Do the Right Thing

The hottest day of the year starts calmly enough, as if the people on Stuyvesant Avenue in Brooklyn’s Bed-Stuy neighborhood are the cheerful graduating class of Sesame Street. Da Mayor (Ossie Davis) spreads inebriated wisdom. Sal (Danny Aiello), the Italian American who runs the corner pizzeria, brags that the locals “grew up on my food.” His delivery boy, Mookie (writer-director Spike Lee), doles out advice, and Radio Raheem (Bill Nunn) keeps the block pulsing to Public Enemy’s “Fight the Power,” which bleats from his boom box. By day’s end, though, the neighborhood has erupted. Sal and Raheem start fighting about the loud music; the cops arrive and, in the struggle, kill Raheem; Mookie throws a trash can through his employer’s window; the place goes up in a puff of black rage.
So did some critics when Lee’s day-in-the-death melodrama opened. Cries of “fascist” and “racist” filled The Village Voice. A political columnist for New York magazine charged that Do the Right Thing could undermine the New York City mayoral campaign of black candidate David Dinkins (he won anyway). Lee, a canny writer-director and a brilliant showman, must have smiled at all the free publicity, which made the movie a word-of-mouth sensation. The main charge against the film, that it took both sides of an explosive issue, now seems to miss the point. Lee was not only an angry young man on Stuyvesant Ave., he was the Old Testament God watching from above, sending plagues of fury and prejudice as an impossible test for ordinary people.
Boyz N the Hood

Kids who grow up to become directors do so because they saw movies they loved and want to make them. John Singleton saw Star Wars and found his calling. The trick, for a kid from Los Angeles‚ South Central ghetto, was to survive to adulthood. He did, and by the time he was 21, he’d written and directed Boyz N the Hood. Like many first films, it’s a fictionalized autobiography — a life story that could have been a death warrant. The boys in the neighborhood must wonder if they have any choice but dying poor from drugs or dying rich selling them. Rough in its moviemaking craft, the picture is nonetheless a harrowing document true to the director’s south-central Los Angeles milieu; he paints it black. Boyz N the Hood functions both as a condemnation of the world outside any big-city movie house and as an inspiration to those aspiring outsiders who would change history by filming it.
The movie was also an early clue to Hollywood’s avidity for young black talent, both behind the camera (Columbia Pictures gave boyz-wonder Singleton $6 million to make the picture) and in front. It showcased Laurence Fishburne and Angela Bassett, who two years later would play Ike and Tina Turner in What’s Love Got to Do With It, as well as Cuba Gooding Jr., Ice Cube, Nia Long and Regina King. The talents of directors (of any shade) may be variable, but the movies will never run out of amazing black performers.
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- About the List...
- Body and Soul
- Hallelujah!
- Judge Priest
- Imitation of Life
- God's Step Children
- The Duke Is Tops
- Gone With the Wind
- The Blood of Jesus
- The Jackie Robinson Story
- Native Son
- Carmen Jones
- The Defiant Ones
- In the Heat of the Night
- Sweet Sweetback's Baad Asssss Song
- Lady Sings the Blues
- Cooley High
- Killer of Sheep
- Richard Pryor Live in Concert
- A Soldier's Story
- Do the Right Thing
- Boyz N the Hood
- Eve's Bayou
- Bamboozled
- Madea's Family Reunion
- I Am Legend













