shield can be a badge. It can be an excuse. It can be protection. What, after seven years, is the shield? Who holds it now? And who does it manage to protect?

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  • rhys1882

    Amazing. Definitely one of the best endings for a drama ever. I liked the Sopranos ending, but ultimately it was very cerebral and artsy. The Shield is just plain visceral, and I think Sons of Anarchy is developing a similar edge. Damages had a great ending to its season, and that was just the season finale. Cannot wait for it to come back. The thought of a murder-suicide crossed my mind, but I didn’t believe they’d actually do it. I kept thinking, “she’s pregnant and its a kid, no way.” But their horribly decrepit state at the end of last weeks episode caused it to cross my mind. I actually thought Mara might do it, at least to her and Jackson, because she seemed much more despondent. I thought it was pretty interesting that he had a picture of Lem on his desk. The one friend where he can pretend he wasn’t totally responsible for his death. Definitely cool to see Clark Johnson. I guess that means they are in Baltimore, they were clearly wearing winter clothes. Technically, Vic deserves to be dead. I wanted him to offer himself up to clear Ronnie, basically offer to waive immunity to get Ronnie off. I think he’d probably be happier cracking heads in prison. With his family gone there wasn’t a reason for him to keep hanging on. But I guess his desire for self preservation overrules all. Oh, and something I just realized, he’s still got parental rights to his kid with Dani. That should be tense. I always rooted for Ronnie personally, very sad to see him go down. It was freaking hilarious to see Vic in his suit and tie.

  • drad098

    Television at it’s absolute finest. This is going to stay with me as no other show has come close to.

    Ronnie, always the clam thinker, screaming his way to the cage.
    The overt horror of Shane’s final srew-you to his mentor.
    Vic in his private little cubicle hell. With his picture of him and Lem. Ronnie’s just as dead to him as Shane.

    Vic’s insistance that he take down Beltran? That’s just what he does. He won’t go into his new job as a failed snitch, he wants to keep his mantle as the guy who gets things done. You can see the total disbelief on his face when he’s brought in the big bust, and there’s no reward. He’s finally somewhere they won’t put up with him.
    Vic being put in his cubicle, priceless. You could really see, this isn’t just a punishment for him, it’s a castration. He’s been made powerless. His last impotent shout “You can’t!”.

    I’d make one tiny change to this finale if I could. Included in the montage of scenes at the end would be from the pilot episode. Vic beating that suspect in interrogation as Aceveda and Claudette watch on the video screen. They let him break the rules to bring in the bad guys. They knew he was dirty. And 3 years later they’ve got dead cops, drug money, gang wars.
    Really, no one leaves this series with clean hands. No one had any illusions about who Vic was. But even people desperate to take him down let him run the streets day after day.

  • Tom Shaw

    Vic ending up friendless, off the force, his family having disowned him? That I expected. Having him stuck in his own personal Purgatory, stuck at a desk, stuck in a suit, while cops get to do real police work outside his window, at a place where the crime fighting stops at 6pm (unless you contact building maintenance)? Now that is a fitting punishment for a guy that has done unspeakable things along with risking his life nearly every day going the extra mile.

    And then there’s the Vic grin – he can come up with a way out of even this hole.

    Things I liked: Julien’s look at the gay couple, Antwon Mitchellville, & the Kavanaugh’s wife-eqsue Space Mountain conversation proved that the show still remembered all those bits, even if it would never have time to get back to them.

    Things I didn’t like: The Andre Benjamin bit did not seem to fit. (It also didn’t help that Antwon Mitchell was introduced as the same kind of rabble rouser, and we all know how devoted to cleaning up the streets he was.) If the goal was to give Tina a big scene for the final season, I suppose it was okay, but that goes more towards her character never fitting with the show in the first place (Julien’s student becoming the master has been done better elsewhere, as was Danny’s crushing any notion of automatic workplace sisterhood.)

    Dutch’s serial killer bit fizzled as well. I suppose it establishes that both the cops and the robbers will still be here tomorrow, but the cops abandoning the birthday party to assist on the 211 did the same in far less time.

    The Danny situation entirely fizzled, both logistically and thematically. Corrine and her kids are safely out of state, but Danny is still in the area with the only child Vic can track down? But Vic is apparently fine with Danny and their child walking out of his life but not Corrine and their children? Just a mess.

    Still, I am quibbling about not getting perfection when fantastic is better than we deserve.

    (In my opinion, Ronnie was already hosed due to the Shane/Corrine money drop. He may not have gone to prison (and not for life, in any case), but he would have been kicked off the force, had his pension revoked, etc. Although admittedly, neither Ronnie nor Vic knew how much Claudette knew.)

  • Kemper

    Incredible finale. The gut punch of Shane’s murder/suicide. Ronnie’s disbelief turning to anger as he was being hauled off screaming while Vic makes weak excuses. Vic confined to a bureaucratic hell.

    About Vic insisting on taking down Beltran, I think drad098 summed it up. It’s what Vic does. Even with everything imploding around him, he still thought he could save himself (and maybe Ronnie?) by making a big enough splash. It’s part of his own self deception that he thought the feds would allow him to operate as he always had even after his confession. Even at the end, with his family gone, friends dead or betrayed, and confined to a desk; he still thinks he can go out and change the ending. And maybe he does…. (Memo to David Chase. THAT’S how you do an ending scene with your main character.)

