The Fly

A scientific experiment goes wrong, and a man turns into a fly. This served as the recipe for an O.K. ’50s mutant movie. David Cronenberg’s remake went way beyond, and I don’t mean in its deliciously grotesque special effects. The film turned the malignancy of its misguided hero (Jeff Goldblum) into a metaphor for all degenerative diseases — cancer, AIDS, Alzheimer’s — and the effect it has on the victim. He fights it; he tries to outthink it; he monitors his deterioration, with irony, then anger. Because The Fly is about a man facing his own decay and hoping against hope to negotiate with the inevitable, it is the most human of all horror films.
The Exorcist

Poor Regan MacNeil (Linda Blair). The decent preteen has been infected by a demon that produces icky boils on her face, makes her head literally spin and uses a guttural voice to spit out curses we still can’t print on a family website (one was rendered in a skit in the first season of Saturday Night Live as “Your mother sews socks that smell!”). Her hope is an exorcist, back in the day when Catholic priests were known for taking bad things out of children, not the other way around. In a decade of A-list horror movies, this one from William Friedkin was honored with 10 Oscar nominations, and won for William Peter Blatty’s script. But it’s better than that: a haunted-soul story with magnificent makeup effects by the legendary Dick Smith (Little Big Man, The Godfather, Taxi Driver, Scanners, etc.).
More Best & Worst Lists
View AgainHorror Movies
- Arrival of a Train at La Ciotat
- The Fly
- The Exorcist
- Night of the Living Dead
- Freaks
- Blood Feast
- Carrie
- Men Behind the Sun
- Paranormal Activity
- The Texas Chain Saw Massacre
- Thirst
- Braindead/Dead Alive
- Jaws
- Bambi
- Audition
- The Phantom of the Opera
- Trilogy of Terror
- Peeping Tom
- Halloween
- Frankenstein
- Nosferatu
- Invasion of the Body Snatchers
- Alien
- Psycho












