"I apologize. I know I left some of your favorite shows off this list. How do I know that? Because I left some of my favorite shows off this list. The happy and unfortunate fact is that there are far more than 100 great shows, and more created every year. Lists are incredibly important: they are how we define what matters to us, what we want entertainment and art to do, what we expect of our culture." —TIME TV critic James Poniewozik
To those who would call this MTV cartoon the boob tube at its most puerile, I have but one rejoinder: You said “boob.” This show’s fart-knocking, frog-smashing anarchy might have put it on the list alone, but B&B was so much more. It was a surreal comedy (“I am the great Cornholio!”). It was one of TV’s great inside critiques, peeling back the MTV fantasy of unattainable cool and personifying the sugar-buzzed idiot-children who paid the channel’s bills. Like creator Mike Judge’s later King of the Hill, Office Space and Idiocracy, it was an unsparing, minutely observed and surprisingly good-hearted picture of consumer America. And to the list of great philosophical dialectics—good/evil, yin/yang—it added another: “That’s cool” / “That sucks.” B&B was on the right side of that one.
Which was better: The Bob Newhart Show or Newhart? Both were excellent comedies, with essentially the same laid-back, stammering protagonist. (So similar that it seemed only natural that Bob should end the second show waking up in bed next to Suzanne Pleshette, his wife from the first.) It’s basically like asking: which was better: the ’70s or the ’80s? Well, I’ll say it—the ’70s. Or rather, that decade’s introspective, self-help-focused ethos, and his ’70s sitcom’s psychiatrist’s office setting, were a slightly better match with Newhart‘s sophisticated, droll, talky comedy of neurosis. So I award the nod to Hartley, his talking cures that never quite cured anyone and his windy Windy City patients. (Sorry, Larry, Darryl and Darryl.)
In light of the Material Girl performing at Super Bowl XLVI, TIME takes a look at her life and career, both of which have been lived firmly in the public eye.