Halloween

Just take the word of an alter kocker: late October wasn’t always the time for scary movies. But after John Carpenter’s low-budget masterpiece became a hit, the Halloween horror tradition was established. Wait? Masterpiece? Let’s see. It has one of the great opening scenes — a 4 min. 7 sec. tracking shot, from the killer’s point of view, as he enters a house, picks up a kitchen knife, mounts the stairs, enters the bedroom of a nude teenager and stabs her to death, then returns outside to meet his justice — then settles into a stealthy game of killer and victim. Jamie Lee Curtis, in her first film, is the heroine. But the killer is the star, in all his insane resourcefulness. Best sequence: when he impales a guy on a downstairs wall (staring at his victim as if he’s a performance-art still life), then goes upstairs wearing a bedsheet and the victim’s glasses to dispatch a girl who thinks he’s just kidding. No kidding here: masterpiece.
Frankenstein

“It’s alive!” screams Colin Clive in the lightning-streaked laboratory, as he watches the twitching fingers of his patchwork toy — Boris Karloff, in the role that made him famous. A fable of science run amok, this take on the Mary Wollstonecraft Shelley novel retains its glamour and power, its poignance and deranged wit. James Whale, who also enriched the genre with The Old Dark House and The Invisible Man, continued the Shelley narrative in a more lavish, puckish sequel, the 1935 Bride of Frankenstein. Bill Condon’s Gods and Monsters (1998) was a fanciful biopic of this homosexual director.
More Best & Worst Lists
View AgainHorror Movies
- Arrival of a Train at La Ciotat
- The Fly
- The Exorcist
- Night of the Living Dead
- Freaks
- Blood Feast
- Carrie
- Men Behind the Sun
- Paranormal Activity
- The Texas Chain Saw Massacre
- Thirst
- Braindead/Dead Alive
- Jaws
- Bambi
- Audition
- The Phantom of the Opera
- Trilogy of Terror
- Peeping Tom
- Halloween
- Frankenstein
- Nosferatu
- Invasion of the Body Snatchers
- Alien
- Psycho