    I also agree with Tom Shaw that the serial killer storyline and Danny/Vic’s baby seemed forgotten or rushed. Why were Dutch and Claudette so sure they’d prove the kid was the killer? With his other children gone, shouldn’t Danny be terrified that Vic will devote all his attention to getting partial custody of their baby?

    @JamesP- I read that Shawn Ryan refused to work on the show during the strike, even as they were filming the finale. Do you think some of these loose threads came from that or did they just decide to leave a few things unresolved?

  • guillo28

    Let’s state the obvious. No series have ever finished with so much intensity. None ever. And the bar on how to end a series have been set so high that from now on we will be saying..” It’s either going to be a Shield ending or a Sopranos ending”.

    To follow on my previous entry, the monster is out, and the scene of Vic watching the camera at the interrogation room would have been enough to end this series. But to add Ronnie’s betrayal, Vic’s cubicle hell, Claudette’s support for Dutch, Aceveda’s triumph and Julian’s happiness slipping away took this one to a whole new level.

    Shane’s murders and suicide count as one of the top 5 gut-wrenching moments on this series that will stay with me for a long while (Aceveda’s rape, Dutch’s cat strangulation, Vic killing Terry and Shane’ execution of Lem with Cavanaugh and Vic fighting after round up the rest of the top 5).

    The only criticism is that the time spent on the other mayoral candidate storyline would have been better used to give Dani a resolution to her character.

    To answer your question JP, what we always thought the series to be was a path to redemption for Vic Mackey for killing Terry and not a road to perdition that began with his murder. The Shield is what protected Vic from going all the way to the bottom. When he lost such protection, all he had was a highway straight to hell.

    So Vic is going to jail (Remember that all those federal buildings have security cameras and Vic carrying a weapon became a violation of his immunity agreement). Will he go guns blazing? Will he go quietly in the night and go for the border? Will he try to find Corinne and make her pay for her betrayal?

    The monster is loose, so sad we can’t see where he is going.

  • hrnyc

    Just to be clear, since everyone seems to be worried about Danni: Vic has no rights with Danni’s baby. At all. Ever again.

    A father who needs immunity for multiple murders and felonies will never get the right to see his kid. And besides, Danny bailed on their meetings. Danni gets a restraining order in .5 secs and Vic cant even look at her again.

    Vic is ALONE. Completely and utterly. Deservedly so, but still not enough for what he did to everyone else.

    I praise Shaun Ryan for reversing 7 seasons of audience enabling for Vic in just 2 episodes.

    Everyone, included me excused and coddled Vic and shifted our moral scales until we finally acknowledged what we was. A disease. He killed the ENTIRE strike team but still pretends Lem was his friend.

    He shot Terry who was Lem’s friend.

    Ronnie will die in prison, unless he is given protection. Vic couldn’t even muster up the courage to warn him.

    Vic’s corruption of Shane, is all the more tragic when you realize Vic was just as cowardly as Shane when it was Vic’s family vs. Ronnie’s life.
    Vic cannot judge Shane for killing Lem.
    And Shane’s confession was heartbreaking. I mean wow. Little Jackson.

    And Vic was partly responsible for Lem’s death. Killing Terry is why Kavanaugh arrested Lem.

    We realize now that Kavanaugh and Claudette, and Dutch were the heroes. And even they were compromised in various degrees by their involvement with Vic.

    Vic’s ethos about team and family were pure shit. He will look out for team as long as it’s convenient to him. He’s a “good cop” meaning he will risk his life for arrests, unlike Billings, who hides from conflict.

    However Vic does that for the rush he gets as well as his sense of “duty.”

    Kudos to Clark Johnson and Shaun Ryan for kicking me in the gut. Great fiction is a powerful thing.

    To answer your original question, The Shield is about the defenses we put up to avoid accountability for our actions.

    Ronnie never agreed to kill Terry but he had plenty of opps to cut ties with Vic.

    RIP Shield.

    Looking forward to Dutch/Billings the buddy com or

    Vic Mackey: THE ICE years.

  • James Poniewozik

    @Kemper: I don’t think Ryan’s absence affected anything narratively. The finale was written, and though he wasn’t around for shooting, FX basically kept the show in the can for him so that he could come back and do the final editing and postproduction on it. As to your points, I think it’s a combination of intent and the fact that there will inevitably be loose ends. (I think when a finale tries to eliminate all loose threads that in itself is distracting–it can be like watching a checklist.)

  • James Poniewozik

    @guillo: Funny, my original title for this post was “He’s Your Monster Now”—Claudette’s words re Vic’s deal with ICE—but I thought it might be too spoilery by implying that Vic gets away alive.

  • guillo28

    @JP- Now that the series is done , what are your favorite gut-wrenching moments of the show ?

  • jondelfin

    “[W]hen did you realize that Shane was planning a murder-suicide?” I was too preoccupied waiting for Mara to kill Jackson and herself….

  • jondelfin

    Two other thoughts: 1. If ever there was a show that should have been broadcast with limited or no interruptions, this was it. The ad breaks were jarring. On the other hand, some pauses for breath and head clearing were welcome.

    2. Director Clark Johnson’s character was listed in the end credits as “Handsome Marshal.” I really appreciated the opportunity to laugh at that point.

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