Lady Sings the Blues

Not every African-American producer of the 1970s wanted to make crazy-sexy-violent films for a specifically black audience. Berry Gordy, Jr., the Motown Records founder, wanted to make an old-fashioned Hollywood bio-pic about a famous doomed singer. Except the film would be about the black chanteuse Billie Holliday, and she would be played by the star thrush of the Supremes — Diana Ross. He believed that audiences of all races were ready for a female star in the old-fashioned mold — suffering like Bette Davis on screen, or Judy Garland off — and that the svelte, kittenish Ross could bring a burnished sexiness to the job. He got that right. Lady Sings the Blues, directed by Sidney J. Furie, was a hit, and earned five Oscar nominations, including one for Ross as Best Actress.
Ross would make only two other features: the goofy melodrama Mahogany (where she channeled both Audrey Hepburn and Garland in a Funny Face in the Valley of the Dolls) and The Wiz (a pop-soul version of Garland’s The Wizard of Oz). By 35, she was done with pictures. But she came as close as any black actress to becoming an authentic movie diva. That was proved 34 years later, when Dreamgirls, the fictionalized story of Gordy, Ross and the Supremes garnered a $100 million box-office gross and eight Oscar nominations.
Cooley High

For help in my selection of 25 important black films, I asked six of my colleagues in the TIME Art section to name some of their favorites. To my surprise, Cooley High was on three of the lists. Now it’s on mine. Why? Partly because including a flat-out comedy gives us a brief break from the anguish and anger in so many of the other films on this list, but also because there’s what looks like truth in the sassy, nostalgic fun of this film — all scored to the Supremes’s “Baby Love.”
In 1974, the ABC network asked Eric Monte, a writer for Norman Lear’s black sitcom Good Times, to come up with an Afro-American Graffiti. Instead, he reinvented an ancient movie genre (the high-school comedy) by borrowing heavily on his own teen experiences to give us the story of two friends, the Most Likely to Succeed “Cochise” (Lawrence-Hilton Jacobs), and “Preach” (Glynn Turman), class clown and aspiring screenwriter, as they live the last weeks of senior year, 1964. The movie immediately spawned an ABC series, What’s Happening!! — and maybe, in its mix of sexual yearning, career ambition and a couple of run-ins with the law, last year’s Superbad. By today’s debased standard, the comedy is genteel, but not so the incidental epiphanies, like a brief shot of a hearse to show the future that awaited some of Preach’s classmates.
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- About the List...
- Body and Soul
- Hallelujah!
- Judge Priest
- Imitation of Life
- God's Step Children
- The Duke Is Tops
- Gone With the Wind
- The Blood of Jesus
- The Jackie Robinson Story
- Native Son
- Carmen Jones
- The Defiant Ones
- In the Heat of the Night
- Sweet Sweetback's Baad Asssss Song
- Lady Sings the Blues
- Cooley High
- Killer of Sheep
- Richard Pryor Live in Concert
- A Soldier's Story
- Do the Right Thing
- Boyz N the Hood
- Eve's Bayou
- Bamboozled
- Madea's Family Reunion
- I Am Legend













